Results
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£69.95
The Promised Land (Brass Band - Score and Parts) - Downie, Kenneth
The Promised Land was commissioned by the Buy As You View Band and first performed by them as their own choice test piece at the European Brass Band Contest 2006 in Belfast. The story of Moses leading the Hebrews out of Egypt to find the Promised Land is one of the most dramatic to be found in the Bible. This music, although continuous, seeks in its seven main sections, to portray something of the drama found in the story.
Estimated dispatch 7-14 working days
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£34.95
The Promised Land (Brass Band - Score only) - Downie, Kenneth
The Promised Land was commissioned by the Buy As You View Band and first performed by them as their own choice test piece at the European Brass Band Contest 2006 in Belfast. The story of Moses leading the Hebrews out of Egypt to find the Promised Land is one of the most dramatic to be found in the Bible. This music, although continuous, seeks in its seven main sections, to portray something of the drama found in the story.
Estimated dispatch 7-14 working days
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£10.00
Isaiah 40 (Brass Band - Study Score) - Redhead, Robert
Commissioned for the final of the 1996 National Brass Band Championships of Great Britain. The timeless truths contained in Isaiah 40 were written to encourage a people facing very intimidating circumstances. The Jewish people of the 5th Century BC were preparing to make an arduous journey though the desert to return to their ravaged homeland after a lengthy exile in the sophisticated society of Babylon. Both Scripture and music sound out a message of hope, as they view life from an eternal perspective, thus placing change in its proper context. Because 'the Lord is the everlasting God' his word 'stands forever' and 'those who hope in the Lord will renew their strength'. They will not merely get through somehow but 'they will soar on wings like eagles'.
Estimated dispatch 7-14 working days
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£84.95Force of Nature (Euphonium Solo with Brass Band - Score and Parts) - Graham, Peter
Concerto for EuphoniumIn his writings, Ernest Hemingway defined the American hero for a generation.He created a new type of fictional character - a "man's man" - a hard drinking pugilist who enjoyed bullfights, big game hunting, deep-sea fishing and other "macho" pursuits. In many respects Hemingway was the living embodiment of his creation, though his somewhat idealised life ended in suicide on July 2nd 1961 and the chapter on this Force of Nature came to a close. The concerto reflects upon moments in this extraordinary life.Matador - the traditions of the Spanish bullfight fascinated Hemingway. He wrote frequently on the subject, going beyond the superficial and exploring at a deeper level the nature of fear and courage. This flamenco-inspired music equally contrasts moments of uncertainty and resolve.Wayfarer (Reflections on Poor Wayfaring Stranger) - the tensions of Hemingway's early life in the midwest suburb of Oak Park (a town he reputedly described as "narrow-minded") fuelled his wanderlust. At the age of 18 he arrived at the Italian Front, serving as an ambulance driver. Within days he was seriously wounded and the horrors of war put paid to adolescent illusions of immortality.Pilar - Hemingway's beloved boat Pilar could cut through the waves off the coast of Cuba at sixteen knots full-out. The music conjures up the thrill of the chase as the great fish hoves into view.Duration: 14.00
Estimated dispatch 7-14 working days
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£38.50Raveling, Unraveling (Brass Band - Score only) - Sparke, Philip
Raveling, Unraveling - In Search of 'La Valse' was written for the Cory Band as their own-choice test piece for the 2016 European Brass Band Championships in Lille. The piece found its genesis in Sparke's The Unknown Journey (2014) for concert band, and the use of Ravel's La Valse as a structural undercurrent to the original piece is an act of reverence. Sparke's aim was to produce a work that is organic rather than episodic in nature. The composer's view is that little in music does this better than La Valse and for this reason he uses various sections of this masterpiece, both manipulated and quoted verbatim (including much of its stunning closing passages) to provide the overall geography of his new work. As the music progresses, more of the Ravel appears, surfacing completely as the piece reaches its climax - a gesture of homage to the French master.Duration: 16:30
Estimated dispatch 7-14 working days
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£164.99
Raveling, Unraveling (Brass Band - Score and Parts) - Sparke, Philip
Raveling, Unraveling - In Search of 'La Valse' was written for the Cory Band as their own-choice test piece for the 2016 European Brass Band Championships in Lille. The piece found its genesis in Sparke's The Unknown Journey (2014) for concert band, and the use of Ravel's La Valse as a structural undercurrent to the original piece is an act of reverence. Sparke's aim was to produce a work that is organic rather than episodic in nature. The composer's view is that little in music does this better than La Valse and for this reason he uses various sections of this masterpiece, both manipulated and quoted verbatim (including much of its stunning closing passages) to provide the overall geography of his new work. As the music progresses, more of the Ravel appears, surfacing completely as the piece reaches its climax - a gesture of homage to the French master.Duration: 16:30
Estimated dispatch 7-14 working days
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£29.95Schubert Slideshow - Cornet Solo (Brass Band - Score and Parts)
Heidenroslein' is a poem by Goethe, published in 1799, which was notably set to music by Schubert in 1815. It is this music which inspired this variation solo. It is called 'Slideshow' as each variation might be considered as a different view or aspect of the theme. Cornet players have the opportunity to demonstrate both the lyrical and the more bravura qualities of their playing.
Estimated dispatch 7-14 working days
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£14.95
Schubert Slideshow - Cornet Solo (Brass Band - Score Only)
Heidenroslein' is a poem by Goethe, published in 1799, which was notably set to music by Schubert in 1815. It is this music which inspired this variation solo. It is called 'Slideshow' as each variation might be considered as a different view or aspect of the theme. Cornet players have the opportunity to demonstrate both the lyrical and the more bravura qualities of their playing.
Estimated dispatch 7-14 working days
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£24.95
The Pilgrim's Prayer (Brass Band - Score and Parts) - Rouse, Sydney - Ball, Eric
Introduction - This could hardly be more simple. Inexperienced players may have some little difficulty in intonation, especially as they are starting 'cold', but a useful lesson can be learned in this connection when rehearsing these two bars. Section A - The music is hymn tune-like in character, but it should not become stilted. Close intonation is still a point to study, especially in view of the chromatic nature of some of the harmony. Section B - Aim to secure just balance in the accompanying parts, especially in the second phrase, where the 1st comets may be inclined to treat their moving part as an independent melody rather than part of the 'colour' background. Section C -This is a reprise of the first theme, with a different arrangement. The same comments apply, however. Section D - Here the music becomes more song-like in style, and provides an interesting contrast. The scoring, too, is more varied, and there are a number of points that call for attention. Note that the 1st and 2nd comets and 2nd trombone work as a team throughout; see that the pulsating, syncopated background adds to the movement of the music without giving a jerky effect; the new entries in the fourth and twelfth bars are to be made quite smoothly; and do not allow the texture of the music, especially in the last eight bars of the section, to overshadow the simplicity of the main tune. Section E - Here the first subject appears again. In the arrangement the colour contrasts are quite clear-cut. In order to secure true balance in the fifth and sixth bars, it may be necessary to adjust the amount of tone given by the bass trombone, as this part is not doubled as are the other parts. Section F -This section forms a simple but expressive coda.
Estimated dispatch 7-14 working days
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£12.50
The Pilgrim's Prayer (Brass Band - Score only) - Rouse, Sydney - Ball, Eric
Introduction - This could hardly be more simple. Inexperienced players may have some little difficulty in intonation, especially as they are starting 'cold', but a useful lesson can be learned in this connection when rehearsing these two bars. Section A - The music is hymn tune-like in character, but it should not become stilted. Close intonation is still a point to study, especially in view of the chromatic nature of some of the harmony. Section B - Aim to secure just balance in the accompanying parts, especially in the second phrase, where the 1st comets may be inclined to treat their moving part as an independent melody rather than part of the 'colour' background. Section C -This is a reprise of the first theme, with a different arrangement. The same comments apply, however. Section D - Here the music becomes more song-like in style, and provides an interesting contrast. The scoring, too, is more varied, and there are a number of points that call for attention. Note that the 1st and 2nd comets and 2nd trombone work as a team throughout; see that the pulsating, syncopated background adds to the movement of the music without giving a jerky effect; the new entries in the fourth and twelfth bars are to be made quite smoothly; and do not allow the texture of the music, especially in the last eight bars of the section, to overshadow the simplicity of the main tune. Section E - Here the first subject appears again. In the arrangement the colour contrasts are quite clear-cut. In order to secure true balance in the fifth and sixth bars, it may be necessary to adjust the amount of tone given by the bass trombone, as this part is not doubled as are the other parts. Section F -This section forms a simple but expressive coda.
Estimated dispatch 7-14 working days
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