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  • £72.99

    Little Clover - Etienne Crausaz

    Cornet solo commissioned by Carole Rudaz, a Swiss cornetist, on the occasion of her 40th birthday. Due to its rarity, the four-leaf clover is considered lucky in western culture. But the common three-leaf shamrock, also known as Little Clover, is one of the symbols of Ireland, whose traditional music greatly influenced the general aesthetics of this piece. The work is in three parts: the first, in 6/8, is very lively and virtuosic. After a short cadenza, the second part introduces a theme tinged with melancholy, while the last part is a dance in 2/2 that reprises the theme of the second part to conclude the piece.

    Estimated dispatch 5-14 working days

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  • £84.99

    Christmas Brass - Richard Peaslee

    Christmas Brass is a fantasy on six carols, originally commissioned by Mark Freeh for the Manhattan Brass Choir. Duration: 16:30The well-known tune, O Come, O Come Emmanuel, a hymn originally based on a plainsong melody, is here set in 5/4 meter. Modal harmonies are combined with big band style as the piece gains momentum, greatly accentuating the mood of the words, "Rejoice! Rejoice! Emmanuel." The opening 5/4 statement of the theme returns, and the piece ends quietly.In Beautiful Savior (also known by the title Fairest Lord Jesus), a hushed beginning featuring horns, euphoniums, and a muted trumpet, leads through a key change to a satisfying, chorale-likeclosing passage.In Away in a Manger, Peaslee sets two tunes, Cradle Song and Away in a Manger. Following a straightforward presentation of each melody, Peaslee plays them against one another. The music swells to a full climax followed by a hushed ending.Peaslee employs a gentle hand in It Came Upon a Midnight Clear, using flugelhorn solos and duets in a jazz-waltz style.In Silent Night, the traditional carol gets an untraditional harmonization, propelled forward by give-and-take between the two groups of brass instruments in the brass choir: trumpets and trombones versus horns, euphoniums, and tuba.Hark! The Herald Angels Sing begins with a humorous blast of discordant harmonies as multiple carols are sounded at the same time. An up-tempo 4/4 announcement of the melody in the trombone is followed by a metrical modulation in 6/8-3/4 time. An additional metrical modulation bring the music back into 4/4, but at a slower tempo and in a pronounced jazz style. Tempo I returns, and the set of six pieces closes with a big ending.Instrumentation: 4 Trumpets, 2 Horns in F, 4 Trombones, 2 Euphoniums, Tuba, Guitar, Bass, Percussion

    Estimated dispatch 5-14 working days

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  • £63.50

    Spiral - Marc Jeanbourquin

    Marc Jeanbourquin composed 'Spiral' during a music camp, for himself and 9 other fellow musicians. Due to the success of this piece, some years later, he has taken the main theme and developed it, with a kind of tribute to Camille Saint-Saens, one of his favourite composers. The constant changes between the minor and major keys, and between the often changing 2 and 3 feeling, with the occasional 2/4 bar thrown in, do not disrupt the flow of the piece in the slightest; in fact it is what has inspired the title. A percussion interlude, which is broken up by the unregularly occurring meter, brings the piece to a restatement of the original theme, which then ends in a large crescendo. Spiral is perfectly suited to either the opening or the close of any concert.

    Estimated dispatch 5-14 working days

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  • £69.50

    End of The Year Special - Andrew Pearce

    The end of the year special is an original composition not based on any carols, written originally for orchestra for a French TV channel to celebrate their end of the year festivities. It's a short 2 1/2 minute opener with lots of tuned percussion and sleigh bells, plus some solo work for the euphonium. It's fun and festive and a great way to open any Holiday concert. There's even an optional part for women's chorus if you like. End of the Year Special could very well be the perfect opening for your Christmas concert.

    Estimated dispatch 5-14 working days

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  • £60.99

    Only One Glimpse - Agathe Backer-Grøndahl - Tom Brevik

    A gem from the Norwegian folk music. No difficult and complicated matter but music based on sounds and atmosphere. The melody is one of pure beauty and mystical characteristic of the tranquil scenery of Norway. Solo for 2 B-flat instruments. Een juweeltje uit de Noorse volksmuziek. Geen moeilijke, ingewikkelde materie maar muziek gebaseerd op klank en sfeer. De melodie is er een van pure schoonheid en karakteristiek voor het mystieke verstilde Noorse landschap. Solo voor 2 bes instrumenten.

    Estimated dispatch 5-14 working days

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  • £74.99

    Kingdom of Dragons - Philip Harper

    The 'Kingdom of Dragons' is Gwent in South Wales, known in ancient times as the Kingdom of Gwent, and more recently home to the Newport Gwent Dragons Rugby Union team. This piece was commissioned by the Gwent Music Service with additionalfunding from Ty Cerdd - Music Centre Wales to celebrate the 50th anniversary in 2010 of the formation of the Gwent Youth Brass Band. Although the music is continuous, it is divided into four distinct sections, each one representing one of theunitary authorities which make up the County of Gwent. I. Monmouthshire, which has a large number of ancient castlesII. Blaenau Gwent, an historic area of iron and coal miningIII. Torfaen, where Pontypool Park is a notablelandmarkIV. Newport, the largest city in the region. The music begins with a two-bar fanfare, which sets out all the thematic material of the piece. The mood of pageantry that follows describes some of the ancient castles inMonmouthshire, with rolling tenor drums and fanfaring cornets. After a majestic climax the music subsides and quite literally descends into the coal mines of Blaenau Gwent. The percussion provides effects that suggest industrial machineryclanking into life, and the music accelerates to become a perilous white-knuckle ride on the underground railroad. There is a brief respite as a miner's work-song is introduced and, after a protracted build-up, this is restated at fortissimo beforethe music comes crashing to an inglorious close, much like the UK's mining industry itself. The middle sonorities of the band portray the tranquillity of Pontypool Park, a place of great natural beauty. Brief cadenzas for cornet and euphoniumlead to a full band reprise of the pastoral mood. At the end of this section we find ourselves at the top of the park's 'Folly Tower' from which the distant castle turrets of Monmouthshire are visible. Pontypool RFC was one of eleven clubs inthe first Welsh league in 1881 and a brief but bruising musical portrayal of the formidable Pontypool front-row, the 'Viet Gwent' leads into the work's final section. This portrays Newport, a symbol for progress and optimism for the future, idealsshared by the Gwent Youth Band itself. The music is a vigorous fugue which advances through various keys and episodes before the final triumphant augmented entry which brings the work to a magnificent conclusion. NOTES ONPERFORMANCEPercussion requirements: (3 players) Timpani, 2 Tenor Drums, 2 Tom toms, Snare Drum (sticks and brushes required), Bass Drum, Clash Cymbals, Suspended Cymbal, Hi-hat, Sizzle Cymbal, Tambourine, Metal block with metalbeater (eg hammer), Rattle (eg football rattle), Glockenspiel, Xylophone

    Estimated dispatch 5-14 working days
  • £109.99

    Modern Times - Etienne Crausaz

    Modern Times is a concert suite from the musical and theatrical show Le Temps de Lyre, written and directed by Nicolas Bussard. The work was commissioned for the 100th anniversary of the Lyre de La Roche, directed by Marc-Olivier Broillet, with the premiere taking place in July 2024 in front of an audience of over 2,000.This suite highlights three of the dozen tableaux in the show. After an introduction evoking a sort of journey back in time, the first tableau (bar 20) illustrates various disasters that have occurred in the village over the years. The sky darkens, the thunder rumbles, the rain lashes down, and violent gusts of wind are unleashed on this corner of the country. The storm finally calms down, giving way to great desolation.The second tableau (bar 117) describes the resilience of the villagers, who summon up all their courage to repair the damage. The music is soft, calm, and hopeful.On the strength of this new beginning, the village can embrace modernity: motor vehicles replace horses, a dam is built, and tourism develops, encouraging a society open to other cultures. The third tableau in this suite illustrates all these advances (bar 177). Musically, this final section pays tribute to George Gershwin and Leonard Bernstein, two of the 20th century's great musicians and composers, who worked during the fascinating period of modern times and well beyond.

    Estimated dispatch 5-14 working days

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  • £115.60

    Chanson de Matin - Edward Elgar - Svein H. Giske

    Chanson de Matin ("Morning Song") (Op. 15, No. 2) was likely written by Edward Elgar around 1889, originally for violin and piano. He later created an orchestral version. The premiere of this version in 1901 was conducted by none other than Henry Wood. Wood conducted the Promenade Concerts in London for almost 50 years and is considered the "father" of The Proms.The English composer Edward Elgar is perhaps best known for his Enigma Variations and Pomp and Circumstance marches.This arrangement was written during the COVID-19 pandemic for Askoy Brass Band's album "Gjensyn", available on Spotify and other streaming services.

    Estimated dispatch 5-14 working days

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  • £131.00

    Magdalena Bay - Gauthier Dupertuis

    While admiring many masterpieces at the Louvre Museum in Paris, Gauthier Dupertuis' attention was drawn to a less famous painting: Magdalena Bay, by French painter Francois-Auguste Biard (1799-1882).The work depicts a magnificent snowy landscape on the Norwegian island of Spitsbergen. However, in the foreground, the presence of the wreckage of a ship, bodies covered in snow and a visibly dying character make us understand that tragic events took place there. Thus, a strong contrast is formed between death and the sublime, between the desolation of the survivors of the shipwreck and the magnificence of the landscape. When we look in more detail at the painting, we notice that footprints have been made in the snow: so, could someone have gone to get help? This little glimmer of hope makes the picture even more touching. In this work, Gauthier Dupertuis tried to describe the different elements of the painting, using contrasting sections and dissonances (in particular, the conflict between the minor and the major) to convey the duality between death and the sublime. The work also attempts to highlight a wide palette of orchestral colors, from the most shimmering lines to the darkest low brass colours. In 2024, Magdalena Bay was awarded the first Prize as well as the band Prize at the 9th European Composition Competition for Brass Band, which was held in Palanga (LT). It was premiered on May 2, 2024 by The Cory Band, conducted by Philip Harper.

    Estimated dispatch 5-14 working days
  • £127.30

    On the Run - Fredrick Schjelderup

    "On the run" was commissioned in 2017 by the tuba soloist, Joseph Cook, for his second solo album, "Debut 2". His only criteria for the commission was: "Write me something funky for tuba". The piece is based on a halftone interval combined with funky rhythms (and a hint of bitonality).

    Estimated dispatch 5-14 working days

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