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  • £60.99

    Song of Liberation (Brass Band - Score and Parts) - De Haan, Jacob

    A composition with the liberation from the Second World War as its theme. After a solemn introduction one hears the melody of the hymn Abide with you, which was sung a lot during the war. Following there are variations on the theme, finally leading to the magisterial conclusion that represents the ultimate liberation. The work may be interpreted as popular music (with the part for drumset), but a more serious version without drums is possible and, indeed, preferable.Duration: 4:45

    Estimated dispatch 7-14 working days

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  • £74.95

    Diversions (Variations on a Swiss Folk Song) (Brass Band - Score and Parts) - Sparke, Philip

    Suitable for 2nd Section Bands and aboveIncludes: 1. Vivo scherzando, 2. Subito meno mosso, 3. Lento expressivo, 4. Vivace.Recorded on Polyphonic QPRL204D Family Portrait, Point of Ayr Colliery Band

    Estimated dispatch 7-14 working days
  • £37.95

    Diversions (Variations on a Swiss Folk Song) (Brass Band - Score only) - Sparke, Philip

    Suitable for 2nd Section BandsIncludes: 1. Vivo scherzando, 2. Subito meno mosso, 3. Lento expressivo, 4. Vivace.Recorded on Polyphonic QPRL204D Family Portrait, Point of Ayr Colliery Band

    Estimated dispatch 7-14 working days
  • £44.95

    Fantasy on Sempre Libera (Euphonium Solo with Brass Band - Score and Parts) - Verdi, Giuseppe - Graham, Peter

    During the 19th century the great instrumental virtuosi reined supreme. Pianists Liszt and Thalberg and violinists Paganini and Saraste amazed audiences with their wide-ranging technical and artistic abilities, fuelled by increasingly difficult paraphrases and variations on popular tunes of the day.The Fantasy on Sempre Libera looks back with affection to this period and provides an opportunity for present day euphonium virtuoso David Thornton to demonstrate the skills which mark him out as one of the world's finest players.

    Estimated dispatch 7-14 working days
  • £74.95

    MUSIC FOR A FESTIVAL (Brass Band - Score and Parts) - Sparke, Philip

    Duration: 12:50Recording on Polyphonic QPRL081D Cambridge Variations

    Estimated dispatch 7-14 working days
  • £37.95

    MUSIC FOR A FESTIVAL (Brass Band - Score only) - Sparke, Philip

    Duration: 12:50 Recording on Polyphonic QPRL081D Cambridge Variations

    Estimated dispatch 7-14 working days
  • £37.95

    SERENADE FOR HORNS (Horn feature/Brass Band) - Sparke, Philip

    Horn feature - no Cornets! Recorded on Polyphonic QPRL081D Cambridge Variations

    Estimated dispatch 7-14 working days
  • £82.95

    VARIATIONS ON A THEME BY HAYDN (Brass Band - Score and Parts) - Brahms, Johannes - Nash, Harold

    Suitable for 2nd Section and above

    Estimated dispatch 7-14 working days
  • £37.95

    VARIATIONS ON A THEME BY HAYDN (Brass Band - Score only) - Brahms, Johannes - Nash, Harold

    Suitable for 2nd Section bands and above

    Estimated dispatch 7-14 working days
  • £228.70

    Fanfare and Chorale - Egil Hovland - Ray Farr

    This arrangement (or edition) for brass band will give the possibility for more performances of this fine work by Hovland. The composer, before his death, examined my work and made no suggestions for changes, and his approving comments were complimentary and encouraging. The work was originally written for Concert Band in 1966 as Op. 54a to St. Olaf College Band in the US. It was transcribed in 1967 for symphony orchestra as Op. 54b by the composer himself. The challenges in arranging the piece for brass band were mostly concerned with satisfactorily covering the upper register used by piccolo, flutes and clarinets, and while there are wonderful brass players around who have amazing high registers, I have aimed this edition at a level achievable by reasonably good brass band players who are willing to give time and effort into the proper preparation and delivery of the music. Having worked on this new edition with a top-class brass band, I think it sounds wonderful and interestingly different to the original. Besides the obvious differences of tone-colour and absent high notes, I have used in my scoring, the option for using a vibraphone in place of a celeste. Vaughan Williams, in his Variations for brass band writes for celeste, but because the instrument is quite rare, performances have been mostly given using a glockenspiel- but this, of course sounds two octaves higher than it was intended. I think that vibraphone and brass is an excellent combination and recommend it without hesitation in this piece. Every detail of articulation and dynamic has been considered, so in order to keep the integrity of the music, please do not change anything in the name of "interpretation". As Ravel says- "What is there to interpret?" Ray Farr

    Estimated dispatch 5-14 working days