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  • £54.99

    Just a Game - John DeBee

    Music that sounds as clear as a bell and is very suitable for elementary bands. Attention to the "clap hands" part where there are two rhythms played simultaneously. Tip: Instruct the audience that can participate. A short rehearsal is necessary in connection with the two-parts. Luck and laughter guaranteed!

    Estimated dispatch 5-14 working days

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  • £74.99

    Willow Pattern - Philip Harper

    Composed in 2009 for Nicholas Childs and the Black Dyke BandThis piece tells the Willow Pattern legend through music. Several leitmotifs are used both for the different characters and also for some of the important emotions in the tale. Additionally, Knoon-se's part is mainly played by the flugel horn, Changby the euphonium, the Mandarin by the Eb Bass and the Duke Ta-jin by the trombone. The Willow Pattern LegendOnce, in ancient China, there lived a wealthy and powerful Mandarin who had a beautiful daughter, Knoon-se. She had fallen in love with Chang, a humble accountant, which angered her father who imprisoned her in the Pavilion by the river with only theexotic birds for company. She learnt that the Mandarin planned to marry her to the pompous Duke Ta-jin and that the wedding would take place on the day the blossom fell from the willow tree, so she sent Chang a message: "Gather thy blossom, ere it bestolen". The Duke arrived by sea amid great fanfare when the tree was heavy with bud, and nights of magnificent banquets followed. After one such occasion when the Mandarin slept, Chang crept over the crooked fence and tiptoed into the Pavilion to rescueKnoon-se, but as they escaped the alarm was raised. They fled over the bridge with the Mandarin close on their heels brandishing his whip.They managed to escape by boat to a secluded island where they lived happily for a time. Meanwhile, the Mandarin learned of their refuge and, intent on revenge, he ordered his soldiers to kill them. As Knoon-se and Chang slept at night, the men setfire to the pagoda in which they lived and the lovers perished in the flames. However, the Gods, moved by the lovers' plight, transformed their souls into two turtle-doves which rose from the charred remains, soaring above the Earth, symbolising eternal happiness. Willow Pattern is dedicated to the memory of Jean Harper who passed away as I was completing the piece and who was a great collector of porcelain and china-ware. NOTES ON PERFORMANCEMute Requirements:Metal mutes soprano cornet, repiano cornet, 2nd cornets, 3rd cornets (6 in total) Cup mutes all cornets and trombones (10 + 3) Harmon mutes soprano cornet, solo cornets, repiano cornet (6) Percussion Requirements:There are two parts for percussion on the score. The minimum requirements are as follows: 2 players - Timpani, 2 Large tom toms, 2 Wood Blocks, Triangle, Sleigh Bells, Whip, Clash Cymbals, Suspended Cymbal, Hi-hat, Glockenspiel, Xylophone, Tam tam (or susp. cym.) For performances with extra resources, and to achieve closer authenticity, the full requirements are as follows: 3 players - Timpani, 3 Taiko Drums played with thick wooden sticks (or Large tom toms), 2 Wood Blocks, Triangle, Chinese Bells (or Sleigh Bells), Whip, Clash Cymbals, Chinese Cymbals (small clash cymbals approx 12"), Suspended Cymbal, Glockenspiel,Xylophone, Tam tam

    Estimated dispatch 5-14 working days
  • £59.99

    Aria - Philip Sparke

    Aria was commissioned by and written for the remarkable Tenor Horn player, Sheona White. The work opens with an accompanied recitative, which leads to a change of key where the main melody is presented. This, in turn, serves as an introduction to another melodic idea, marked calmato. The band takes up this theme and then takes centre stage with a passionate repeat of the main theme, which is completed by the soloist. A Cornet then plays the calmato theme against which the soloist plays a counter melody. This leads to a return of the opening recitative which brings the work to a peaceful close. A fantastic new addition to the solo repertoire for this much neglectedsolo instrument.

    Estimated dispatch 5-14 working days
  • £134.99

    Mirage - Jan de Haan

    The composition Mirage takes inspiration from the legendary ghost ship "The Flying Dutchman", a story deeply rooted in maritime folklore. Cursed to wander the oceans forever, the ship often looms like a mirage on the horizon - a mysterious apparition in which reality and illusion blend intangibly.In Mirage the music tries to bring this mystical appearance to life. The piece begins with an atmosphere of mystery and wonder, creating the illusion of a mirage. The listener is taken to the vast sea, where the boundaries between the real and the unreal blur and the ghostly silhouette of the ship gradually becomes visible. Suddenly the tone changes. Powerful rhythms and stormy harmonies follow, expressing the ship's battle against the raging forces of nature. After this intense section, in which the musicians are pushed to their limits, the tranquility of the sea returns. The recurring mirages inspired the composer to create a lyrical middle section, in which various soloists tell their stories within this legend. In the final part, the sails are hoisted again, and the three-master continues its endless journey.

    Estimated dispatch 5-14 working days

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  • £87.99

    Black Gold - Thierry Deleruyelle

    Black Gold was commissioned by Musikverein 1891 "Harmonie" Saarwellingen e.V. (Germany) to mark its 130th anniversary. This composition pictures the history of the mining industry in the town of Saarwellingen and its surrounding region, where the life of the miners as well as their families revolved around coal, or black gold, for centuries on end. The piece is based on motifs from the famous song "Gluck auf, Gluck auf, der Steiger kommt..." ("Good luck, good luck, the mining foreman comes"), a veritable anthem for miners the world over.

    Estimated dispatch 5-14 working days

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  • £64.99

    Lord of the Lake - Thierry Deleruyelle

    Lord of the Lake is a work in three separate movements which tells the legend of the "Sea of Flines". Stephane Coquet, the conductor of the Flines-lez-Raches concert band, wanted to celebrate the 140th anniversary of his band by commissioning this work. The piece can be performed either on its own, or with a narrator who intervenes between each movement, telling this legend where children and their parents thwart the cruelty of a lord holed up in his castle.

    Estimated dispatch 5-14 working days

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  • £105.20

    Infinity Forest - Haakon Esplo

    The concert overture "Infinity Forest" draws inspiration from an ancient forest, standing majestically, enveloped in mystery and secrets. Venturing into this forest, one never knows what awaits. It lies dark and quiet, interrupted by clearings where the sunlight breaks through."Infinity Forest" serves as a magnificent opening for any concert and is equally an excellent choice for competition repertoire. The music presents challenges of both technical and musical nature for all instrument groups, offering great opportunities to focus on precision, timbres, and intonation. While the lower parts are designed for easier difficulty, the lead parts present greater challenges.

    Estimated dispatch 5-14 working days

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  • £94.99

    Wigerathorp - Jan de Haan

    Brass Band Gloria Dei, the group that commissioned this work, has its roots in the Frisian town of Gerkesklooster (the Netherlands), where the settlement Wigerathorp used to be. In the 13th century, a monastery was erected here, named Jeruzalem. This inspired the composer to base the work on the well-known melodious hymn Jerusalem by Sir Hubert Parry. Gercke's Overture - the monastery was built by order of landowner Gercke Harkema - is followed by a slow movement in which the founders of the monastery, The Monks of Claercamp, take shape through the Gregorian chant Veni creator spiritus. In the last movement, Monastery Jerusalem, the main theme develops in all its glory.

    Estimated dispatch 5-14 working days

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  • £183.20

    Folklore - Kjetil Djønne

    "Folklore" is a work for brass band and percussion loosely based on the story of the Norwegian woman accused of witchcraft, Anne Pedersdotter. She was sentenced to be burned at the stake in Bergen in the spring of 1590 and has since been frequently highlighted as Norway's most famous and talked-about witch.The work begins with the movement "Lyderhorn," depicting the mountain outside Bergen where witches gathered to plan magical actions against the city. Here, we hear the quietness of nature and the wind blowing through the trees before a new theme appears, which will come to life in the next movement. In the distance, the witches have started their ceremony.In the next movement, "Walpurgis Night," the witches perform their rituals to afflict the city with fire, disease, and natural disasters. The ceremony becomes more and more chaotic, violent, and compelling until the darkness of the night envelops us, concluding the section.The third movement describes the women's inner struggle against the harassment they faced when the people of Bergen suspected them of being witches. Rumors often turned into formal accusations from the legal system, and many were sentenced to death after undergoing trial. "From life to death through the fire."The fourth and final movement, "The Pyre," depicts the actual death sentence. You can hear the pyre being ignited and the flames growing and intensifying. It all culminates in a chorale as a memorial to the lives that were taken.

    Estimated dispatch 5-14 working days
  • £102.99

    Sinfonietta No. 1 - Marc Jeanbourquin

    Sinfonietta No.1 won first prize in the 2023 Composition Competition organized by the Swiss Brass Band Association. Various melodic themes and rhythmic motifs develop throughout the work. They combine with the numerous dynamic effects to bring a certain unity, from the beginning to the end of this competition piece. The technical and melodic difficulties allow the different soloists to show their virtuosity and musical prowess over five uninterrupted parts. After a first slow and misterioso part, there is a contrast with the following energico sequence based on an ostinato, creatings both a progression and a tension, to drive everything towards the third part mesto (sad), then lento, where some cadenzas and numerous dissonnances can be heard. The energico transition announces the fifth part, a ternary and fast con fuoco. This last part will lead the audience to a final apotheosis.

    Estimated dispatch 5-14 working days

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