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  • £21.50

    Build Me Up Buttercup (The Foundations) - Brass Band Full Score & Parts Sheet Music - LM721

    COMPOSER: Michael D'Abo & Tony MacaulayARRANGER: David BealBrass Band Full Score & Parts Sheet MusicUK SALES ONLYOriginally a hit for The Foundations back in 1968 with Colin Young singing lead vocals.But now available as a brass band arrangement ready for your next concert.A definite crowd pleaser and foot-tapper.LM721 - ISMN : 9790570007219

    In Stock: Estimated dispatch 3-5 working days
  • £25.00

    Perpetuum Mobile (Johann Strauss II arr. by David Beal) - Brass Band Full Score and Parts - LM043

    COMPOSER: Johann Strauss IIARRANGER: David BealShow off your band in this exciting technical wizardry concert item.Would make an ideal concert opener for the second half.An excellent concert item, loved by all

    In Stock: Estimated dispatch 3-5 working days
  • £22.00

    VITAE AETERNUM (Brass Band Extra Score)

    2014 Butlins First Section. Vitae Aeternum represents the first substantial composition conceived by Paul Lovatt-Cooper in his capacity as 'Composer in Residence' to the world famous Black Dyke Band.? Vitae Aeternum (meaning 'Eternal Life') takes its inspiration from songs composed by Ivor Bosanko and Dick Krommenhoek and is in three continuous movements. Vitae Aeternum was commissioned by Gerard Klaucke of GK Graphic Design VOF and received its first performance in the De Lawei Concert Hall, Drachten, Holland on 25th August 2007 played by Black Dyke Band conducted by Dr. Nicholas Childs. Later that year, it formed the finale of Brighouse and Rastrick Band's winning programme at the Brass in Concert Championship and has since been embraced by other leading bands including Cory Band, Leyland Band and The International Staff Band of The Salvation Army.

    Estimated dispatch 7-14 working days
  • £49.95

    VITAE AETERNUM (Brass Band Set - Score and Parts)

    2014 Butlins First Section. Vitae Aeternum represents the first substantial composition conceived by Paul Lovatt-Cooper in his capacity as 'Composer in Residence' to the world famous Black Dyke Band.? Vitae Aeternum (meaning 'Eternal Life') takes its inspiration from songs composed by Ivor Bosanko and Dick Krommenhoek and is in three continuous movements. Vitae Aeternum was commissioned by Gerard Klaucke of GK Graphic Design VOF and received its first performance in the De Lawei Concert Hall, Drachten, Holland on 25th August 2007 played by Black Dyke Band conducted by Dr. Nicholas Childs. Later that year, it formed the finale of Brighouse and Rastrick Band's winning programme at the Brass in Concert Championship and has since been embraced by other leading bands including Cory Band, Leyland Band and The International Staff Band of The Salvation Army.

    Estimated dispatch 7-14 working days
  • £25.00

    Angels from the Realms of Glory (French Traditional arr. Brian Harper) - Brass Band Full Score & Parts - LM649 - French Traditional - Brian Harper

    COMPOSER: French TraditionalARRANGER: Brian HarperA great addition to the brass band repertoire from Brian HarperA concert opener for your next Christmas concert

    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    Pacific Northwest (Concert March) (Dale Pittock) - Brass Band Full Score and Parts - LM481

    COMPOSER: Dale PittockA great new concert march to add to the repertoire.LM481ISMN : 9790570004812

    In Stock: Estimated dispatch 3-5 working days
  • £19.65

    Adam Zero, Suite from (Brass Band - Study Score) - Bliss, Arthur - Childs, Robert

    Selected as the Section 2 test piece for the National Brass Band Championships of Great Britain 2025Following his ballet Checkmate, Bliss composed another score for the, by then, Sadler's Wells Ballet, Miracle in the Gorbals, which was choreographed by Robert Helpmann, to a scenario by Michael Benthall. Premired in 1944, the ballet made a considerable impact and was a box-office success. It was followed in turn by a further collaboration with Helpmann and Benthall, Adam Zero. This would serve Helpmann, in the eponymous role, as a vehicle in two respects: demonstrating his gifts as a dancer-actor and as a choreographer. First performed at the Royal Opera House, Covent Garden, on 8 April 1946, Adam Zero was conducted by Constant Lambert, the work's dedicatee. Bliss considered it 'his most varied and exciting ballet score'. Benthall provided a synopsis for the programme:There is a philosophy that life moves in an endless series of timeless cycles. As Nature passes through Spring, Summer, Autumn and Winter, so man is born, makes a success in his own particular sphere, loses his position to a younger generation, sees his world crumble before his eyes and only finds peace in death. This age-old story is told in terms of a Company creating a ballet and calling on the resources of the theatre to do so. Lighting, stage mechanism, dance conventions, musical forms and costumes and scenery of all periods are used to symbolize the world of 'Adam Zero'.Apart from Adam, as the Principal Dancer, other main roles included the Stage Director (representing Omnipotence), and Adam's Fates (Designer, Wardrobe Mistress, and Dresser). 'The Woman in this allegory', wrote Bliss, 'under the symbol of the Choreographer, was both the creator and destroyer of Adam: his first love, his wife, his mistress, and finally the figure of beneficent Death.' When the curtain rose, the 'audience saw the Covent Garden stage right back to the wall, completely empty except for the protagonists, 'the Company poised, still and expectant, as they await the birth of... Adam Zero.'Unfortunately, soon after the premire, Helpmann injured himself and had to withdraw from the remaining performances. Despite generally positive reviews, the ballet did not capture the imagination of audiences and, to Bliss's considerable disappointment, was not revived. Seventy years would elapse before its first major return to the stage, in 2016, performed by the ballet company of Stadttheater Bremerhaven with choreography by Sergei Vanaev.Bliss extracted a concert suite from the ballet, conducting its first performance with the City of Birmingham Symphony Orchestra on 28 October 1948. For his own suite, arranged for brass band in 2023, Dr Robert Childs chose three dances linked to the seasons, book-ending them with the ebullient 'Fanfare Overture' and 'Fanfare Coda'. After Adam has grown to manhood, his Fates clothe him in a costume synonymous with confident youth, appropriate for the virile, ardent 'Dance of Spring'. In the 'Approach of Autumn', Adam, now wearing a sombre costume, has grown older: his Fates have streaked grey in his hair and put lines on his face. But they had earlier raised Adam to the zenith of his power, and the 'Dance of Summer' depicts him in the prime of life, in music of sweeping grandeur. The 'Fanfare Coda' signals that the next cycle of life is about to begin.Duration: 10.30

    Estimated dispatch 7-14 working days
  • £25.00

    Fantasy On A Sea Shanty (Traditional / Rowland W. Little arr. by Derick Kane) - Brass Band Full Score and Parts - LM487

    COMPOSER: Traditional / Rowland W. LittleARRANGER: Derick KaneThe well-known 'drunken sailor' shanty is presentedin changing moods interspersed with other nautical referencesOne for your next concertLM487ISMN - 9790570004874

    In Stock: Estimated dispatch 3-5 working days
  • £25.00

    In The Bleak Midwinter (Gustav Holst arr. Brian Harper) - Brass Band Full Score & Parts - LM578 - Gustav Holst - Brian Harper

    COMPOSER: Gustav HolstARRANGER: Brian HarperA great addition to the brass band repertoire from Brian HarperA calming selection for your next Christmas concert

    In Stock: Estimated dispatch 3-5 working days
  • £25.00

    Marionettes Espagnole (Cesar Cui arr. by David Beal) - Brass Band Full Score and Parts - LM046

    COMPOSER: Cesar CuiARRANGER: David BealA piece known by sound but not by titleAn excellent concert favourite, loved by all

    In Stock: Estimated dispatch 3-5 working days