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  • £40.00

    American Pie - Don McLean - Ron Sebregts

    Don McLean's success is largely due to the remarkable song American Pie released in 1971. In 2000 American Pie topped the charts again, this time recorded by Madonna when her version achieved number 1 status almost everywhere in the world.

    Estimated delivery 10-14 days
  • £35.00

    American Pie (Brass Band - Score and Parts)

    Don McLean's success is largely due to the remarkable song American Pie released in 1971. In 2000 American Pie topped the charts again, this time recorded by Madonna when her version achieved number 1 status almost everywhere in the world. 02:35

    Estimated delivery 12-14 days
  • £19.25

    Canzon XIV (1615) - Gabrieli: Eric Crees Performing Edition

    This ten part canzona is a classic ~ a calm opening precedes a short cross-rhythmic 3/4 section followed by an extraordinary common time section which combines ingenious counterpoint and crisp rhythms. Dur 3'15"Gabrieli is one of the truly great composers but sadly neglected. His compositions, moreover, are rarely of great technical difficulty, making them ideal for mixed ensembles and school use. We hope this edition will bring these magnificent pieces to a wider audience, especially the young.• Each set contains a score and parts for brass, woodwind and string instruments to allow performances by practically any combination as well as brass only.• This new Performing Edition of Gabrieli's Sacrae Symphoniae and Canzoni e Sonate was prepared for the recording by the LSO Brass on Naxos Records:Vol 1 - 8553609Vol 2 - 8553873Vol 3 - 8554129"...the playing is superb...three CDs which embody all of Gabrieli's instrumental ensemble works, the first such collection in the world".....'Musician'"...scrupulously prepared new edition".....'BBC Music Magazine'"...notes, both scholarly and informative...an exciting series".....'Guardian'

    Estimated delivery 5-7 days
  • £19.25

    Canzon duodecimi toni ?? 10 no 3 (1597) - Gabrieli: Eric Crees Performing Edition

    Another major key for two five-part choirs beginning with stately counter- point. The lower second choir takes on a more subdued role before a triple time section and a grand ending. Dur 2'45"Gabrieli is one of the truly great composers but sadly neglected. His compositions, moreover, are rarely of great technical difficulty, making them ideal for mixed ensembles and school use. We hope this edition will bring these magnificent pieces to a wider audience, especially the young.• Each set contains a score and parts for brass, woodwind and string instruments to allow performances by practically any combination as well as brass only.• This new Performing Edition of Gabrieli's Sacrae Symphoniae and Canzoni e Sonate was prepared for the recording by the LSO Brass on Naxos Records:Vol 1 - 8553609Vol 2 - 8553873Vol 3 - 8554129"...the playing is superb...three CDs which embody all of Gabrieli's instrumental ensemble works, the first such collection in the world".....'Musician'"...scrupulously prepared new edition".....'BBC Music Magazine'"...notes, both scholarly and informative...an exciting series".....'Guardian'

    Estimated delivery 5-7 days
  • £54.95

    St. Andrew's Variations - Alan Fernie

    This piece, written for the East Anglian Brass Band Festival in 1998, takes the form of eight variations and a finale, loosely based on the descending third motif heard in the initial theme. It was initially composed for junior band, and expanded and rescored for full band in 2006. There is no significance in the title, other than the fact it was written by a Scotsman to be played in the St Andrew’s Hall, in Norwich!Alan Fernie was born and brought up in the Scots mining village of Newtongrange. From the age of 13 he learned to play the trombone both at school and with the local brass band, going on to study music in Glasgow and London. After a short period working as an orchestral musician, Alan moved into instrumental education, spending over 20 years teaching brass in schools all over the East of Scotland. It was during this time that he began to conduct and he has since directed bands at all levels, winning many awards. He first wrote for brass whilst still a student, and his music is now played, recorded and published throughout the world.In 2009, Alan was honoured with the “President’s Award” from the Scottish Brass Band Association for services to banding. He is also proud to be associated as composer in residence with the acclaimed charity “Brass for Africa”, with whom he spent two months recently teaching in Kampala, Uganda. Living in the Scottish Borders, Alan now works as a freelance musician, finding time to write, teach, conduct, judge, perform and act as compere throughout the UK and beyond.

    Estimated delivery 12-14 days
  • £74.95

    Aspects Of Adiemus - Karl Jenkins

    Aspects of Adiemus is a collection from one of the world's most popular composers, Karl Jenkins. Adiemus, literally translated, means 'we will draw near' and represents a musical language which can be heard on five award winning albums from the composer.Since Adiemus has risen in popularity around the world, it has become a growing entity meaning many different things to many different people. Vocally, the spread of influence grows wider all the time, taking in Arabic and African sounds as well as "Celtic" and ecclesiastical ones. The percussion too has expanded using Indian, Middle Eastern, Japanese, Chinese and even Australian instrumentation.The evolving nature of Adiemus has meant that it has been difficult to categorise. New age, classical crossover, world music, even pop. Karl sees this as a good sign: "To me, Adiemus transcends labels. The fact that it reaches people of different backgrounds, faiths and cultures gives it a universal appeal which is special. The compositions can be spiritual, religious, meditative - it's open to 'move' people in any away they choose to experience."Ironically, the Adiemus project 'got off the ground' initially due to a television commercial for an airline. Karl Jenkins explains, "I'd been toying with a new idea, completely separate to my work in advertising, but at this time, Jenkins Ratledge were commissioned to come up with the music for an airline commercial. We presented the client with a demonstration tape of one of my completed compositions and they loved it."That composition became known as Adiemus. The music for the airline commercial was aired and immediately drew interest from the public. Karl: "It's ironic that a piece of music not originally intended for a TV commercial should end up on a TV commercial, and that this music became the springboard for the success of the Adiemus project."Expertly arranged by Peter Graham, Aspects of Adiemus features the eponymous 'Adiemus', an uplifting and instantly recognisable opener. 'Chorale - Za Ma Ba' and 'Chorale - Vocalise' are songs of sanctuary, the latter featuring a chamber group from within the band. The vibrant 'Song of the Spirit' is a cornet feature, and the finale, 'Song of the Plains' combines intense rhythmic energy with tribal harmonies. Duration is variable depending on movement selection and optional cuts.

    Estimated delivery 12-14 days
  • £59.95

    Darkwood - Dan Price

    Darkwood was commissioned in 2012 by Neil Ashcroft, a lifelong member of Blackley Brass Band and was presented to the band in recognition of its 75th Anniversary. The work is in three movements and was conceived as either an extended concert item or as an own choice test-piece.Blackley Village is a northerly district of the city of Manchester and is the home of the last remaining city centre brass band. Blackley appears in the Doomsday book and its name is a derivative of the Anglo-Saxon Bl?cl?"ah which means ‘Darkwood’ or ‘Dark Clearing’.The BoggartThe first movement of the suite is named after Boggart Hole Clough, which is a local urban nature reserve. A clough is a local colloquialism for a steep sided valley or gully and this particular clough is believed to be the home of a Boggart, a mischievous spirit or imp.House on the HillThe second movement of Darkwood is subtitled ‘House on the Hill’ and evokes images of St Andrew’s Church which is located in Higher Blackley and is commonly referred to by this name. Perched high on the hill, it overlooks the village and across the valley towards Manchester city centre.Blackley VillageThe final movement depicts Blackley’s historic evolution from its medieval roots, as a small residential hamlet, through to the present day and its importance as an industrial part of the city.Born in the Vale of Evesham, Worcestershire, Dan took a keen interest in music from an early age playing tuba and trombone with his local brass band. After leaving school he embarked on a 10 year career as a hotelier integrating it with a developing career as a freelance musician playing double bass, sousaphone and bass saxophone with big bands including the internationally Pasadena Roof Orchestra.In 2003, he enrolled in the Band Musicianship course at Salford University where he studied composition and arranging with Prof. Peter Graham. Dan’s first test-piece An Elgar Portrait was selected as the 4th Section set work at the Swiss National Brass Band Championships in 2007 and again at the Pontins Championships the following year. He then went on to write the test-piece New World Sketches which was set as the 2nd Section test-piece for the British Regional Contests in 2009.In 2009, Dan became Composer in Association with the Cory Band, helping them with their winning programmes at several Brass in Concert Championships. In 2012 he became the Arranger in Association with Black Dyke Band and has been involved with many of the band’s exciting projects including his arrangement of Recycled for the ground breaking multimedia campaign – Danger Global Warming Project and the band’s collaboration with British composer Tolga Kashif in 2012 for his Olympic Anthem Let Your Light Shine.In 2015, Dan had a number of major works performed at International contests which included Realms of Asgard: Yggdrassil – a new test-work commissioned by Jaren Hornmusikkforening to be used as their choice work at the Norwegian Brass Band Championships, Ocean of Storms – an exciting new work for Grimethorpe Colliery Band’s Brass in Concert programme and his test-piece Visions which was used as a 4th Section National Finals test-piece.Dan is currently working full time at the University of Salford, lecturing in Composition and Arranging. He continues to work as a freelance composer working with a number of leading soloists, brass and wind bands around the world.

    Estimated delivery 12-14 days
  • £74.95

    Harrison's Dream - Peter Graham

    At 8.00pm on the 22nd of October 1707, the Association, flagship of the Royal Navy, struck rocks off the Scilly Isles with the loss of the entire crew. Throughout the rest of the evening the remaining three ships in the fleet suffered the same fate. Only 26 of the original 1,647 crew members survived. This disaster was a direct result of an inability to calculate longitude, the most pressing scientific problem of the time. It pushed the longitude question to the forefront of the national consciousness and precipitated the Longitude Act. Parliament funded a prize of ?20,000 to anyone whose method or device would solve the dilemma. For carpenter and self-taught clockmaker John Harrison, this was the beginning of a 40 year obsession. To calculate longitude it is necessary to know the time aboard ship and at the home port or place of known longitude, at precisely the same moment. Harrison's dream was to build a clock so accurate that this calculation could be made, an audacious feat of engineering. This work reflects on aspects of this epic tale, brilliantly brought to life in Dava Sobel's book Longitude. Much of the music is mechanistic in tone and is constructed along precise mathematical and metrical lines. The heart of the work however is human - the attraction of the ?20,000 prize is often cited as Harrison's motivation. However, the realisation that countless lives depended on a solution was one which haunted Harrison. The emotional core of the music reflects on this, and in particular the evening of 22ndOctober 1707. Peter GrahamCheshireJuly 2000

    Estimated delivery 12-14 days

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  • £69.95

    Tuba Concerto - Score and Parts - Edward Gregson

    This work was commissioned by the Besses o’ th’ Barn Band with funds provided by the Arts Council of Great Britain. It was written for, and is dedicated to, John Fletcher, who gave the first performance in Middleton Civic Hall, near Manchester, on 24 April, 1976, with Besses o’ th’ Barn Band conducted by the composer. Another interesting feature about the premi?re was that it was recorded by BBC Television for an Omnibus programme with Andr? Previn as presenter. The concerto exists in three versions: with brass band (1976), orchestra (1978) and wind band (1984).The concerto is in three movements, following the usual, quick-slow-quick pattern: Allegro deciso,Lento e mesto, Allegro giocoso. The first movement has a sonata form shell with two contrasting themes, the first one being rhythmic in character, the second lyrical. There is a reference made in passing to the Vaughan Williams Tuba Concerto, but this merges into the other material in the development section.The second movement begins with a chorale, but after the entry of the tuba it leads to a cantabile theme, softly unfolded by the soloist. The opening chorale passage returns, this time briefly on muted brass, and leads to a middle section which is more chromatic in style and soon builds to a powerful climax, where the opening cantabile theme triumphantly returns. The music subsides, returning to the opening chorale and ending peacefully.The finale is light and breezy in style, and is cast in rondo form. After a brief introduction the tuba announces the main rondo theme, which is dance-like and a little jaunty. There are two episodes: the first a broad sweeping tune, the second a slowish waltz and a little jazz-like. After a virtuoso cadenza reference is made to the very opening of the concerto before the work ends with a triumphal flourish.The Tuba Concerto has established itself as one of the main works in the solo tuba repertoire. It has been performed and broadcast in over 40 countries all over the world. There are currently six commercial recordings of the concerto in its various versions.resolution in C major, pointed by a simple but expansive melody towards which the piece has been heading, and ending in a blaze of joyful colour.

    Estimated delivery 12-14 days
  • £79.50

    El Camino Real (A Latin Fantasy) - Alfred Reed

    El Camino Real (literally "The Royal Road" or "The King's Highway") was commissioned by, and is dedicated to, the 581st Air Force Band (AFRES) and its Commander, Lt. Col. Ray E. Toler. Composed during the latter half of 1984 and completed in early '85, it bears the subtitle: "A Latin Fantasy."The music is based on a series of chord progressions common to countless generations of Spanish flamenco (and other) guitarists, whose fiery style and brilliant playing have captivated millions of music lovers throughout the world. These progressions and the resulting key relationships have become practically synonymous with what we feel to be the true Spanish idiom. Together with the folk melodies they have underscored, in part derived by a procedure known to musicians as the "melodizing of harmony," they have created a vast body of what most people would consider authentic Spanish music.The first section of the music is based upon the dance form known as the Jota, while the second, contrasting section is derived from the Fandango, but here altered considerably in both time and tempo from its usual form. Overall, the music follows a traditional three-part pattern: fast-slow-fast.The first public performance of El Camino Real took place on April 15th, 1985 in Sarasota, Florida, with the 581st Air Force Band under the direction of Lt. Col. Ray E. Toler.This arrangement for brass band has been made by Frode Rydland.

    Estimated delivery 12-14 days