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£59.95Judd: Rhapsody on a theme by Purcell
The theme is the rondo refrain from 'Abdelazer' famously used by Benjamin Britten in his 'The Young Person's Guide to the Orchestra'. The composer, while keeping a spirit of fun, pays subtle tribute to both Purcell and Britten in this set of linked variations.
Estimated dispatch 7-14 working days
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£24.50Nimrod 'From Enigma Variations' - Elgar - Gavin Somerset
The 'Enigma Variations' by Elgar are musical portraits of his friends and family. The best of these 14 variations is by far, number 9 entitled 'Nimrod'. The variation has become a piece in its own right and is common at funerals and other solemn occasions. Remembrance Day in particular would not be complete without hearing the work and is always performed at the Cenotaph in London on this day. Now, this arrangement by Gavin Somerset remains faithful to the original and with careful scoring throughout, it allows bands of most standards to play this gorgeous piece and still obtain those hair raising moments the audiences have come to expect. A must for every bands library.
In Stock: Estimated dispatch 1-3 working days
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£65.50Windsor Variations - Gavin Somerset
The first major Concert Work/Test Piece by Gavin Somerset for brass band takes the familiar tune, St. George's Windsor (Elvey) and gives us a highly enjoyable opus, full of music with which players & MDs can fully express themselves. Often sang to the harvest hymn, Come, Ye Thankful People Come, Its majesty and motifs make this an enjoyable piece to both play and listen to. The work's primary focus is on melody and music with all sections of the band involved in bringing this piece to life. At harvest time or any other, this is a great new feature work for the brass band repertoire. GET THE PARTS FREE TO REHEARSE AT HOME Whilst Brass Band rehearsals continue to be suspended, we are offering FREE downloads of any of the instrumental parts for this new work*. A downloadable playback of the work is also available for you to play along to with a click track included where deemed appropiate to aid your home practice. To download your free instrumental part, please send us a quick email to [email protected]. Once we have received your request, you shall be emailed your free music. Please allow up to 24hrs for this to arrive. Thank you. To download the playback audio to play along to, please RIGHT CLICK HERE & Save As . *A maximum of 2 parts per email address allowed
In Stock: Estimated dispatch 1-3 working days
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£118.99Albinus Variations - Etienne Crausaz
Johann Georg Albinus wrote a number of Lutheran hymns set to music by various composers. Johann Sebastian Bach reworked and inserted some of these hymns into his cantatas, particularly the chorale "Alle Menschen mussen sterben" in BWV 162. Albinus Variations opens with a solemn cadenza followed by five contrasted variations on this chorale. Both versions of the chorale, in major and minor keys, were used as a reference for this work.
Estimated dispatch 5-14 working days
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£154.60Variations for Brass Band - John Brakstad
"Variations for Brass Band" consists of a chorale and 5 variations of brilliant, lyric and humorous character. The piece also contains several soloparts and elements of ensemble.Each variation has its own title, but the piece should be played in its entirity.The chorale is based on a minor pentachord, and each variation begins with these five notes, with different rhythmical treatment.There is also a little secondary "theme", consisting of five notes which are heard throughout the work (eg. as sixteens/semiquavers in cornets in bar 1).When the beams sweep across the Earth, they can be heard as regular pulses. We call them pulsars.In this piece there are three percussion parts. In addition there is an "optional part" to replace the marimba and vibraphone written in the three original percussion parts if desired. This fourth part is shown in the full score.
Estimated dispatch 5-14 working days
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£94.99Chorale Variations - Jan de Haan
Chorale Variations comprises six variations on an original theme in Renaissance style. Written as a test piece for the renowned contest 'Gouden Spiker Festival' in Friesland (The Netherlands), it is a challenging concert or contest piece, presenting attractive and demanding parts for all sections.
Estimated dispatch 5-14 working days
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£106.99Saint-Saens Variations - Philip Sparke
In 2006, a long-time dream of Philip Sparke finally became reality: to compose a set of variations on the famous chorale from Saint-Saens' renowned Organ Symphony. In 2009 the composer reworked the piece for brass band. The resulting Saint-Saens Variations has been simplified, shortened and in many places completely recomposed, to distill the essence of the symphony even further and allow younger bands to enjoy the power of Saint-Saens' masterpiece in an approachable, yet completely faithful, work.
Estimated dispatch 5-14 working days
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£79.99Variants on an English Hymn Tune - Philip Sparke
This set of variations on the well-known hymn tune Holy, holy, holy! will make a most satisfying addition to the solo repertoire for euphonuim and brass band. It is in the traditional air varie form with an introduction, theme and 3 variations. The original melody (known as Nicaea) was composed by John Bacchus Dykes' especially for Reginald Heber's renowned hymn of praise and became universally popular when it was included in Hymns Ancient and Modern in 1861. A beautiful solo that will test the soloists ability to show true emotion.
Estimated dispatch 5-14 working days
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£72.99
Pop Tune Variations - Koen Pletinckx
Pop Tune Variations is a composition in several short movements based on one main theme. Each variation has a specific character and style. This work is especially suitable for youth orchestra's or lower divisions and has at the same time a didactic function.
Estimated dispatch 5-14 working days
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£99.95Malcolm Arnold Variations (Score and Parts)
MALCOLM ARNOLD VARIATIONS was commissioned by Philip Biggs and Richard Franklin for the 20th All England Masters International Brass Band Championship held in the Corn Exchange, Cambridge on 25 May 2008. The work is dedicated to Anthony Day, long time carer of Sir Malcolm Arnold in his final years. I first met Malcolm and Anthony in 1990 and remained in constant touch until Malcolm's passing in 2006. Anthony, of course, remains a friend and plays his own role subliminally in this piece. The work is not based on any of Malcolm Arnold's own themes, rather it is a portrait of him (and by association Anthony Day) through my eyes and as a result of my friendship with both parties over some 18 years. If there is any theme as such it is the personalities of the players, the protagonist and his carer placed together by my own efforts coloured and influenced by aspects of Arnold's style and technique without recourse to direct quotation but through allusion and parody. It is of course designed as a brass band test piece but in my eyes is first and foremost a musical challenge. The pyrotechnical elements are there but always secondary to the musical thrust of the work's structure. I have long beforehand submerged myself in Malcolm Arnold's music and ultimately delivered this tribute. Music Directors will be advised to acquaint themselves with the composer's personal music, particularly the film scores, symphonies, concertos and ballets: the solutions towards a successful interpretation of my piece are all in there - and YES, I want, and sanction, this piece to be interpreted, and therein lies the challenge for those of you 'up front'! The challenge for players is that of virtuosity, ensemble and careful attention to where they are individually in relation to their colleagues - a question of balance, taste and insight. With regard to tempi, as is my usual custom, I have indicated all metronome marks with the prefix circa. I would suggest that the fast music is played at these tempos but that the more rubato moments can be allowed some freedom in expression and fluidity of line. With regard to the type of mutes to be employed - this decision I leave to the discretion of players and conductors. Structurally the work is cast as an Introduction, 20 Variations and a Finale. Some variations are self contained, others run into each other as sequences in the same tempo. In other variations, segments are repeated and developed. I could describe the overall concept as a miniature ballet or a condensed film score - there is much drama and character and the repeated elements assist this in driving the action forward. I have deliberately avoided the more extremely dark qualities of Malcolm's own music in this, my celebration of this master-composer, as I have always viewed (and evidenced by my previous Masters scores Tristan Encounters and Chivalry) that the Cambridge contest is a 'sunshine- affair' and firmly believe that Malcolm Arnold would have had it no other way too!
Estimated dispatch 7-14 working days
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