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  • £53.99

    Con Te Partiro (Cornet Solo with Brass Band - Score and Parts) - Quarantotto & Sartori - Bernaerts, Frank

    Trumpet, Cornet or Flugel Horn Solo. Performed by Andrea Bocelli. Duration: 04:10

    Estimated dispatch 7-14 working days

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  • £53.99

    Blue Eyes (Flugel Horn Solo with Brass Band - Score and Parts) - John & Osborne - Bernaerts, Frank

    Trumpet, Cornet or Flugel Horn Solo. Performed by Elton John. Duration: 04:10

    Estimated dispatch 7-14 working days

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  • £42.95

    CHRISTMAS POST, The (Brass Band with Post Horn feature) - Koenig, Hermann - Keeley, Ed

    Brass Band set including full score. The Post Horn part is provided in Ab, however a Bb trumpet part is also included in the set for greater flexiblity. In 1844, the German cornet player Hermann Koenig wrote Post Horn Gallop for Post Horn with orchestra accompaniment. Its great popularity meant that it has made its way into the brass and wind band repertoires. Ed Keeley has given it a festive twist by including motifs of Jingle Bells, Good King Wenceslas and Here We Come A-Wassailing.

    Estimated dispatch 7-14 working days
  • £42.95

    ELEGY (Cornet/Brass Band) - Barry, Darrol

    Recorded by Mark Wilkinson with Foden's Richardson Band on Polyphonic CD QPRL221D Sunburst Also available: B flat Cornet (or Trumpet) and Piano edition.

    Estimated dispatch 7-14 working days
  • £30.00

    La Perla Negra - Colin Skinner

    For this brooding piece the composer has used the following storyline. "A sad elderly man sits alone in a bar whilst an accordionist plays a slowtango. A beautiful woman walks in wearing a single black pearl necklace and proceeds to dance with the old man. Gradually the music becomesmore and more spirited and the dance faster as the old man becomes youthful again. With a passionate kiss he passes out in thegirl's arms and when he awakens he is back in the bar alone save for the accordionist. As he contemplates his dream he notices a single black pearlleft behind on the bar. The sombre mood is lightened in the middle section by a deliberately trite and stylised trumpet duet, but we soon returnto the opening material for a slow fade-out"