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£54.95Sonata - Derek Bourgeois
This work, composed in 1998, was commissioned by the American trombonist Don Lucas as a work for trombone and piano and first performed by him in Birmingham on 19th May 2000. Subsequently, I arranged the music for both solo trombone and brass band and solo trombone and wind band so that it now exists in three formats. The first movement, in B flat major, is brisk and energetic, and is cast in sonata form. The second subject is gentler and more lyrical. The second movement, a scherzo in C major, is the most complex of the four. Basically the structure is a rond. For a long time the music remains in the opening 5/8 time until a new theme introduces more broken rhythms in a more jazzy idiom. After a return of the opening theme the following episode is more tonally ambiguous. Finally, the main theme returns to round off the movement. The third movement, a lyrical adagio, is really one long extended melodic flow. The harmonies are lush and the textures simple and direct. The tonal center is A minor, but the music meanders through so many keys, that this key centre is heavily disguised. The finale is a fiery affair. G minor is really its home key, but throughout the movement the music moves about a lot and the second subject is first heard in A flat minor. The movement's underlying sonata structure is masked not only by its loose tonality but also by its frequently changing time signatures. Like the first movement the second subject is more lyrical in nature and for a while it seems that the music will end peacefully, but a final flurry heralds a triple forte unison on the home note of the first movement - B flat. Derek Bourgeois
Estimated dispatch 5-14 working days
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£104.99The Divine Right - Philip Harper
At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new countrys people had risen up against the regimes and dictatorships which had prevailed for generations, leaving manynations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.My music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted. Most nations have had, or probably will have, their own Arab Spring, including my own, the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads.The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer, a moan as I never heard before and desire I may never hear again.The music descends to emptiness. The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering,irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times. This defining episode in Englands history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote: Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant. Philip Harper, 2013
Estimated dispatch 5-14 working days
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£115.60Music for Halloween - Roar Minde Fagerli
"Music for Halloween" is three simple pieces who describes spooky and scary moods we ALL know from halloween.The first movement describes The Grim Reaper, a scary character who represents death.The second movement describes the black magic of voodoo and its supernatural forces.The third movement describes a spooky ghost train who drives fast through the dark night.
Estimated dispatch 5-14 working days
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£149.40Winter Solstice - Stig Nordhagen
This work describes the shortest day og the year, but also the longest night. The solo cornet summarizes the struggle of the winter and darkness. The solo rises out of the coral in the beginning of the piece, and escapades into rhapsodic parts, until the coral again catches all players in the ensemble.Throughout the piece we hear the soloist take us on a journey from despair and darkness, through gratitude for the solstice that turns the night into day. And gives us all light and hope for a better tomorrow.
Estimated dispatch 5-14 working days
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£134.99Dreams - Bertrand Moren
This composition by Bertrand Moren presents various dreams which could have an effect on a dreamer's life. Its very high level of difficulty provides a great challenge for the conductor and musicians. You will be taken through a living Nightmare, with spine-chilling passages as dissonant chords alternate with aggressive percussion. Daydream is a patchwork of solos with all the brass band soloists playing serene and soft melodic lines with a virtuosic trombone cadenza. Finally, Visions portrays visions of insanity reflected by violent and discordant descending motifs leading to visions of joy presented in a sparkling and cheerful finale.
Estimated dispatch 5-14 working days
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£60.99Horns Enjoying Themselves - Bertrand Moren
This composition highlights the tenor horns. Long understated and unfairly relegated to the accompaniment, the tenor horn has gained prominence in the brass band during recent years.Horns Enjoying Themselves is an entertaining piece that will delight performers and audience alike. The first part is inspired by circus, with playful themes featuring humorous dissonances. The second part is a slow and calm journey through the mellow and luminous sound colours of the tenor horn. The third and last movement opens with a cadenza played by the soloists (alone). Written in triple time, it showcases the technical skills of the soloists.
Estimated dispatch 5-14 working days
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£104.99Sir Eu - Thomas Doss
Sir Eu was commissioned by the regional music authority of Upper Austria and the brass band SoundINNBrass. The composition was meant to be very virtuoso and was written for the euphonium player Steven Mead, who premiered it and has played it regularly worldwide. The title Sir Eu alludes to the master of the euphonium himself, and also to the concept of Europe. From jazz through romanticism to folkloristic elements - this work offers everything that the musical heart could wish for!
Estimated dispatch 5-14 working days
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£104.99Lake of the Moon - Kevin Houben
The travels of the Aztec people as they headed south through North America looking for a new home, acted as the inspiration for Lake of the Moon.The composition contains small fragments of Oriental music and South American rhythms and occasionally, Russian Cossacks seem to raise their heads. The journey from North to South is not without danger, which is represented by threatening sounds within the music.In the Adagio divotothe composer takes us along to the Texcoco Lake, which the Aztecs called the lake of the moon. Bring a little bit of South American history to your concert with Lake of the Moon.
Estimated dispatch 5-14 working days
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£89.99Broken Sword - Kevin Houben
The Broken Sword is one of the five ceremonial swords kept in the Tower of London and is used during the coronation of a new king or queen. Legend has it that an angel broke off the tip of the sword in an effort to prevent an unjust killing. Composer Kevin Houben lets his music retell this intriguing legend. Broken Sword resembles a film score in many ways and will paint vivid images as the band plays its way through the legend. Many different moods create a contrast-rich work that makes for an exciting listening and playing experience every time!
Estimated dispatch 5-14 working days
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£154.99REM-scapes - Thomas Doss
Sweet echoes of Beethoven's Moonlight Sonata in the introduction bring a gentle slumber. Breathing is calm and sleep holds the promise of rest and relaxation.With the onset of the REM sleep phase, however, in which most dreams take place and where the day's events are worked through, we hear other sounds played.With distorted sounds, reminiscent of an old gramophone, the music pulls the listener inevitably ever deeper into the dreamscape, in a very realistic dangerous situation that comes to a dramatic head. It triggers a desperate struggle between theimpulse to awaken and the exhausting urge to flee. For a short moment, it seems as if the wakeful urge has won out, before dream's powerful spell is again cast, and there's no escape...
Estimated dispatch 5-14 working days
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