Results
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£44.99Landscapes (Brass Band - Score only) - Moren, Bertrand
Concerto Grosso for Brass Band and PercussionLandscapes is a work structured around two main ideas. On the one hand, the music freely paints some of the superb landscapes I've seen during several of my trips around the world. Listeners should, however, not be influenced by this programmatic framework and are encouraged to build their own 'mind pictures'. On the other hand, Landscapes constitutes a test piece for each section of the brass band. Indeed, each musical landscape highlights a particular register. A small group of soloists is given the opportunity to fully display its skills in dialogue with the rest of the band (the tutti), hence the name 'concerto grosso'. Landscapes also relies on the band's different soloist musicians when it comes to express highly complex, musically and technically challenging passages.
Estimated dispatch 7-14 working days
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£60.99Pioneers of the Lowlands (Brass Band - Score and Parts) - De Haan, Jacob
This concert march is a tribute to the pioneers in the world of brass music in the Lowlands of Netherlands, the original founders of the bands and the people who take the lead in organising the societies and associations in the band movement. Celebrate the joy and friendship of the brass band movement with this truly uplifting march.Duration: 3:00
Estimated dispatch 7-14 working days
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£104.99Variations on a Chord (Brass Band - Score and Parts) - De Haan, Jan
Variations on a Chord was composed on the occasion of the second lustrum of the Dutch Brass Band Championships celebrated in 1990. The piece is the immediate sequel to Contrasten a piece which was composed in 1986, and which is performed all over the world. Not only was the final chord of this previous work used as a starting point for the new composition, but Variations on a Chord is also the first concert piece for brass band composed by Jan de Haan since then. The several variations are based on a solemn theme. The so-called minor-major seventh chord is easily detectable. The structure of the piece is such that the lyrical theme is preceded by a majestic introduction, and is followed by eight variations each strongly contrasting in character. The piece finishes in a short but extremely spectacular coda.Duration: 11:45
Estimated dispatch 7-14 working days
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£24.95SPACE INVADERS (Brass Band Parts) - Scott, Andy
Brass Band parts only. Space Invaders is an arcade video game designed by Tomohiro Nishikado. Following its release in 1978, the game caused a temporary shortage of 100-yen coins in Japan, and the Guinness World Records ranks it the top arcade game. The piece commences with a fanfare-like passage with shifting time signatures, before settling into a funk-inspired groove, led by the bass section, bass trombone and percussion. An intricate ensemble section, either side of a tongue-in-cheek 'B' section (where Space Invader images and firing sounds were projected behind Foden's at Brass in Concert) all lead to a powerful and tight finish. Dur: 4:00
Estimated dispatch 7-14 working days
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£15.00
SPACE INVADERS (Brass Band Score) - Scott, Andy
Brass Band score only. Space Invaders is an arcade video game designed by Tomohiro Nishikado. Following its release in 1978, the game caused a temporary shortage of 100-yen coins in Japan, and the Guinness World Records ranks it the top arcade game. The piece commences with a fanfare-like passage with shifting time signatures, before settling into a funk-inspired groove, led by the bass section, bass trombone and percussion. An intricate ensemble section, either side of a tongue-in-cheek 'B' section (where Space Invader images and firing sounds were projected behind Foden's at Brass in Concert) all lead to a powerful and tight finish. Dur: 4:00
Estimated dispatch 7-14 working days
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£89.95TUBA CONCERTO (Gregson) (Tuba Solo with Brass Band - Score and Parts) - Gregson, Edward
This work was commissioned by the Besses o' th' Barn Band with funds provided by the Arts Council of Great Britain. It was written for, and is dedicated to, John Fletcher, who gave the first performance in Middleton Civic Hall, near Manchester, on 24 April, 1976, with Besses o' th' Barn Band conducted by the composer. Another interesting feature about the premire was that it was recorded by BBC Television for an Omnibus programme with Andr Previn as presenter. The concerto exists in four versions: with brass band (1976), orchestra (1978), wind band (1984) and piano reduction.The concerto is in three movements, following the usual, quick-slow-quick pattern: Allegro deciso,Lento e mesto, Allegro giocoso. The first movement has a sonata form shell with two contrasting themes, the first one being rhythmic in character, the second lyrical. There is a reference made in passing to the Vaughan Williams Tuba Concerto, but this merges into the other material in the development section.The second movement begins with a chorale, but after the entry of the tuba it leads to a cantabile theme, softly unfolded by the soloist. The opening chorale passage returns, this time briefly on muted brass, and leads to a middle section which is more chromatic in style and soon builds to a powerful climax, where the opening cantabile theme triumphantly returns. The music subsides, returning to the opening chorale and ending peacefully.The finale is light and breezy in style, and is cast in rondo form. After a brief introduction the tuba announces the main rondo theme, which is dance-like and a little jaunty. There are two episodes: the first a broad sweeping tune, the second a slowish waltz and a little jazz-like. After a virtuoso cadenza reference is made to the very opening of the concerto before the work ends with a triumphal flourish.The Tuba Concerto has established itself as one of the main works in the solo tuba repertoire. It has been performed and broadcast in over 40 countries all over the world. There are currently six commercial recordings of the concerto in its various versions.resolution in C major, pointed by a simple but expansive melody towards which the piece has been heading, and ending in a blaze of joyful colour.Duration: 18 mins
Estimated dispatch 7-14 working days
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£59.95Voices of Youth (Brass Band - Score and Parts) - Gregson, Edward
The suite Voices of Youth is one of Gregson's earliest brass band compositions, written while he was still a student at the Royal Academy of Music in London. Voices of Youth was commissioned by the National Youth Brass Band of Great Britain and was premiered by them under the baton of Geoffrey Brand.The work has three movements:Nobility of Youth (Duration: 4.00)Sadness and Tenderness (Duration: 2.30)Gaiety (Duration: 2.45)In Nobility of Youth there are the rich sonorities beloved of Salvationist composers such as Eric Ball and, particularly, Ray Steadman Allen, whose music he admired. The modal contour of the melodies here and at the climax of the slow movement Sadness and Tenderness reveal lessons well learned from Holst and Vaughan Williams. Gaiety is probably the most interesting amalgam of all. Beginning in the harmonic world of Gilbert Vinter - whose influence Gregson readily acknowledges at this time - the music is transformed into a bravura waltz of which Percy Grainger might have been proud. It then veers off via a contrapuntal episode of academic correctness, into a coda that takes us into more adventurous harmonic realms.Duration: 10.00
Estimated dispatch 7-14 working days
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£94.95Machine (Brass Band - Score and Parts) - Dobson, Simon
Machine, was commissioned by the Salvation Army Trading Company for the National Youth Brass Band of Great Britain.The work speaks of the perils of the fast fashion industry, the part it plays in our current understanding of late-stage capitalism and it's complicity in the destruction wrought on our one home planet. It also seeks to portray the incredible efforts of the Salvation Army in their quest to slow the fast fashion industry and recycle clothing in the most innovative and progressive ways.The work is through composed and comprises five movements.Movement 1: The great Machine. The band is placed into 8 groups of three (expect tubas, in their normal position as a 4), who stand in specific places on the stage. This will create machine like antiphonal movement in the written music. The great Machine in question is the fast fashion industry, in all its chaos, seeming grandeur and relentless momentum.Movement 2: Mode phmre is fast, angular and quirky, a nod to the perilous speed and waste of the fast fashion industry (the movement title is the French for fast fashion).Movement 3: A planet to treasure (for DA) is a love letter to our home planet and its finite resources and as well as the beauty of the natural world, which unfortunately, we are destroying (hence the dedication to David Attenborough on his 100th year).Movement 4: The wheels keep turning, returns to the fast, angular, almost unstoppable grasp of capitalism and the damaging structures it promotes.Movement 5: Recycle, re-use, mirrors the opening (though without stage directions) in reference to the cyclic nature of fast fashion and the wonderful work that The Salvation Army do in trying to halt this system.
Estimated dispatch 7-14 working days
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£44.95Machine (Brass Band - Score only) - Dobson, Simon
Machine, was commissioned by the Salvation Army Trading Company for the National Youth Brass Band of Great Britain.The work speaks of the perils of the fast fashion industry, the part it plays in our current understanding of late-stage capitalism and it's complicity in the destruction wrought on our one home planet. It also seeks to portray the incredible efforts of the Salvation Army in their quest to slow the fast fashion industry and recycle clothing in the most innovative and progressive ways.The work is through composed and comprises five movements.Movement 1: The great Machine. The band is placed into 8 groups of three (expect tubas, in their normal position as a 4), who stand in specific places on the stage. This will create machine like antiphonal movement in the written music. The great Machine in question is the fast fashion industry, in all its chaos, seeming grandeur and relentless momentum.Movement 2: Mode phmre is fast, angular and quirky, a nod to the perilous speed and waste of the fast fashion industry (the movement title is the French for fast fashion).Movement 3: A planet to treasure (for DA) is a love letter to our home planet and its finite resources and as well as the beauty of the natural world, which unfortunately, we are destroying (hence the dedication to David Attenborough on his 100th year).Movement 4: The wheels keep turning, returns to the fast, angular, almost unstoppable grasp of capitalism and the damaging structures it promotes.Movement 5: Recycle, re-use, mirrors the opening (though without stage directions) in reference to the cyclic nature of fast fashion and the wonderful work that The Salvation Army do in trying to halt this system.
Estimated dispatch 7-14 working days
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£94.9920,000 Leagues Under the Sea (Brass Band - Score and Parts) - Harper, Philip
Frenchman Jules Verne was a pioneer in science fiction during the late 19th Century, penning some classic stories such as Journey to the Centre of the Earth and Around the World in 80 Days - both of which have already been the subject of brass band test-pieces. It was therefore natural for me to choose Verne's 1869 watery magnum opus as the subject for this piece to which there are five sections, as well as an introduction and a finale.THE NAUTILUS. After a mysterious introduction we are introduced to The Nautilus - a fantastical submarine.THE CORAL KINGDOM. We visit awe-inspiring underwater coral formations.SQUID ATTACK. The Nautilus is attacked by a school of giant squid, or 'devilfish'.CAPTAIN NEMO. Captain Nemo is a loner and an eccentric. Some say he is a madman. Soloists of the band help to uncover the character of this enigmatic but powerful figure.MAELSTROM. The Nautilus is dragged into the ocean's deadliest whirlpool but Captain Nemo lives to fight another day.Duration: 12.30
Estimated dispatch 7-14 working days
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