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  • £24.95

    Autumn Leaves - Joseph Kosma - Christian Jenkins

    Les Feuilles Mortes (Autumn Leaves) was a collaborative song between Joseph Kosma and Jacques Prevert for the 1946 film Les Portes de la Nuit where it was sung by Ir?ne Joachim.This transcription was made for the Briton Ferry Silver Band, and was first performed by them as part of their entertainment programme for the 2018 National Eistedfodd of Wales, held at the Wales Millennium Centre, Cardiff.

    Estimated delivery 3-5 days
  • £24.95

    Ave Maria - Johann Sebastian Bach, Charles Gounod - Ray Farr

    There have been several settings of this Roman Catholic prayer to music, with the Bach/Gounod version being the most famous. It consists of the first prelude of Bach's The Well-Tempered Clavier plus a melody that Gounod wrote over this. Gounod himself called the piece 'Meditation', and it was only later that the words of Ave Maria were fitted. This reflective arrangement for Cornet and Brass Band is by one of our most gifted arrangers, Ray Farr.

    Estimated delivery 3-5 days
  • £24.95

    Ave Verum from Stabat Mater - Karl Jenkins - Andrew Wainwright / Robert Childs

    The World premiere performance of Karl Jenkins' Stabat Mater took place on March 15th 2008 in Liverpool's Anglican Cathedral performed by the Royal Liverpool Philharmonic Orchestra and Choir conducted by the composer.Stabat Mater is a 13th century Roman Catholic poem attributed to Jacopone da Todi. It's title is an abbreviation of the first line, Stabat Mater Dolorosa (‘the sorrowful mother was standing'). This text, one of the most powerful and immediate of medieval poems, meditates on the suffering of Mary, Jesus Christ's mother, during his crucifixion.It has been set to music by many composers, among them Haydn, Dvor?k, Vivaldi, Rossini, Pergolesi, Gounod, Penderecki, Poulenc, Szymanowski, Allesandro Scarlatti, Domenico Scarlatti and Verdi.Here we have Ave Verum; a beautiful movement from Karl's setting of the Stabat Mater in an arrangement for either cornet soloist or cornet duet with brass band.This version can be heard on the Doyen CD; ‘Cory In Concert - Volume 2' performed by Tom Hutchinson, Richard Davis and the Cory Band conducted by Robert Childs.

    Estimated delivery 3-5 days
  • £24.95

    Battle Ground - Paul Sharman

    This duet was written for Hendon Salvation Army band's annual Hendon Highlights concert, held at the Cadogan Hall in London. The soloists on that occasion were Philip Cobb and David Childs.A Salvation Army song entitled ‘God's Soldier' provides the main theme for the piece and the title is taken from a line from the song; ‘where evil reigns his battle ground'.This is a fun piece that gives the soloists an opportunity to show off their ability. The music is fast, lively and exciting and, on the whole, the soloists work together but there are times when there is an element of competition, almost ‘battling' each other musically.

    Estimated delivery 3-5 days
  • £29.95

    Be My Love - Nicholas Brodszky & Sammy Cahn - Ray Farr

    Be My Love was immortalized by the famous operatic tenor Mario Lanza. This version for euphonium and brass band was expertly crafted by Ray Farr in the late 80's for the Grimethorpe Colliery Band and one of the best euphonium players of all time, Nicholas Childs. This arrangement is available with piano, brass band or wind band accompaniments.

    Estimated delivery 3-5 days
  • £24.95

    Believe Me If All Those Endearing Young Charms - Simone Mantia - David Childs

    "Believe Me, if All Those Endearing Young Charms" is a popular folk song of early 19th century Ireland and America. However, Simone Mantia, a pioneer of American euphonium music, composed this theme and variations on the melody in the early 20th century and it remains a staple of the solo euphonium repertoire today.Mantia was born in Palermo Sicily in 1873, but immigrated to the United States at the age of 17. He was the first master of euphonium to work in the era of recorded sound and as a result, left a legacy as euphonium soloist on several Sousa and Pryor band recordings. His Believe Me if All those Endearing Young Charms in one such track from that Legacy.An arrangement for euphonium and brass band was later made by Stanley Boddington, but here we have a 21st century arrangement by one of today's euphonium stars, David Childs.

    Estimated delivery 3-5 days
  • £49.95

    Benvenuto Cellini Overture - Hector Berlioz - Christian Jenkins

    This overture opens Berlioz's two act opera about the life of the 16th century Florentine sculptor and goldsmith. Set in Rome, the opera explores certain episodes of Cellini's life, as recorded in his own memoirs. The first performance took place in Paris in 1838, but was a shambolic failure. Despite being revised during Berlioz's lifetime, it was not until nineteen years after his death that the opera was finally performed to acclaim at Dresden. Sadly, performances of the complete opera are now rare, but the buoyant overture has survived as a popular concert item. This new arrangement was made at the request of Dr. Robert Childs and the Buy As You View Cory Band, and can he heard on their CD Brass Band Classics - Vol. II (DOYCD155).

    Estimated delivery 3-5 days
  • £34.95

    Big Band Tribute - F. W. Meacham & J. M. Manone - Arranged & Edited Dan Price & Barry Forgie

    Big Band Tribute sees Dan Price and Barry Forgie collaborate as arranger and editor to create 21st century antiphonal settings of two big band classics.American Patrol started life as a march by American composer and arranger Frank White Meacham in 1885. However, Jerry Gray introduced it into the big band repertoire when he arranged the march for Glenn Miller's swing band in 1941.In the Mood was composed by Joseph Manone, but again it was Glenn Miller and his swing band who brought the chart to prominence in the big band era when their recording topped the US Hit Parade for 13 straight weeks in 1940.Big Band Tribute has been recorded by Grimethorpe Colliery Band on their CD 'Grimethorpe Entertain' available to buy here.

    Estimated delivery 3-5 days
  • £24.95

    Bilitis - Frances Lai - Simon Kerwin

    Francis Lai is one of France's leading film music composers. His musical styles are very varied, ranging from contemporary jazz to classical. He is one of the pioneers in the creation of synthesiser sounds, samples and the use of 'computer' music. His film music has received awards from all over the world and in 1970 his score for Love Story secured him his only Oscar.Bilitis is a coming of age story centring on the exploits of a young girl during a summer vacation. This expertly crafted arrangement for soprano cornet and brass band is of the film's main title theme.

    Estimated delivery 3-5 days
  • £49.95

    Blaze - Phil Lawrence

    Cornet/trumpet sounds have been changing for some years; they are becoming heavier, more robust, slower vibratos. The dynamic level now pushed out by your average solo cornet is 30% more than it was some 35/40 years ago. This, is mainly due to the bore size of instruments and mouthpiece sizes (as in bigger), and, demands of modern day works for band on the player/soloist, and of course a greater demand of styles on the player, and progressive teaching methods. The technical styles in Blaze are about these changes.In Blaze I have clearly blended symphonic blowing styles of the trumpet plus the virtuosic attributes of today's modern cornet player. Many solo cornets parts (more past than present) in band are often clearly defined between low A and top C above the stave. Orchestral trumpet players need a working range of another fourth at either end of this defined range; I have incorporated this range into the concerto. The low register is much explored, and the average tessitura throughout is constantly varied below and above the stave from pedal Eb to super F# opt. The ideology of this blend of course makes sense as the original dedication is to Rod Franks, LSO, and of course blending with that is Rod's history at Black Dyke Mills Band.The concerto is ten minutes long and in one movement comprising of four sections and one solo cadenza, with one section only appearing once, an episode. This singular section was a revised addition and dedicated to Richard Marshall who gave the first premier in New Zealand in June 2003. For the purists the form is thus, A, B, A (vari), C (episode). D (slow movement), E (3/8 episode 1), D (vari), E, (episode 2). A (last move), B, A (developed) = (coda finale).The compositional style? Well, I hope quintessentially, 21st C English with an element of nostalgia (modal/old English). There are some hints at jazz playing styles and rhumba, but romantic English I would say, and especially the slow movement.Blaze is also very bold; the title itself reflects this, full of bravura and constant amazement, offering little respite for the soloist and sapping much stamina. The opening statement from the soloist is without accompaniment; just as a matador stands alone in the ring for the first few seconds, and looks at the mass crowd in defiance, he thinks, "you are here to see me die", so the soloist stares the audience back in the face, and opens with the richest, largest sound (not loudest) one can muster, thus throwing the gauntlet down to the ears of all who might disbelieve what they are about to encounter, a gladiatorial cornet, a Blaze from the stage.For the soloist, it is a non-stop Blaze of sound, electrifying technique, sage-like musicianship, super-human stamina and sheer matador-like bravura with 10th Dan mastery of over-all control, a test beyond the reasonable. And for the audience? Of course, a BLAZE never to be forgotten. Phil LawrenceThis work can be heard performed by cornet soloist Richard Marshall & the Grimethorpe Colliery Band on their award winning album entitled 'BLAZE'

    Estimated delivery 3-5 days