Results
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£74.00Yellow - Coldplay/Dean Jones
This popular song written by Chris Martin and his group Coldplay, was recently given a very new lease of life with an orchestral arrangement. The music brings new meaning and sentiments to the already successful song, and it is hoped this is version for Band will provide great rewards for both player and listener alike.
Estimated dispatch 10-14 working days
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£90.00Reclamation - Feike van Tuinen
Here is a splendid composition by Feike van Tuinen commissioned by the municipality 'Het Bildt' on the occasion of its 500th anniversary in 2005. The score describes the history of the place situated in a nice area near to the Waddenzee, a sea bordering the Northern part of The Netherlands. It starts with the very first reclamation in 1505, and then comes the hard labour of the workers in the mud, the joy of winning new land on the sea, the continuous struggle or game between the wind and the water, and finally the festivities in 2005. This composition challenges both the conductor and the musicians to bring this score to life.
Estimated dispatch 10-14 working days
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£15.00Perseverance
DescriptionPerseverance was commissioned by Middleton Band to mark their 140th anniversary in 2016, supported using public funding by the National Lottery through Arts Council England, and featured on Middleton Band's CD of the same name.The title is taken from the original name of the 1876 band, the Middleton Perseverance Drum and Fife Band. According to the band's historical records, the Drum and Fife band was formed by six Middleton youngsters eager to learn music but short of funds. Following a whip round, they visited a music shop in Oldham where they purchased a 'one key flute' for six shillings and sixpence, and ('later on') a drum.This determination to make music despite the odds has been a characteristic of the band ever since; at the end of the second world war the band was again down to six players, who rebuilt the 'Middleton Borough Band' back to twenty-six players. After a period of some considerable success throughout the sixties and seventies culminating in winning the National Third Section title in 1983 the band hit hard times again in the late eighties and was down to only four members in 1987 before again being brought back to life. In recent decades the band has built a strong relationship with the East Lancashire Railway, another organisation which has battled sometimes mighty obstacles in its struggle to survive, and has maintained a thriving and successful youth band.The band's will to survive through adversity is reflected in the music, which builds from a sextet of four brass and two percussion players three times, only to fall back to the sextet twice. In the central slow movement the bass drum plays a 'heartbeat' rhythm as the remaining players remember those lost in the war. The relentless pace of the final section culminates in the band triumphing over the adversity which has curtailed the previous two sections. As a former member of Middleton Band (and one of the team that regained the National Third Section title in 2007) it is my pleasure to dedicate this work to the 'Pop and Ale Boys', Middleton Band.You can read more about the piece here.To view the accompanying video by Andy Marshall, designed to precede the piece, clickhereand find out more about the link between the video and the music here.Recording with Score VideoPerformance NotesIn performance the four brass members of the sextet (soprano, solo horn, solo trombone and solo euphonium) should stand at the sides of the band - soprano and horn behind the cornets, trombone and euphonium behind the trombones. Percussion may stand with them at the conductor's discretion, but only if the band has TWO snare drums and TWO concert bass drums available, as these are also needed at the back of the band in the tutti sections. In the second sextet snare drum should be muffled with a heavy cloth OR have the snares turned off (not both).Percussion and mutesPercussion required:snare drum (muffled with a heavy cloth at one point)concert bass drum, kit bass drum, hi-hat, suspended (crash) cymbal2 x tom-tomswood blockclash cymbals3 x timpanitam-tamglockenspielSoprano cornet, repiano and 2nd cornets, flugel and all trombones require metal straight mutes. Soprano, Solo Cornet 3/4, Repiano 2nd and 3rd cornets require cup mutes. Solo Cornet 1/2, Repiano, 2nd and 3rd cornets require harmon mutes.
Estimated dispatch 7-14 working days
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£20.00African Dawn - Steve Robson
This piece embraces the sounds and imagery of a tribal group out singing on a remote hill top, where individuals sing out a 2 bar phrase and the remainder of their group sing a response. African Dawn brings this vision to life by giving the opportunity for the musicians playing the original "Chant" or "Call" to be positioned as soloists, or just stand up within the main group.There is also the opportunity for lots of percussion to be spread throughout the band and divided into groups, or even groups of people clapping the separate rhythms to bring forth the African atmosphere.African Dawn is part of the Flexi-Collection - World Tour Series.Our Flexi-Collection Series:Flexible scoring tailored to your needs - a perfect solution for expanding the repertoire of Junior/Youth brass bands and ensembles. The Flexi-Collection currently offers two series and these will be regularly expanded to offer groups an even wider variation of music. Based on four-part harmony, these collections provide brass groups with the advantage of complete flexibility when may not be balanced.Added Extras:Each part of The World Tour Series also includes rudimentary theory reference sheet andLearn Together Moments(warm-up passages which relate to each of the styles of pieces included in the whole series). The score also includes background/programme notes andCheck It Outideas to encourage the players to find out more about the music style and/or inspiration behind the piece.If players or instruments are missing, the show can still go on! The thoughtful scoring and arranging by Steve Robson now means that groups of all abilities have access to a truly flexible set of music for their needs.Available for Brass Band (with world parts included), pieces included in our World Tour Series offer flexibility in every sense of the word.(Available individually or as part of the completeFlexi-Collection World Tour Series Album).
In Stock: Estimated dispatch 3-5 working days
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£30.00Clair de Lune - Claude Debussy
Andrew Duncan has arranged this Debussy classic to create a delicate and lyrical item, offering the perfect peaceful interlude for a concert programme or own choice entertainment selection. Andrew's creative scoring brings the familiar style of Debussy to life through his beautiful setting of this ever popular melody.Look and Listen (courtesy of Brass Band Fellows):
In Stock: Estimated dispatch 3-5 working days
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£41.95A Time for Peace - Peter Graham
Also available as a solo for cornet or flugel horn and band, the composer fist made this arrangement of the theme from The Essence of Time especially for tenor horn. At a time when dark clouds are gathering, and life becomes increasingly hectic, it seems to offer solace and resolve. This new arrangement should quickly establish itself in the repertoire for concerts and entertainment contests.
Estimated dispatch 7-9 working days
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£29.50Cheer Up Charlie (Cornet Solo)
This fresh new cornet solo comes from one of the greatest loved movies of all time. Featuring alongside musical hits such as Pure Imagination and The Candy Man, Cheer Up, Charlie is probably one of the most underrated musical numbers from the film, Willy Wonka & The Chocolate Factory. In the film, the song is sung by Charlies mother, whilst young Charlie ponders the life he believes lay ahead for him. With a complex chord structure, the band parts remain interesting throughout whilst the lyrical solo line can shine in this beautiful, melodic work. A great slow melody solo item and one that works on both concert and contest stages.
Estimated dispatch 7-14 working days
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£24.95Derick Kane Euphonium Solo Album
Among the solos contained in this album are some of the 'heart songs' of The Salvation Army, some traditional melodies as well as four larger works. There are solos to challenge the younger player as well as some to test the most advanced soloist.These solos, many of which were only available with brass and accompaniment, have now been arranged with pianoforte accompaniment and come complete with an 'accompaniment CD'. Richard Phillips is the pianist. There is music suitable for all occasions, ranging from the Sunday morning worship meeting to the concert platform. Most importantly, the album contains solos that will appeal to the listener as well as the performer. A separate 'performance CD', featuring Derick Kane playing six of the solos with The International Staff Band and the remaining eight solos with Richard Phillips at the pianoforte, is also available (Go to our recordings section to view this product).The Better World Norman Bearcroft (trs. David Mortlock)Spirit of Life David Catherwood (trs. Susan Avison)My love is like a red, red rose Trad (arr. Kenneth Downie)Travelling Along Chris Mallett (trs. Derick Kane)Lyric Variations Ray Steadman-AllenThere will be God Joy Webb (arr. Richard Phillips)To live right Ivor BosankoWelsh Fantasy Ralph PearceJesus, I come to thee Norman BearcroftOchills Ernest Rance (arr. Derick Kane)Compelled by love Andrew BlythA new direction Derick KaneMenuet Bizet (trs. Kevin Norbury)Timepiece Norman Bearcroft
Estimated dispatch 7-14 working days
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£80.00The Unfortunate Traveller (Brass Band - Score and Parts)
Imogen Holst (1907-1984) submitted The Unfortunate Traveller (1929) as her final work as a student portfolio at the Royal College of Music, where her composition teacher was Gordon Jacob. The title was taken from Thomas Nashe's famous 1594 picaresque novel of the same title. The Suite was first performed on 12 February 1933 at her Majesty's Theatre, Carlisle, by the St. Stephen's Band, with the composer conducting. Te concert was given in memory of Holst's uncle, Dr. H.A. Lediard. Holst had been impressed with the band's performance of his A Moorside Suite at the 1928 National Brass Band Championships (The Crystal Palace, South London) and was keen to work with them. Writing in Imogen Holst, a life in music, Christopher Grogan indicates that it was Gustav Holst's suggestion to include his daughter's work in the programme, quoting Imogen Holst's remarks made in interview to The Daily Mail as follows: "....it is the first time, so far as I know, that a woman has conducted a brass band at a public concert....It has been a delight to rehearse the St. Stephen's Band. It was their performance at the Crystal Palace Festival that inspired me to write this Suite, which I have dedicated to them."Imogen Holst accompanied her father to the Crystal Palace in 1928 to hear the performances of A Moorside Suite, and was so excited by the played and, audibly, by her father's music that she decided to write a brass band piece for her final examination. Te result was The Unfortunate Traveller (1929). However, it was not possible for her to present a brass band work for examination. She arranged it for string orchestra so that it could be played before she left the RCM in July 1930. Following the premiere of the original in 1933, the manuscripts did not resurface until 1969 Imogen found them among her late mother's effects. Although she requested score and parts be destroyed, they ended up in the possession of Manchester composer John Golland, who marked up the score presumably with the intention of creating a new performing edition. The original scoring reveals a lack of experience with what can be a tricky medium.With the agreement of the Holst Foundation, a revised edition, with additional percussion, was prepared in 2011 since when the work has been fortunate to travel round the world as a concert and contest piece. The original includes drums in the March only. The title was taken from Tomas Nashe's famous 1594 picaresque novel of the same title. Several Morris Dance tunes are introduced during the course of the four short movements, including Bonnie Green Garters, Shepherd's Hey, The Rose and The Wind Blaws Cauld. Quirky twists and turns of harmony and spirited rhythms that remind us how much Imogen Holst loved tradition English dance music.In September 2025, I made a performing edition of the composer's arrangement for string orchestra. The manuscript lacks the final movement, which I arranged in a similar style, ie. without extending the upper ranges. Making this edition raised some issues regarding the accuracy of my band version and some of the solutions I used to smooth out the voicing. I have used the composer's second thoughts to refine my performing edition and to correct a textual errors.- Paul HindmarshDuration: 10.00
Estimated dispatch 7-14 working days
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£40.00The Unfortunate Traveller (Brass Band - Score only)
Imogen Holst (1907-1984) submitted The Unfortunate Traveller (1929) as her final work as a student portfolio at the Royal College of Music, where her composition teacher was Gordon Jacob. The title was taken from Thomas Nashe's famous 1594 picaresque novel of the same title. The Suite was first performed on 12 February 1933 at her Majesty's Theatre, Carlisle, by the St. Stephen's Band, with the composer conducting. Te concert was given in memory of Holst's uncle, Dr. H.A. Lediard. Holst had been impressed with the band's performance of his A Moorside Suite at the 1928 National Brass Band Championships (The Crystal Palace, South London) and was keen to work with them. Writing in Imogen Holst, a life in music, Christopher Grogan indicates that it was Gustav Holst's suggestion to include his daughter's work in the programme, quoting Imogen Holst's remarks made in interview to The Daily Mail as follows: "....it is the first time, so far as I know, that a woman has conducted a brass band at a public concert....It has been a delight to rehearse the St. Stephen's Band. It was their performance at the Crystal Palace Festival that inspired me to write this Suite, which I have dedicated to them."Imogen Holst accompanied her father to the Crystal Palace in 1928 to hear the performances of A Moorside Suite, and was so excited by the played and, audibly, by her father's music that she decided to write a brass band piece for her final examination. Te result was The Unfortunate Traveller (1929). However, it was not possible for her to present a brass band work for examination. She arranged it for string orchestra so that it could be played before she left the RCM in July 1930. Following the premiere of the original in 1933, the manuscripts did not resurface until 1969 Imogen found them among her late mother's effects. Although she requested score and parts be destroyed, they ended up in the possession of Manchester composer John Golland, who marked up the score presumably with the intention of creating a new performing edition. The original scoring reveals a lack of experience with what can be a tricky medium.With the agreement of the Holst Foundation, a revised edition, with additional percussion, was prepared in 2011 since when the work has been fortunate to travel round the world as a concert and contest piece. The original includes drums in the March only. The title was taken from Tomas Nashe's famous 1594 picaresque novel of the same title. Several Morris Dance tunes are introduced during the course of the four short movements, including Bonnie Green Garters, Shepherd's Hey, The Rose and The Wind Blaws Cauld. Quirky twists and turns of harmony and spirited rhythms that remind us how much Imogen Holst loved tradition English dance music.In September 2025, I made a performing edition of the composer's arrangement for string orchestra. The manuscript lacks the final movement, which I arranged in a similar style, ie. without extending the upper ranges. Making this edition raised some issues regarding the accuracy of my band version and some of the solutions I used to smooth out the voicing. I have used the composer's second thoughts to refine my performing edition and to correct a textual errors.- Paul HindmarshDuration: 10.00
Estimated dispatch 7-14 working days
