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  • £25.00

    Silver Spirit - Brass Band - LM369

    COMPOSER: Franner OtterA Concert Piece for Brass Bandby Franner OtterThis piece was inspired by the resilient spirit that quickly blossomedwithin the brass band movement as a result of the Covid-19 lockdown.Despite being unable to meet and play together,bands found freedom of expression through other methodsof making music together such as online group performanceswhich enabled a whole new world of collaborative music-making to flourish.Band members were able to share their musical talentand the joy of performing with a whole new audienceas well as developing and nurturing a new outlet of creative expression.Instead of remaining musically confined during lockdown,brass bands and their members found a new freedomswithin this structure to create and share music with others.This composition is intended to reflect the cheerfuland good-humoured attitude of band membersin the way that they went about coping with the enforced restrictionsand the happiness that was demonstrated in making music together.This piece is dedicated to the positive spirit of theBrass Band movement that has shone through this difficult time.Franner Otter

    In Stock: Estimated dispatch 3-5 working days
  • £15.00

    Perseverance

    DescriptionPerseverance was commissioned by Middleton Band to mark their 140th anniversary in 2016, supported using public funding by the National Lottery through Arts Council England, and featured on Middleton Band's CD of the same name.The title is taken from the original name of the 1876 band, the Middleton Perseverance Drum and Fife Band. According to the band's historical records, the Drum and Fife band was formed by six Middleton youngsters eager to learn music but short of funds. Following a whip round, they visited a music shop in Oldham where they purchased a 'one key flute' for six shillings and sixpence, and ('later on') a drum.This determination to make music despite the odds has been a characteristic of the band ever since; at the end of the second world war the band was again down to six players, who rebuilt the 'Middleton Borough Band' back to twenty-six players. After a period of some considerable success throughout the sixties and seventies culminating in winning the National Third Section title in 1983 the band hit hard times again in the late eighties and was down to only four members in 1987 before again being brought back to life. In recent decades the band has built a strong relationship with the East Lancashire Railway, another organisation which has battled sometimes mighty obstacles in its struggle to survive, and has maintained a thriving and successful youth band.The band's will to survive through adversity is reflected in the music, which builds from a sextet of four brass and two percussion players three times, only to fall back to the sextet twice. In the central slow movement the bass drum plays a 'heartbeat' rhythm as the remaining players remember those lost in the war. The relentless pace of the final section culminates in the band triumphing over the adversity which has curtailed the previous two sections. As a former member of Middleton Band (and one of the team that regained the National Third Section title in 2007) it is my pleasure to dedicate this work to the 'Pop and Ale Boys', Middleton Band.You can read more about the piece here.To view the accompanying video by Andy Marshall, designed to precede the piece, clickhereand find out more about the link between the video and the music here.Recording with Score VideoPerformance NotesIn performance the four brass members of the sextet (soprano, solo horn, solo trombone and solo euphonium) should stand at the sides of the band - soprano and horn behind the cornets, trombone and euphonium behind the trombones. Percussion may stand with them at the conductor's discretion, but only if the band has TWO snare drums and TWO concert bass drums available, as these are also needed at the back of the band in the tutti sections. In the second sextet snare drum should be muffled with a heavy cloth OR have the snares turned off (not both).Percussion and mutesPercussion required:snare drum (muffled with a heavy cloth at one point)concert bass drum, kit bass drum, hi-hat, suspended (crash) cymbal2 x tom-tomswood blockclash cymbals3 x timpanitam-tamglockenspielSoprano cornet, repiano and 2nd cornets, flugel and all trombones require metal straight mutes. Soprano, Solo Cornet 3/4, Repiano 2nd and 3rd cornets require cup mutes. Solo Cornet 1/2, Repiano, 2nd and 3rd cornets require harmon mutes.

    Estimated dispatch 7-14 working days
  • £289.80

    Catharsis - Kjetil Djønne

    "Catharsis" explores purification through musical art - a process that provides spiritual renewal and release from moral ambiguities. Its etymology traces back to ancient Greece, but understanding and usage in modern language evolved in the late 18th century. The piece poses cathartic questions through diverse musical elements, from cadences to the ensemble, undergoing changes in tempo, style, texture, and meter. The music embarks on a journey from lyrical expressions to structuralism, from vibrant hues to pale tones, from unrest to tranquility, and from jazzy interludes to grand fulfillment.

    Estimated dispatch 5-14 working days
  • £183.20

    Folklore - Kjetil Djønne

    "Folklore" is a work for brass band and percussion loosely based on the story of the Norwegian woman accused of witchcraft, Anne Pedersdotter. She was sentenced to be burned at the stake in Bergen in the spring of 1590 and has since been frequently highlighted as Norway's most famous and talked-about witch.The work begins with the movement "Lyderhorn," depicting the mountain outside Bergen where witches gathered to plan magical actions against the city. Here, we hear the quietness of nature and the wind blowing through the trees before a new theme appears, which will come to life in the next movement. In the distance, the witches have started their ceremony.In the next movement, "Walpurgis Night," the witches perform their rituals to afflict the city with fire, disease, and natural disasters. The ceremony becomes more and more chaotic, violent, and compelling until the darkness of the night envelops us, concluding the section.The third movement describes the women's inner struggle against the harassment they faced when the people of Bergen suspected them of being witches. Rumors often turned into formal accusations from the legal system, and many were sentenced to death after undergoing trial. "From life to death through the fire."The fourth and final movement, "The Pyre," depicts the actual death sentence. You can hear the pyre being ignited and the flames growing and intensifying. It all culminates in a chorale as a memorial to the lives that were taken.

    Estimated dispatch 5-14 working days
  • £60.99

    Rosanna - David Paich - Mike Sheppard

    In 1982, rock band Toto scored a worldwide hit with Rosanna. This song is more than five minutes long, much longer than was usual for hits at the time, though perhaps it was exactly this fact that contributed to its enormous success. The London arranger Mike Sheppard, who knows the pop and rock scene through and through, made a wonderfully colourful version of this rock standard.

    Estimated dispatch 5-14 working days

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  • £115.60

    Vidda - Ole Edvard Antonsen - Ole Edvard Antonsen

    I composed the song "Vidda" after I got my ultimate boy's dream fulfilled; To fly one of the Air Force's F-16 fighter jets! We flew out from Norwegian city Bodo on to the Finnmark plateau, where we flew so-called "low level" (at low altitude). It was such a great experience for me that I immediately wrote the song "Vidda" based on my experience of the trip. Here, I try to describe the meeting between the technical perfection of a machine that surpasses most of the various forces in it's escape through the magnificent scenery passing at great speed, and the pilot who is alone with both the adventure and responsibility. The drums which start the song is meant to describes theenergy in the power of the plane, while the lonely and kind of melancholy melody from the trumpet in the beginning describes the feelings of the pilot. As the song develop, we pass both the mountains and big beautiful plateaus with g-forces quivering body. Hopefully you will share some of my experiences through this song. Have a nice flight! Ole Edvard Antonsen

    Estimated dispatch 5-14 working days

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  • £154.99

    Tracing Time - Oliver Waespi

    Tracing Time was commissioned by the WMC Kerkrade Foundation in cooperation with the Foundation of Friends of WMC for the 2017 World Championships in Kerkrade, the Netherlands. The musical material of this piece takes the form of a timeline on an imaginary mental map. This unbroken thread runs through the entire work, continually transformed through numerous sound colours and rhythms. At the same time, the piece takes the shape of a symphonic structure, based on three uninterrupted, linked movements. This work meets all standards of a high quality contest or concert work. It is challenging, spectacular, innovative and overwhelming.

    Estimated dispatch 5-14 working days

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  • £118.99

    Elegy I - Jacob de Haan

    Elegy I 'Jealousy' has been named after John Donne's poem of the same name. This English poet (1572-1631) wrote an entire series of elegies, each with its own theme. Jealousy can trigger various emotions, ranging from disappointment, grief, or regret, to madness and anger. All these emotions have been incorporated into this composition. Jacob de Haan was inspired by three different works of art: a poem (the aforementioned poem by John Donne), a painting by the Norwegian painter Edvard Munch (Jealousy in the Garden) and an old French chanson about jealousy (Je ne l'ose dire) by the sixteenth-century French composer Pierre Certon. The music refers repeatedly to thischanson - sometimes through key notes from the melody that serve as the starting point for new, isolated themes and sometimes through quotations of the original version

    Estimated dispatch 5-14 working days

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  • £127.30

    Var sang - Svein H. Giske

    Our song was commissioned by Knarvik Skolekorps for their junior band in 2020. They wanted an original piece that could challenge their young players.This became a suite in three movements with themes that run through the whole piece.In the 2. movement there is a possibility for the band to sing in Song of friendship.. Young people finding friendship through music, as I myself have done, is one of the nicest things one can experience, in my opinion.Should you choose not to sing, you can just play the notes as printed.Svein H. Giske-September 2022-

    Estimated dispatch 5-14 working days

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  • £94.95

    Of Men and Mountains - Edward Gregson

    Of Men and Mountains was commissioned by the Netherlands Brass Band Championships for their tenth anniversary contest in Drachten in December 1990. In July the previous year, Edward Gregson and his wife took the Trans Canadian Railway from Toronto to Vancouver. The journey through the Rocky Mountains was the starting point for Of Men and Mountains. Gregson writes that: 'its high peaks and shafts of sunlight breaking through the clouds, its canyons and ferocious rapids made me understand a little more about the majesty of nature and the fragility of humanity. The eternal struggle between man and nature was personified in the building of this incredible railway... hence my title (after Blake).' The work is dedicated to the memory of Eric Ball, who died shortly before the writing of the work was commenced. Of Men and Mountains is in one continuous movement with a duration of approximately 17 minutes. Its form is difficult to describe because of its motivic and accumulative nature, but it is essentially a symphonic tone poem in search of a theme, which eventually comes in its final and complete state in the majestic ending after an ever-increasing paced scherzo. Of Men and Mountains has been selected as the test pieces for the 2023 National Brass Championships of Great Britain at the Albert Hall.

    Estimated dispatch 5-14 working days