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  • £50.00

    Firefly (brass band score & parts) - Simon Dobson

    Firefly was composed by award-winning composer Simon Dobson (b.1981) to provide an entertaining up-tempo concert work for community and youth bands. Composed in funk-rock style, and is based on the groove beat with which it opens. Dobson says, "Firefly was written as a break from my more serious music and as a 'hat tip' to the various types of beat orientated music I listen to." It was first performed by Oslofjord Brass in Norway and in its wind version by Harmonie Shostakovich, Switzerland. Duration: 5-6 minutes. INSTRUMENTATION: 1 Eflat Sop. Cornet, Solo Cornets (4), Bflat Rep. Cornet (1), 2nd Bflat, Cornets (2), 3rd Bflat Cornets (2); Flugel horn, Solo Eflat Horn, 1st Eflat Horn, 2nd Eflat Horn; 1st Bflat Bar., 1 2nd Bflat Bar., 1st Trombone, 2nd Trombone, Bass Trombone; Bflat Euphoniums (2); Eflat Tubas (2); Bflat Tubas (2); 2 percussion

    In Stock: Estimated dispatch 1-3 working days
  • £83.00

    A Bournemouth Suite - Benjamin Tubb

    Bournemouth Suite was written by Benjamin Tubb in 2005, when the composer was just 17 years of age. After spending many school holiday weeks with his grandparents in the coastal town of Bournmouth, it was obvious that these experiences would make a great basis for a composition.This testpiece is split into three separate movements: Balloon Ride, The Pier at Night and The BIC. Each movement has its own unique character, although there are ideas shared by all three throughout, one of which is the opening syncopation.Balloon RideThe First movement, Balloon Ride, describes a journey on "The Bournemouth Eye", a tethered hot air balloon that takes you up 500 feet. It's located in the middle of the town centre, which enables you to see surrounding countryside for up to 20 miles! The movement begins rather ominously as the balloon raises from the ground which leads into a more lively section caharacteresed by the repeating quavers in the lower brass and woodblock. The movement ends in much the same way as it started - signalling the return to terra firma.The Pier At NightDuring the summer there are several large firework displays in the town centre. The second movement, The Pier At Night descirbes an evening spent on the beach in deckchairs watching the montage of colours in the night-time sky. With demanding solos for horn and cornet, as well as exposed playing spread throughout the band, this slow movement will really test a band's expressive and lyrical playing.The 'BIC'The Bournemouth INternational Centre, also known as "The BIC" is one of Bournemouth's most visited attractions, and regularly hosts shows such as 'Riverdance' and pantomimes. Inside is a world of entertainment and the centre itself is just a stone's throw from both "The Bournemouth Eye" and the Pier. The 3rd movement has been written to describe the buzz of activity surrounding the BIC, and the entire works ends with the same syncopated motif from the beginning.A Bournemouth Suite was set as the 'set-test' at the Pontins Brass Band Championships 2009.

    Estimated dispatch 7-14 working days
  • £33.91

    Miserere mei, Deus (Brass Band) Gregorio Allegri arr. Espen Haukas

    Miserere mei, Deus was composed by the Italian composer Gregorio Allegri (1582-1652) during the 1630s for use in the Sistine Chapel during matins, as part of the exclusive Tenebrae service on Wednesday and Friday of the Holy Week. The Miserere is written for two choirs, one of five and one of four voices, and is generally accepted to be one of the finest examples of Renaissance polyphony to survive to the present day. Tutti choirs sing a simple version of the original Miserere chant; one voice then, spatially separated, sings an ornamented "commentary" on this. The comment-part is left out in this arrangement due to its meaning with text, though monotonous in tune. The introduction is added by the arranger to set the right atmosphere before the original chant is played. The brass choirs are meant to be placed opposite each other in a church or large hall. To view a video of Norges Nasjonale Brassband performing the piece please visit www.youtube.com/watch?v=YrJU3lwYD9U PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 4th Section + Instrumentation: Brass Choir 1: Solo Cornets (incl. Repiano) Horn in Eb Tenor Trombones in Bb Euphoniums Basses in Bb Timpani Brass Choir 2: Soprano Cornet in Eb 2nd Cornets in Bb 3rd Cornets in Bb Flugelhorn Horns in Eb Baritones Bass Trombone Basses in Eb

    In Stock: Estimated dispatch 1-3 working days
  • £60.30

    We Seven (Brass Band) Derek Jenkins

    We Seven, the title of this work, comes from a book by the same name written by the United States's first astronauts. The composer writes: 'In 1959, the United States entered the space race by starting a programme whose main aims included sending a solo astronaut into space and recovering him safely. Project Mercury, as this programme was so called, recruited the first seven American astronauts and successfully sent six of them into space. These men were Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard, and Deke Slayton, and collectively they became known as the 'Mercury Seven.' Through their efforts and those of countless others, the United States Space Program accomplished much with these six flights, including successfully sending an astronaut into space, putting a man in orbit, and keeping him up there for more than 24 hours. In 1962, shortly after Glenn and Carpenter's orbital flights, the 'Mercury Seven' co-wrote the book We Seven and throughout it, the astronauts discuss the events leading from their selection into the programme up through Carpenter's flight in May of 1962. The primary material for the work comes from two sources: the use of musical cryptograms to encode the astronauts names and initials into pitches and the aria 'Un bel di vedremo' from Giacomo Puccini's opera, Madame Butterfly. The inclusion of the latter comes directly from one of Glenn's chapters in the book. Together with a couple of the other astronauts, he would often listen to the opera to unwind from a long day of training. I would like to think that as he was orbiting the Earth that this opera, particularly this aria, would be running through his mind.' This work commemorates the Project Mercury on the 50th anniversary of its conclusion and was written for Joseph Parisi and the University of Missouri-Kansas City Wind Ensemble. This version for brass band has been prepared by the composer for the Fountain City Brass Band. To view a video of Fountain City Brass Band performing the work please visit: www.youtube.com/watch?v=yD3sBWhGkOo Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: 1 Soprano Cornet (Eb) 9 Cornets (Bb) [Both 3rd Cornets double Crystal Glasses] 1 Flugelhorn 3 Tenor Horns (Eb) [2nd Horn doubles Crystal Glasses] 2 Baritones (Bb) 2 Trombones (Bb) 1 Bass Trombone 2 Euphoniums (Bb) 2 Basses (Eb) 2 Basses (Bb) 4 Percussion

    In Stock: Estimated dispatch 1-3 working days
  • £75.00

    Fanfares And Love Songs - Gavin Higgins

    Fanfares and Love Songs was commissioned by the National Children's Brass Band of Great Britain for performance on 25th July 2009. Its three movements contrast the extrovert and lyrical qualities of the traditional brass band. The fanfare with which the work opens involves the whole cornet section. The second movement is reflective in mood, beginning somewhat pensively on muted brass, and building to an emotional climax before subsiding back to a distant pianissimo chord. The finale is a fast dance, which with a final recapitulation of the opening fanfare drives on to a breathless close.Brass Band Grade 4: Advanced Youth and 3rd SectionDuration: 12 minutes

    In Stock: Estimated dispatch 1-3 working days
  • £40.00

    The Typewriter (Score & Parts) - Leroy Anderson

    The Typewriter arranged for brass band by Andrew Duncan as a cornet or xylophone solo, is probably most recognised now as the theme tune to the long-running BBC Radio 4 show The News Quiz. Brass Band Grade 4: Advanced Youth and 3rd Section. Duration: 4 minutes.

    In Stock: Estimated dispatch 1-3 working days
  • £37.95

    Hungerford Town (Brass Band - Score only) - Barry, Darrol

    2011 Butlins 3rd SectionHungerford Town was commissioned by Tim Crouter and the Hungerford Town Band.The piece is in four movements played through without a break:The Black Prince: Opens with a short motif on which most of the following music is based. The music settles down into a mysterious mood that builds to the first transformation of the opening theme. The music is solid and rugged.The Coach Road: Hungerford was always a popular resting place for the horse drawn coaches on the way to London. The music is light and cheerful and features the soprano cornet and solo horn as postilions.St. Lawrence's Church: The previous motif from the first baritone becomes the main theme for this section that gives plenty of scope for warm and expressive playing. Music from the start of the suite is heard before it moves into a celebratory march.The Bear: The Bear Is a local inn frequented by travellers. The opening theme is heard again and brings the work to a triumphant close.Suitable for 4th Section Bands and above

    Estimated dispatch 7-14 working days

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  • £74.95

    Hungerford Town (Brass Band - Score and Parts) - Barry, Darrol

    2011 Butlins 3rd SectionHungerford Town was commissioned by Tim Crouter and the Hungerford Town Band.The piece is in four movements played through without a break:The Black Prince: Opens with a short motif on which most of the following music is based. The music settles down into a mysterious mood that builds to the first transformation of the opening theme. The music is solid and rugged.The Coach Road: Hungerford was always a popular resting place for the horse drawn coaches on the way to London. The music is light and cheerful and features the soprano cornet and solo horn as postilions.St. Lawrence's Church: The previous motif from the first baritone becomes the main theme for this section that gives plenty of scope for warm and expressive playing. Music from the start of the suite is heard before it moves into a celebratory march.The Bear: The Bear Is a local inn frequented by travellers. The opening theme is heard again and brings the work to a triumphant close.Suitable for 4th Section Bands and above

    Estimated dispatch 7-14 working days

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  • £35.00

    CLIMB EVERY MOUNTAIN (Brass Band) - Harper, Philip

    Hit from The Sound of Music, features for Solo Horn, Euphonium (or vocal line-words included) and optional soprano cornet with /McArthur Park' style end. Starts quietly with a singly voice (horn) and grows in power throughout. Standard: 3rd section Duration: 4:00

    Estimated dispatch 7-14 working days

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  • £69.99

    Fanfares and Love Songs (Brass Band - Score and Parts) - Higgins, Gavin

    Fanfares and Love Songs was commissioned by the National Children's Brass Band of Great Britain for performance on 25th July 2009. Its three movements contrast the extrovert and lyrical qualities of the traditional brass band. The fanfare with which the work opens involves the whole cornet section. The second movement is reflective in mood, beginning somewhat pensively on muted brass, and building to an emotional climax before subsiding back to a distant pianissimo chord. The finale is a fast dance, which with a final recapitulation of the opening fanfare drives on to a breathless close.Suitable for Advanced Youth/3rd Section Bands and aboveDuration: 12.00

    Estimated dispatch 7-14 working days