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£68.90Elisabeth - Michael Kunze - Erik Jansen
The life of the Austrian empress Elisabeth (1837-1898) which started as a fairy tale but ended as a tragedy, inspired the librettist Michael Kunze and the composer Silvester Levay to write a musical based on the life of the popular 'Sissi'. The musical was premiered in Vienna on 3 September 1992 and was very successful for many years. The story is told by Luigi Lucheni, Elisabeth's murderer. So death, represented by a mysterious and seductive young man, is omnipresent throughout the musical. Several songs have become hits and, of course, you can hear them in this fine selection by Peter Kleine Schaars who gathered various music and dance styles such as the rock shuffle, the jazz waltz and the classical Viennese waltz.
Estimated dispatch 5-14 working days
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£52.70Der Yid - Paul Voet
Jews in Eastern Europe always had their typical music. Links with gipsy music are never far away. Starting with 3 cadenzas, each for cornet, euphonium and tenorhorn the band has to deal with a difficult and very fast theme of 'Der yid in Yerusholayim'. Virtuosi horns, baritone and flugelhorn often answer the main theme by cornets and euphoniums. Quick drum patterns accompany the whole movement. Growing to a raging climax at the end all possible is asked from the bandsmen as to technique and endurance.
Estimated dispatch 5-14 working days
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£55.40Three Russian Folk Songs - Andrew Pearce
Three popular Russian folk songs, including: 1. 'Kalinka', a Russian song written in 1860 by the composer and folklorist Ivan Larionov, first performed in Saratov as part of a theatrical entertainment that he'd composed. It has a bright, speedy tempo, featuring soloists from each section. 2. 'Krasny Sarafan' (The Wedding dress or Red Summer Dress) is a beautiful, slow and lyrical song. 3. 'My Little Gypsies' ends the suite at a brisk pace with vigour and vitality, featuring every section of the ensemble!
Estimated dispatch 5-14 working days
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£66.00D.J.'s Mix - David E. Jones
This is a modern suite for young musicians in 3 separate movements, designed to be played either in its entirety or as stand alone pieces.
Estimated dispatch 5-14 working days
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£52.40Clock Watching! - Dean Jones
We all do it... sometimes with time to spare, sometimes with a spring in our step... but often with time running out! - yes, 'Clock Watching' is a part of modern life! This fun 4-part piece in 3 distinct movements offers flexibility in performance and material that should appeal to many aspiring groups. Each movement tells its own story... each has its own musical style and with plenty of sparkle and expression to showcase!'
Estimated dispatch 5-14 working days
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£69.00Festivo! - Dean Jones
Depicting 3 different dances styles, this fun-filled suite will have toes tapping and people swaying! There is plenty of exciting rhythmic drive in the initial Salsa which is then followed by the precision of the Tango. The final Samba will bring plenty of smiles to faces as this lively and engaging suite of dances comes to a fitting conclusion!
Estimated dispatch 5-14 working days
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£73.60Rock Pool! - Dean Jones
This play-on-words title is a suite in 3 movements. Movement 1, called Pool Party has an element of funk before the more laid back and reflective Beach-side middle section. The final movement is a 60s rock 'n roll throwback (with a few modern touches!) called Surfs Up!, so enjoy the ride!
Estimated dispatch 5-14 working days
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£19.95Bandkraft 1
The first of three superb sets of new music and arrangements for brass ensemble, edited by John Golland.1. Bandkraft - John Golland: A substantial piece with an exciting syncopated rhythm introduced in the opening bars and referred to throughout in a fanfare-like manner, to which a hint of dissonance adds extra thrill to the sound.2. Saraband - Gordon Jacob: A stately Elizabethan dance of great beauty, utilising modal harmony in Jacob's characteristic style. Constant speed, full note values and careful playing will achieve a beautiful, delicate effect.3. La Donna E Mobile - Verdi, arr. Roy Newsome: An amusing arrangement of this popular favourite by a conductor and adjudicator of international acclaim. Easy and enjoyable to play and to listen to.4. Spike's Rag - Michael Ball: A skilfully written piece in the true tradition of Scott Joplin, with the ragtime rhythm the backdrop to an unfolding conversation between the sections of the band. Really persuasive entertainment.5. National Anthem - arr. John Golland: A simple first verse setting the scene for the colourful and majestic second, utilising chromatic harmonies and an optional tenor counter melody for added splendour.
Estimated dispatch 5-14 working days
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£80.00St. Magnus - Kenneth Downie
Dedicated to Alastair Massey, an inspirational music teacher. Commissioned by the Scottish Brass Band Association for the 2004 European Brass Band Championships in Glasgow. This music is a set of variations on the tune known as St Magnus, which is attributed to Jeremiah Clarke. Most people will associate it with Thomas Kelly's hymn which begins: "The Head that once was crowned with thorns is crowned with glory now". The tune is very simple, consisting of just two, four-bar phrases. Neither is there much in the way of rhythmic variety, every note being a crotchet with the exception of two quavers, and the last note in each phrase. Within such a simple structure, however, lies considerable strength. THEME The listener is given the opportunity of hearing it twice, in full, at the beginning, starting with one player but soon taken up by the full ensemble. It returns in the middle of the music and is stated again near the end. This has been done quite deliberately in the hope that there will be an appreciation of what material is being developed, by the listener as well as by those with access to the score, who are able to see the visual connections. VARIATION 1 This takes the rhythm of the last part of the theme and also uses the shape of the opening as a recurring figure. The mood is whimsical and skittish, with short, teasing rhythmic figures tossed around the band, and quick interplay with percussion, at a fast tempo. An energetic flourish finishes this variation before the Andante espress. VARIATION 2 This commences with chords related to the opening of Variation 1. The cantabile on solo comets establishes a new, lyrical mood and there is scope for expressive playing in a series of short solo passages. The theme works its way unobtrusively into the texture before a reprise of the solo cornet melody and some more lyrical interchanges between Eb bass, euphonium, flugel horn and comets. The variation ends serenely with clear references to the last phrase of the theme. VARIATION 3 The first idea to dominate is clearly linked to the shape of the theme's first phrase. There is a frenetic feel to much of this variation, with considerable energy and instability created by extensive use of cross-rhythms. A thinning-out of the score marks a clear change to development of the start of the second phrase of the theme. This proves to be short-lived however, and the opening material returns leading to a restatement of the theme, "Maestoso," after which a euphonium cadenza links to Variation 4. VARIATION 4 Here we have some solos for euphonium, cornet, trombone and Eb bass set against a background of horns and baritones presenting a pensive statement of the theme's opening. VARIATION 5 This commences Allegro, with lively work for cornet and euphonium spreading to the whole band before attention focuses on the beginning of the second phrase of the theme which is initially presented in diminution, then in regular rhythm, then in inversion. An increase in tempo coupled with a decrease in volume, requires dexterity and control, with several metrical challenges thrown in for good measure. The same fragment of phrase becomes an ostinato which generates a frenzied climax, punctuated by short, dramatic silence, before the opening figure returns and the music gradually winds down. The tubular bells herald the final return of the theme, in augmentation, marking the start of the Finale. FINALE This features the running semiquavers of the previous variation sounding in counterpoint. A fast, furious coda speeds the work to a conclusion while references to the opening of the theme are still trying to break into the texture of the music. Kenneth Downie
Estimated dispatch 5-14 working days
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£152.99Between the Two Rivers - Philip Sparke
Between the Two Rivers was commissioned by Fanfare 'Prins Hendrik', from Aalst in the Netherlands. The title derives from the fact that the town of Aalst lies between two tributaries of the River Dommel. The community is a highly religious one, so the famous Luther chorale, Ein' Feste Burg, was an obvious choice for Philip Sparke to use as the theme for this new work. It takes the form of a theme with four contrasting variations. Variation 1 is a moto perpetuo, variation 2 has a slower march like feel, variation 3 is a sinister slow movement and the final variation is in the form of a lyrical fugue. Between The Two Rivers is sure to become a major work inmodern brass band repertoire.
Estimated dispatch 5-14 working days
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