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  • £33.59

    Silent Night (Vocal Solo with Brass Band) Joseph Mohr arr. Andrew Wainwright

    This solo for soprano voice with brass band accompaniment was arranged for ITV's Britain's Got Talent star Faryl Smith and the GUS Band for a joint Christmas concert. It was recorded on the CD Christmas Fantasia - The Music of Andrew Wainwright by the same performers. This simple but charming setting features three verses of the carol. To view a rolling score video featuring Faryl Smith performing the solo with GUS Band please visit https://www.youtube.com/watch?v=qmIRwYogtzU&t=2s Length: 5.20 minutes Instrumentation: Vocal Soloist Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion

    In Stock: Estimated dispatch 1-3 working days
  • £56.00

    Che Faro Senza Euridice (Vocal Solo with Brass Band - Score and Parts) - Gluck, Willibald Christoph - Lorriman, Howard

    from the Opera Orfeo ed Euridice for Voice (Mezzosoprano) and Brass Band

    Estimated dispatch 7-14 working days

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  • £59.70

    Habanera (from Carmen) (Vocal Solo with Brass Band - Score and Parts) - Bizet, Georges - Lorriman, Howard

    from the Opera Carmen for Voice (Mezzosoprano) and Brass Band

    Estimated dispatch 7-14 working days

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  • £56.00

    Rompe Sprezza (Vocal and Piccolo Trumpet Duet with Brass Band - Score and Parts) - Scarlatti, Alessandro - Lorriman, Howard

    for Voice (Soprano), Piccolo Trumpet in A and Brass Band

    Estimated dispatch 7-14 working days

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  • £34.95

    Ave Maria (Vocal Solo with Brass Band - Score and Parts) - Bach, Johann Sebastian - Gounod, Charles

    An arrangement of Bach/Gounod's popular song, as performed by ITV's Britain's Got Talent star Faryl Smith. Here it is arranged for soprano voice with brass band accompaniment

    Estimated dispatch 7-14 working days
  • £69.99

    Meeting (Soprano Cornet Solo with Brass Band - Score and Parts) - Grieg, Edvard - Brevik, Tom

    A lyrical piece, from Edvard Grieg's song-cycle Haugtussa (The Mountain Maid) originally for voice and piano, but here in an arrangement for Soprano Cornet and Brass Band by Tom BrevikDuration: 4.00

    Estimated dispatch 7-14 working days

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  • £24.95

    OF WHOM I SING Jeg elsker Dig (Brass Band Set) - Edvard Grieg - Leonard Ballantine

    The original, Jeg elsker Dig, is a plaintive love song for voice and piano with words by Hans Christian Anderson; 'You have become thought of my thought, you are my heart's first love. I love you, as no one here on earth, I shall love you through time and eternity!'

    Estimated dispatch 7-14 working days
  • £89.95

    INFINITY (Brass Band Set) - Robert Redhead

    In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.

    Estimated dispatch 7-14 working days
  • £10.00

    INFINITY (Brass Band Study Score) - Robert Redhead

    In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.

    Estimated dispatch 7-14 working days
  • £24.95

    SECRET PRAYER (Brass Band Set) - Erik Leidzen

    An interesting and varied treatment of the old chorus 'O the voice to me so dear, breathing gently on my ear! Needy soul, look up and see, 'Tis the Saviour speaks to thee'.

    Estimated dispatch 7-14 working days