Searching for Wind Band Music? Visit the Wind Band Music Shop
We've found 125 matches for your search

Results

  • £87.00

    Variations on a Chord - Jan de Haan

    Variations on a Chord was composed on the occasion of the second lustrum of the Dutch Brass Band Championships celebrated in 1990. The piece is the immediate sequel to Contrasten a piece which was composed in 1986, and which is performed all over the world. Not only was the final chord of this previous work used as a starting point for the new composition, but Variations on a Chord is also the first concert piece for brass band composed by Jan de Haan since then. The several variations are based on a solemn theme. The so-called minor-major seventh chord is easily detectable. The structure of the piece is such that the lyrical theme is preceded by a majestic introduction, and is followed by eight variations each strongly contrasting in character. The piece finishes in a short but extremely spectacular coda.

    Estimated delivery 5-10 days

     PDF View Music

  • £77.00

    Variations on a Chord (Brass Band - Score and Parts)

    Variations on a Chord was composed on the occasion of the second lustrum of the Dutch Brass Band Championships celebrated in 1990. The piece is the immediate sequel to Contrasten a piece which was composed in 1986, and which is performed all over the world. Not only was the final chord of this previous work used as a starting point for the new composition, but Variations on a Chord is also the first concert piece for brass band composed by Jan de Haan since then. The several variations are based on a solemn theme. The so-called minor-major seventh chord is easily detectable. The structure of the piece is such that the lyrical theme is preceded by a majestic introduction, and is followed by eight variations each strongly contrasting in character. The piece finishes in a short but extremely spectacular coda. 11:45

    Estimated delivery 12-14 days

     PDF View Music

  • £21.75

    Variations on a Chord (Brass Band - Score only)

    Variations on a Chord was composed on the occasion of the second lustrum of the Dutch Brass Band Championships celebrated in 1990. The piece is the immediate sequel to Contrasten a piece which was composed in 1986, and which is performed all over the world. Not only was the final chord of this previous work used as a starting point for the new composition, but Variations on a Chord is also the first concert piece for brass band composed by Jan de Haan since then. The several variations are based on a solemn theme. The so-called minor-major seventh chord is easily detectable. The structure of the piece is such that the lyrical theme is preceded by a majestic introduction, and is followed by eight variations each strongly contrasting in character. The piece finishes in a short but extremely spectacular coda. 11:45

    Estimated delivery 12-14 days

     PDF View Music

  • £55.00

    Purcell Variations - Kenneth Downie

    Purcell Variations, composed in 1995, the year of the tercentenary of the death of the great English composer, was a watershed work in that it was Downie's first extended composition to be published independently of The Salvation Army and intended for wider use. For his theme, Downie has chosen what has come down to us as the hymn tune Westminster Abbey, which is in fact an adaptation made in 1842 by Ernest Hawkins, who was a Canon of Westminster Abbey where Purcell himself had been organist. Purcell’s original is actually the closing section of an anthem, O God, Thou art my God, where it provides the final paean of praise, sung to repeated ‘Hallelujahs’. Purcell’s tune, particularly the opening triadic gesture, is used as a source of thematic and harmonic material – a quarry for ideas if you like: “I was obsessed with the intervals of thirds in Purcell’s tune, rather like Brahms in his Third Symphony”, the composer says.There are five variations, preceded by an extended introduction and theme. In the first variation, Purcell’s lilting dance pulse has been transformed into a bright, playful sequence, in which each phrase of the melody is given its own transformation. In the second, Purcell’s opening gambit is extended into a graceful, flowing waltz, featuring solo and first horn at the top of the register. The composer offers a range of metronome speeds in this movement, in which he is emulating the wistful elegance of Erik Satie’s famous Gymnopedie. We enter the world of big band jazz in variation three, where Purcell’s tune strides along with added syncopation and bluesy major/minor thirds to the fore. After the breathless energy and blazing brass of the big band, Downie moves into his ‘home territory’ for a beautifully worked lyrical variation. There is an enhanced urgency about the final variation, which opens with an extended reprise of the work’s introduction. Purcell’s second and third phrases provide the preparation for the exuberant return, in customary triumph of Purcell’s ‘Hallelujah’.

    Estimated delivery 12-14 days
  • £34.95

    Pyrotechnic Variations on 1812 - Christian Overhead

    Pyrotechnic Variations on 1812 was composed for Brass Band Schoonhoven, and used as part of their programme for Brass in Concert in November 2016.‘Pyrotechnic Variations’ is a modern day twist on Tchaikovsky’s famous ‘1812’ Overture. A heraldic opening introduces some familiar themes, before leading into a frantic virtuosic passage (especially for euphonium!), where quotes can be heard all through the band. This subsides into the central ‘slow’ section (via the unusual route of a bass and drum kit feature). After a whisper quiet reintroduction of the main theme, we build to the ‘canon’ finale – ending in a glorious celebratory style!

    Estimated delivery 5-7 days
  • £34.95

    Pyrotechnic Variations on 1812 - Christian Overhead

    Pyrotechnic Variations on 1812 was composed for Brass Band Schoonhoven, and used as part of their programme for Brass in Concert in November 2016.‘Pyrotechnic Variations’ is a modern day twist on Tchaikovsky’s famous ‘1812’ Overture. A heraldic opening introduces some familiar themes, before leading into a frantic virtuosic passage (especially for euphonium!), where quotes can be heard all through the band. This subsides into the central ‘slow’ section (via the unusual route of a bass and drum kit feature). After a whisper quiet reintroduction of the main theme, we build to the ‘canon’ finale – ending in a glorious celebratory style!

    Estimated delivery 12-14 days
  • £54.95

    St. Andrew's Variations - Alan Fernie

    This piece, written for the East Anglian Brass Band Festival in 1998, takes the form of eight variations and a finale, loosely based on the descending third motif heard in the initial theme. It was initially composed for junior band, and expanded and rescored for full band in 2006. There is no significance in the title, other than the fact it was written by a Scotsman to be played in the St Andrew’s Hall, in Norwich!Alan Fernie was born and brought up in the Scots mining village of Newtongrange. From the age of 13 he learned to play the trombone both at school and with the local brass band, going on to study music in Glasgow and London. After a short period working as an orchestral musician, Alan moved into instrumental education, spending over 20 years teaching brass in schools all over the East of Scotland. It was during this time that he began to conduct and he has since directed bands at all levels, winning many awards. He first wrote for brass whilst still a student, and his music is now played, recorded and published throughout the world.In 2009, Alan was honoured with the “President’s Award” from the Scottish Brass Band Association for services to banding. He is also proud to be associated as composer in residence with the acclaimed charity “Brass for Africa”, with whom he spent two months recently teaching in Kampala, Uganda. Living in the Scottish Borders, Alan now works as a freelance musician, finding time to write, teach, conduct, judge, perform and act as compere throughout the UK and beyond.

    Estimated delivery 12-14 days
  • £58.00

    Variations on a Shaped Note Melody - James Curnow

    Based on the American 'shaped-note' melody Saints Bound for Heaven, Variations on a Shaped Note Melody by James Curnow captures a feeling of joyful celebration through a series of unique and skilfully adapted variations. The opening strains are actually fragments of the first variation and occur before the main tune is introduced by low brass. The second variation features a euphonium solo and builds to a glorious climax with the full ensemble. The final variation is joyful and filled with energy, using flourishes and fanfares throughout the band for a grand conclusion to this marvellous work.

    Estimated delivery 5-10 days

     PDF View Music

  • £90.00

    Theme and Variations - Oliver Waespi

    Theme and Variations is another brilliant test piece from the pen of Oliver Waespi, one of the most popular brass band composers of today. It is a challenging but rewarding piece which offers plenty of opportunity for several soloists to show off their skills. Theme and Variations is based on one theme that is explored throughout the piece, resulting in spectacular and colourful variations. A beautiful musical kaleidoscope!

    Estimated delivery 5-10 days

     PDF View Music

  • £85.00 £85.00
    Buy from PHM Publishing

    Variations on a Theme of Michael Tippett

    Processional Michael Tippett (arr. Hindmarsh) Danse des Amis Bramwell Tovey Midsummer Song Edward Gregson Scherzettino Michael Ball Collage Elgar Howarth Birthday Fugue – Finale Philip Wilby Devised by Paul Hindmarsh to celebrate the centenary of Sir Michael Tippert in 2006, this unqiue collaboration between five leading creative voices in brass band music of recent years also celebrated the 60th and 70th birthdays of two of its contributors, Edward Gregson and Elgar Howarth. Philip Wilby pays birthday tributes in his dramatic fugal finale. The theme is taken from Tippett's opera The Midsummer Marriage, and it also appears in his Birthday Suite for Prince Charles (1948), scored predominently for brass. The work was written for Foden's Band and Bramwell Tovey to perform at the 2006 RNCM Festival of Brass in Manchester (UK). The same artists have also recorded it for NMC. Variations on a theme of Michael Tippett is a demanding work that has techncial and musical challenges appropriate to Championship Section brass band competitions, while also possessing considerable audience appeal. Duration: c. 13-14 minsScore and parts: ?85 Score: ?15.00