Results
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£82.95Benvenuto Cellini (Brass Band - Score and Parts)
Berliozs opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes " the Cardinals aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresas aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo " without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.
Estimated dispatch 7-14 working days
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£89.95Partita (Score and Parts)
Partita was written in 1989 to a commission from Eikanger/Bjrsvik Musikklag (Norway) who were European Champions at the time.There are three movements.1 The first movement is almost a miniature concerto for band. It opens with a relentless quaver passage in the basses, which builds until the whole band is involved. Horns and baritones are first to take centre-stage in close harmony and the euphoniums and basses follow them. These forces combine to introduce the cornets that have a 10-part fanfare to themselves before the trombones interrupt. The opening quaver figure returns, somewhat ominously, and, after the full band recalls previous material, brings the movement to a close.2. Starts with a cornet solo over a pulsating accompaniment after which the band builds to a noble tune on the trombones. The full band takes over and brings back the opening cornet tune with which the soloist, with the aid of a euphonium counter-melody, quietly ends the movement, leading directly into:3. A sparkling vivo, which opens with the fanfare-like figures throughout the band until a solo cornet, emerges with an acrobatic tune. The whole band takes this up until horns; baritones and trombones introduce an energetic second subject, which leads to a full band climax in the form of a jubilant chorale. This died away to reintroduce the opening fanfare against a new theme from the trombones, which eventually leads back to a recapitulation. We are then thrown headlong into a 12/8 presto, which hurtles to a coda, which recalls the opening themes.
Estimated dispatch 7-14 working days
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£44.95Partita (Score Only)
Partita was written in 1989 to a commission from Eikanger/Bjrsvik Musikklag (Norway) who were European Champions at the time.There are three movements.1 The first movement is almost a miniature concerto for band. It opens with a relentless quaver passage in the basses, which builds until the whole band is involved. Horns and baritones are first to take centre-stage in close harmony and the euphoniums and basses follow them. These forces combine to introduce the cornets that have a 10-part fanfare to themselves before the trombones interrupt. The opening quaver figure returns, somewhat ominously, and, after the full band recalls previous material, brings the movement to a close.2. Starts with a cornet solo over a pulsating accompaniment after which the band builds to a noble tune on the trombones. The full band takes over and brings back the opening cornet tune with which the soloist, with the aid of a euphonium counter-melody, quietly ends the movement, leading directly into:3. A sparkling vivo, which opens with the fanfare-like figures throughout the band until a solo cornet, emerges with an acrobatic tune. The whole band takes this up until horns; baritones and trombones introduce an energetic second subject, which leads to a full band climax in the form of a jubilant chorale. This died away to reintroduce the opening fanfare against a new theme from the trombones, which eventually leads back to a recapitulation. We are then thrown headlong into a 12/8 presto, which hurtles to a coda, which recalls the opening themes.
Estimated dispatch 7-14 working days
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£40.87A Carol Rhapsody (Brass Band) Geoffrey Nobes
Capture the mystery, wonder, and joy of the festive season with A Carol Rhapsody (Geoffrey Nobes). This dynamic and brilliantly orchestrated medley weaves together a selection of much-loved Christmas carols, balancing timeless audience favorites with beautiful, lesser-known melodies. Perfect as a centerpiece or finale for your festive concert, this rhapsody provides an engaging musical journey that highlights the full tonal palette of your band.Thoughtfully scored with accessible range demands, standard time signatures, and comfortable keys, A Carol Rhapsody is exceptionally approachable. It serves as an ideal performance piece for 4th Section bands and above, as well as Youth and Training Bands looking for a rich, full-sounding festive work. Higher-section bands will also appreciate its quick rehearsal turn-around during a busy Christmas season.The Musical JourneyAtmospheric Opening: The piece begins with an evocative introduction, featuring subtle echoes of Coventry Carol and Hark, the Herald Angels Sing.Rhythmic & Bright: The tempo shifts into a lively rendition of the old French folk carol O Leave Your Sheep, cleverly interwoven with motifs from Joy to the World and the sweeping refrain of Angels from the Realms of Glory.A Lush, Lyrical Heart: The centerpiece of the work is an extended, beautifully textured setting of another French folk carol, Whence Is That Goodly Fragrance. This section serves as a wonderful showcase, passing the melody throughout various sections of the ensemble in turn.Triumphant Finale: The pacing accelerates into a joyful romp through the traditional English carol I Saw Three Ships Come Sailing in. Excitement builds through a series of key changes, weaving several themes together before culminating in a triumphant Glory to the New-born King - complete with the ringing bells of Ding, Dong! Merrily on High echoing across the band.To view a rolling score video of this piece please visit www.youtube.com/watch?v=hYehd0CGaA8Duration: approx. 6.30 minutesDifficulty Level: 4th Section +This PDF download includes the full score and parts.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Soprano Cornet EbSolo Cornet Bb1st Cornet Bb2nd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbPercussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£44.58Abberline (Euphonium Solo with Brass Band) Karl Whelan
Inspired by the infamous investigation into Jack the Ripper, Abberline follows Detective Inspector Frederick Abberline through the mist-shrouded streets of Victorian London in his desperate pursuit of a killer who remains forever just out of reach. Scored for brass band and solo euphonium, the piece blends atmospheric textures, shifting musical identities, and virtuosic demands to capture a narrative that is as haunting as it is unresolved.The piece opens in a world of shadows - the foggy alleys of Whitechapel - where tension simmers beneath the surface. The euphonium enters cautiously, as if stalking unseen figures, echoing the danger and uncertainty that cloaked the city in fear. This eerie calm is broken suddenly: the Ripper strikes. The moment is brief but brutal, leaving only silence and horror in its wake.From here, the music shifts into an uneasy, angular waltz: the figure of Abberline takes center stage, portrayed by the soloist as he investigates the aftermath. The waltz is melodically off-kilter and harmonically unstable, capturing both the grotesque nature of the crime and the detective's mental burden.The scene then returns to the streets - but this time, the musical material is more intricate, fragmented, and tense. The threat has deepened, and again the silence is shattered by violence. A second, slightly altered waltz follows, further reflecting Abberline's obsessive descent into the case.In the final section, the chase begins in earnest. Themes from earlier return in quick succession, intensified and overlapping as time runs out. The ancient Dies Irae chant is woven into the texture, evoking fate and judgment. In a final, erratic surge, the euphonium and band race toward an ending that is breathless and unresolved - a reflection of history's unanswered questions and the ghost that always stayed one step ahead.To view a rolling score video of the work please visit https://www.youtube.com/watch?v=i59xYzJRMaIDuration: approx. 7.30 minutesThis PDF download includes parts and score.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Euphonium Soloist BbSoprano Cornet EbSolo Cornet 1-2 & 3-4 BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium (tutti) BbBass EbBass BbTimpaniPercussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£50.00
Hedwig's Theme (Score & Parts) - John Williams
Hedwig's Theme, from Harry Potter and the Philosopher's Stone, is probably the most recognisable of all the themes from John Williams' score to the Harry Potter films. The music has been arranged for brass band by Andrew Duncan. Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 5 minutes
In Stock: Estimated dispatch 1-3 working days
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£72.00
Eventyr-Suite - Oystein Sjovaag Heimdal
Fairytale-Suite is an original work for beginning band. The name of the movements are taken from well-known themes from Norwegian fairytales.The music may not tell a story itselv, but it may be a good base for an exciting fairytale on a concert?This piece gives challenging parts to every player and it's a good choice to showcase the entire band.To the conductor:It's several doublings of the voices. This makes it possible to omit certain instruments or parts. The Drum Set part may be split and played by several players.
Estimated dispatch 7-14 working days
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£51.95Fantasy - and Robert Childs
In the late eighteenth and early nineteenth centuries the 'fantasia' or 'pot-pourri' was a popular genre built on a selection of hit tunes of the day. Hummel wrote three such works, for guitar, cello, and viola; this arrangement is based on a shortened version of the work for viola and orchestra. The original, published as Hummel's Opus 94, dates from about 1820 and includes themes from Mozart's Don Giovanni, The Marriage of Figaro, Die Entfuhrung aus dem Serail, and Rossini's Tancredi.
Estimated dispatch 7-9 working days
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£59.99Game of Thrones (Main Theme) - Christopher Bond
The dark and dramatic theme from the popular HBO series Game of Thrones is one of the most distinctive and effective themes for TV or film to come along in several years. Arranged in a powerful setting for brass band and suitable for bands of all standards from Section 4 upwards, this is sure to be a hit with your musicians.
Estimated dispatch 10-14 working days
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£40.00
Hawaii 5-O - Stevens, M - Harper, P
The theme music from the Hawaii 5-O TV series which ran from 1968 to 1980. It is considered to be one of the best television themes of all time.
In Stock: Estimated dispatch 1-3 working days
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