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  • £74.95

    Endeavour (Brass Band - Score and Parts)

    Commissioned by the Festival of Bands, Brisbane 1988, for the Bicentennial World Brass Band Championship held there on 29th July.Endeavour takes its title from the name of the ship in which Captain James Cook circumnavigated the world and attempts to depict in music some aspects of the history of the great continent which he discovered.The Unknown Continent tells the story of the many fruitless voyages undertaken to find the mysterious Terra Australis and conjures up something of the awe and excitement its discovery engendered. Early struggles and hardships of the first settlers are described in The New Challenge but the true story of Australia over the last 200 years is one of success and Celebration ends the piece in triumph.Duration: 11.30 mins

    Estimated dispatch 7-14 working days
  • £37.95

    Endeavour Score Only)

    Commissioned by the Festival of Bands, Brisbane 1988, for the Bicentennial World Brass Band Championship held there on 29th July.Endeavour takes its title from the name of the ship in which Captain James Cook circumnavigated the world and attempts to depict in music some aspects of the history of the great continent which he discovered.The Unknown Continent tells the story of the many fruitless voyages undertaken to find the mysterious Terra Australis and conjures up something of the awe and excitement its discovery engendered. Early struggles and hardships of the first settlers are described in The New Challenge but the true story of Australia over the last 200 years is one of success and Celebration ends the piece in triumph.Duration: 11.30 mins

    Estimated dispatch 7-14 working days
  • £17.50

    The Mansions of Glory (Score Only)

    "A young, talented and tender-hearted actress was passing along the street of a large city. Seeing a pale, sick girl lying upon a couch just within the half-open door of a beautiful dwelling, she entered, with the thought that by her vivacity and pleasant conversation she might cheer the young invalid. The sick girl was a devoted Christian, and her words, her patience, her submission and heaven-lit countenance so demonstrated the spirit of her religion that the actress was led to give some earnest thought to the claims of Christianity, and was thoroughly converted and became a true follower of Christ. She told her father, the leader of a theatre troupe, of her conversion and of her desire to abandon the stage, stating that she could not live a consistent Christian life and follow the life of an actress. Her father was astonished beyond measure and told his daughter that their living would be lost to them and their business ruined if she persisted in her resolution.Loving her father dearly, she was shaken somewhat in her purpose and partially consented to fill the published engagement to be met in a few days. She was the star of the troupe, and a general favourite. Every preparation was made for the play in which she was to appear. The evening came and the father rejoiced that he had won back his daughter and that their living was not to be lost. The hour arrived; a large audience had assembled. The curtain rose and the young actress stepped forward firmly, amid the applause of the multitude. But an unwonted light beamed from her beautiful face. Amid the breathless silence of the audience, she repeated: 'My Jesus, I love thee, I know thou art mine,For thee all the pleasures of sin I resign;My gracious Redeemer, my Saviour art thou,If ever I loved thee, my Jesus, 'tis now.' This was all. Through Christ she had conquered and, leaving the audience in tears, she retired from the stage, never to appear upon it again. Through her influence her father was converted, and through their united evangelistic labours many were led to God." 1. My Jesus, I love thee, I know thou art mine,For thee all the pleasures of sin I resign;My gracious Redeemer, my Saviour art thou,If ever I loved thee, my Jesus, 'tis now.2. I love thee because thou hast first lovd me,And purchased my pardon on Calvary's tree;I love thee for wearing the thorns on thy brow,If ever I loved thee, my Jesus, 'tis now.3. I will love thee in life, I will love thee in death, And praise thee as long as thou lendest me breath; And say, when the death-dew lies cold on my brow; If ever I loved thee, my Jesus, 'tis now.4. In mansions of Glory and endless delight,I'll ever adore thee and dwell in thy sight; I'll sing with the glittering crown on my brow: If ever I loved thee, my Jesus, 'tis now. William Ralph Featherstone

    Estimated dispatch 7-14 working days
  • £32.50

    Vienna Nights (Score Only)

    The City of Vienna stands at one of the historic crossroads of the world, linking east and west and embracing artistic influences from all sides. In the 250th anniversary year of Mozart's birth, this fantasy on Mozart's celebrated Piano Sonata in A (K331), has been composed true to the form and content of the original, but also to the underlying substance of the conception.One of Mozart's distinguishing features, and one that links him to later music by Beethoven, Schubert, Mahler and Schoenberg, is the breadth of his musical vision. His music links intellectual rigour with ecstatic utterance and darker preoccupations. It is, perhaps, this shadow-laden side of his musical nature which gives his work a profundity often absent in the work of his contemporaries. Admirers of his Requiem Mass or the Statue music in Don Giovanni will recognise that it is this extra sense of reality which makes Mozart so relevant to the modern age, and where he may link hands with the other great Viennese thinkers such as Berg, Webern and Adorno.The composer follows the three movement plan of the Sonata closely. The original begins with a Theme and Variations which is freely quoted. His Minuet is mirrored in the Recitative and Notturno, where each section of the band lays down a metaphoric rose to his memory. Famously, the sonata ends in populistic style with a Turkish Rondo. Ever since the Hapsburg-Ottoman Wars, which came to an end in the seventeenth century, Viennese composers have included Turkish elements in their music, not least in the use of certain percussion instruments. Vienna Nights is thusly a homage.It celebrates the world's greatest composer, but also the city which fostered his work. Here, in your imagination, you might easily conjure up a caf table near the Opera House, where Mozart, Mahler and Sigmund Freud, observed by us all from a discreet distance, may meet as old friends.

    Estimated dispatch 7-14 working days
  • £74.95

    Song of Courage (Brass Band - Score and Parts) - Ball, Eric

    New Contest VersionThe music reflects many moods. There is, to commence, joyfulness, and later some sense of fear and effort against great odds. The old chorus 'Stand like the brave' typifies the call to action in the face of danger, and 'A prayer for courage' - the central part of the composition - is a reminder of the true source of Christian fortitude.

    Estimated dispatch 7-14 working days

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  • £37.50

    Song of Courage (Brass Band - Score only) - Ball, Eric

    New Contest VersionThe music reflects many moods. There is, to commence, joyfulness, and later some sense of fear and effort against great odds. The old chorus 'Stand like the brave' typifies the call to action in the face of danger, and 'A prayer for courage' - the central part of the composition - is a reminder of the true source of Christian fortitude.

    Estimated dispatch 7-14 working days
  • £49.99

    Back to the Future (Brass Band - Score and Parts) - Silvestri, Alan - Harper, Philip

    Alan Silvestri's unforgettable, dramatic theme from the iconic movie Back to the Future (1985) has become a true film music classic. In this brilliant arrangement for brass band, Philip Harper has perfectly preserved the original energy and grandeur of the soundtrack. The result is a powerful, recognizable, and compelling arrangement that is guaranteed to impress any audience.Duration: 2.45

    Estimated dispatch 7-14 working days

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  • £49.99

    Journey to the Past (from Anastasia) (Brass Band - Score and Parts) - Flaherty, Stephen - Bond, Christopher

    Step into an enchanting world of nostalgia with the compelling sounds of Journey To The Past, a wonderful little gem by Stephen Flaherty, magically arranged for brass band by Christopher Bond. This song, originally composed for the popular animated film Anastasia, tells a story of hope, discovery and finding one's true self. The warm brass band sounds add a new dimension, infusing each note with emotion and passion.Duration: 3.15

    Estimated dispatch 7-14 working days

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  • £118.90

    How To Train Your Dragon (Brass Band - Score and Parts) - Powell, John - Schjelderup, Fredrick

    "How to Train Your Dragon" is an American animated film about a small Viking village that is constantly being attacked by dragons. In the film, the shy teenager, Hiccup, must convince his father and the rest of the village that he can become a true Viking warrior and fight the dragons. The tension in the film revolves around the fact that the young warrior would rather befriend the dragons than fight them. The original score is composed by John Powell and conveys excitement, drama, and romance that unfolds throughout. In this arrangement, you will find the themes "This is Hiccup" and "Dragon Battle" linked together.

    Estimated dispatch 7-14 working days

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  • £91.99

    Hermitage (Brass Band - Score and Parts) - De Haan, Jan

    Concertante Variations on an original theme after Pyotr Ilyich TchaikovskyJan de Haan drew inspiration for this work from five paintings exhibited in The Hermitage in Saint Petersburg, one of the largest and most versatile museums in the world. He used the melodious Andante cantabile from the String Quartet Op. 11 by the Russian composer Pyotr Ilyich Tchaikovsky as its starting point. Thus, he created his own musical painting, which is just as varied as the underlying canvases, from Cheerful Company by Dirck Hals to Dance II by Henri Matisse. A true work of art!Duration: 13.30

    Estimated dispatch 7-14 working days

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