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£64.03Variations on 'Sine Nomine' (Brass Band) Andrew Wainwright
This magnificent work was written in 2019 for the London Central Fellowship Band and Bandmaster David Rudd. It is based on the hymn tune by Ralph Vaughan Williams, which is also known as For all the Saints. Its release in the summer of 2022 marks the 150th anniversary of Vaughan Williams' birth. The work is set in four contrasting movements, which follow an opening statement of the hymn in its full form. Variation I (Leggiero) is based on the first few notes of the chorale and is lively and sprightly in nature, with regular time changes permeating throughout. There are regular statements of the hymn, with the movement closing with a full statement of the tune in its full glory. Variation II (Andante Espressivo) derives its material from the final strain of the verse. The music is generally calm and ethereal in nature before building to an impassioned fortissimo featuring the full band, and finally dying away. Variation III (Allegro Vivace) is in compound time and, like Variation I, is based on the first few notes of the hymn. The music is joyful and playful, epitomised by syncopated rhythms, and snippets of the tune are heard throughout. Variation IV (Allegro Giocoso) is in the form of a fugue which commences with the cornets, before the theme is handed to each section of the band at various points. After several statements of the theme, the music grows into the final strain of the chorale, which is given a grandiose setting. A frenzied Presto coda leads into organ-like chords, before a series of upward major scales bring the work to its final chord. To view a video of the Canadian Staff Band performing the work please visit https://www.youtube.com/watch?v=QZ1pYH0ftv0 Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: Second Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2
In stock: Estimated dispatch 1-3 days
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£109.99Introduction and Variations on Dies Irae (Brass Band - Score and Parts)
After the introduction, in which the landscape of Groningen with its beautiful wide views is presented, follows five variations based on the 13th-century Gregorian theme Dies Irae that is attributed to Thomas van Celano. Each variation can be seen as a stage or a scene in the rich history of the village of Grijpskerk, making this work a very exciting and expressive piece of music for a contest or a concert.
Estimated dispatch 7-14 working days
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£59.95Judd: Variations on Laudate Dominum
Based on the noble hymn tune of the same name by Sir Hubert H. Parry, there are seven variations, the seventh of which is a fugato. The theme is not presented in full until the end, when it is heard in its full majesty and the music brought to a tremendous and climactic conclusion.
Estimated dispatch 7-14 working days
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£118.99Introduction and Variations on "Dies Irae" - Jan de Haan
After the introduction, in which the landscape of Groningen with its beautiful wide views is presented, follows five variations based on the 13th-century Gregorian theme Dies Irae that is attributed to Thomas van Celano. Each variation can be seen as a stage or a scene in the rich history of the village of Grijpskerk, making this work a very exciting and expressive piece of music for a contest or a concert.
Estimated dispatch 5-14 working days
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£118.99Introduction and Variations on Dies Irae (Brass Band - Score and Parts) - De Haan, Jan
After the introduction, in which the landscape of Groningen with its beautiful wide views is presented, follows five variations based on the 13th-century Gregorian theme Dies Irae that is attributed to Thomas van Celano. Each variation can be seen as a stage or a scene in the rich history of the village of Grijpskerk, making this work a very exciting and expressive piece of music for a contest or a concert.
Estimated dispatch 7-14 working days
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£59.95
VARIATIONS ON LAUDATE DOMINUM (Brass Band Set) - Edward Gregson
Revised Version. Based on the noble hymn tune of the same name by Sir Hubert H. Parry, there are seven variations, the seventh of which is a fugato. The theme is not presented in full until the end, when it is heard in its full majesty and the music brought to a tremendous and climactic conclusion.
Estimated dispatch 7-14 working days
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£59.95Variations on Laudate Dominum (Brass Band - Score and Parts) - Gregson, Edward
Revised Version.Based on the noble hymn tune of the same name by Sir Hubert H. Parry, there are seven variations, the seventh of which is a fugato. The theme is not presented in full until the end, when it is heard in its full majesty and the music brought to a tremendous and climactic conclusion.Duration: 15.00
Estimated dispatch 7-14 working days
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£29.95
Variations on Laudate Dominum (Brass Band - Score only) - Gregson, Edward
Revised Version. Based on the noble hymn tune of the same name by Sir Hubert H. Parry, there are seven variations, the seventh of which is a fugato. The theme is not presented in full until the end, when it is heard in its full majesty and the music brought to a tremendous and climactic conclusion.
Estimated dispatch 7-14 working days
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£59.99Song of Liberation (Brass Band - Score and Parts) - De Haan, Jacob
A composition with the liberation from the Second World War as its theme. After a solemn introduction one hears the melody of the hymn Abide with you, which was sung a lot during the war. Following there are variations on the theme, finally leading to the magisterial conclusion that represents the ultimate liberation. The work may be interpreted as popular music (with the part for drumset), but a more serious version without drums is possible and, indeed, preferable.Duration: 4:45
Estimated dispatch 7-14 working days
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£99.95Malcolm Arnold Variations (Score and Parts)
MALCOLM ARNOLD VARIATIONS was commissioned by Philip Biggs and Richard Franklin for the 20th All England Masters International Brass Band Championship held in the Corn Exchange, Cambridge on 25 May 2008. The work is dedicated to Anthony Day, long time carer of Sir Malcolm Arnold in his final years. I first met Malcolm and Anthony in 1990 and remained in constant touch until Malcolm's passing in 2006. Anthony, of course, remains a friend and plays his own role subliminally in this piece. The work is not based on any of Malcolm Arnold's own themes, rather it is a portrait of him (and by association Anthony Day) through my eyes and as a result of my friendship with both parties over some 18 years. If there is any theme as such it is the personalities of the players, the protagonist and his carer placed together by my own efforts coloured and influenced by aspects of Arnold's style and technique without recourse to direct quotation but through allusion and parody. It is of course designed as a brass band test piece but in my eyes is first and foremost a musical challenge. The pyrotechnical elements are there but always secondary to the musical thrust of the work's structure. I have long beforehand submerged myself in Malcolm Arnold's music and ultimately delivered this tribute. Music Directors will be advised to acquaint themselves with the composer's personal music, particularly the film scores, symphonies, concertos and ballets: the solutions towards a successful interpretation of my piece are all in there - and YES, I want, and sanction, this piece to be interpreted, and therein lies the challenge for those of you 'up front'! The challenge for players is that of virtuosity, ensemble and careful attention to where they are individually in relation to their colleagues - a question of balance, taste and insight. With regard to tempi, as is my usual custom, I have indicated all metronome marks with the prefix circa. I would suggest that the fast music is played at these tempos but that the more rubato moments can be allowed some freedom in expression and fluidity of line. With regard to the type of mutes to be employed - this decision I leave to the discretion of players and conductors. Structurally the work is cast as an Introduction, 20 Variations and a Finale. Some variations are self contained, others run into each other as sequences in the same tempo. In other variations, segments are repeated and developed. I could describe the overall concept as a miniature ballet or a condensed film score - there is much drama and character and the repeated elements assist this in driving the action forward. I have deliberately avoided the more extremely dark qualities of Malcolm's own music in this, my celebration of this master-composer, as I have always viewed (and evidenced by my previous Masters scores Tristan Encounters and Chivalry) that the Cambridge contest is a 'sunshine- affair' and firmly believe that Malcolm Arnold would have had it no other way too!
Estimated dispatch 7-14 working days
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