Results
-
£69.99Themes from Fantasia - Johnnie Vinson
A very playable medley from the classic movie 'Fantasia' containing 'Toccata', 'Dance Of The Sugar Plum Fairy', 'Russian Dance (Trepak), 'Dance Of The Hours' and 'Night On Bald Mountain'. Ideal for young bands and very entertaining for your audience!
Estimated dispatch 5-14 working days
-
£54.99Themes from Fantasia (Brass Band - Score and Parts)
A very playable medley from the classic movie 'Fantasia' containing 'Toccata', 'Dance Of The Sugar Plum Fairy', 'Russian Dance (Trepak), 'Dance Of The Hours' and 'Night On Bald Mountain'. Ideal for young bands and very entertaining for your audience!
Estimated dispatch 7-14 working days
-
£69.99FANTASIA (Themes from) (Brass Band) - Vinson, Johnnie
Grade: Easy Duration: 6:02
Estimated dispatch 7-14 working days
-
£43.00Fantasia on Themes by Purcell (Brass Band - Score and Parts) - Shepherd, Ian
Fantasia consists of three distinct sections that use thematic material from three separate pieces by Henry Purcell. The first section is based on the march from Funeral Music for Queen Mary which is dramatically dark and powerful but also uplifting. The Second section uses the devastatingly beautiful aria Dido's Lament or When I am laid in earth from the opera Dido and Aeneas as its basis and builds to enormous proportions, unlike the original aria. The third section begins with a haunting reference to the Rondo from Abdelazer. Gradually, this builds towards an exciting re-statement of the theme in the first section to the finale. Duration: 8.30
Estimated dispatch 7-14 working days
-
£30.00Fantasia on themes by Purcell - Ian Shepherd
Fantasia consists of three distinct sections that use thematic material from three separate pieces by Henry Purcell. The first section is based on the march from Funeral Music for Queen Mary which is dramatically dark and powerful but also uplifting. The Second section uses the devastatingly beautiful aria Dido's Lament or When I am laid in earth from the opera Dido and Aeneas as its basis and builds to enormous proportions, unlike the original aria. The third section begins with a haunting reference to the Rondo from Abdelazer. Gradually, this builds towards an exciting re-statement of the theme in the first section to the finale.
-
£51.95Fantasy - and Robert Childs
In the late eighteenth and early nineteenth centuries the 'fantasia' or 'pot-pourri' was a popular genre built on a selection of hit tunes of the day. Hummel wrote three such works, for guitar, cello, and viola; this arrangement is based on a shortened version of the work for viola and orchestra. The original, published as Hummel's Opus 94, dates from about 1820 and includes themes from Mozart's Don Giovanni, The Marriage of Figaro, Die Entfuhrung aus dem Serail, and Rossini's Tancredi.
Estimated dispatch 7-9 working days
-
£76.99
Contrasten - Jan de Haan
The source of inspiration for the composer was the nuclear disaster in Chernobyl in Russia. The first movement Ostinato expresses desperation, helplessness, fear and anger. The themes from the first movement are further exposed in the second movement Fantasia which has a spectacular finale. In 1989 this composition was the test-piece for the finals in the fourth section of the National Brassband Championships of Great Britain.
Estimated dispatch 5-14 working days
-
£76.99Contrasten (Brass Band - Score and Parts) - De Haan, Jan
The source of inspiration for the composer was the nuclear disaster in Chernobyl in Russia. The first movement Ostinato expresses desperation, helplessness, fear and anger. The themes from the first movement are further exposed in the second movement Fantasia which has a spectacular finale. In 1989 this composition was the test-piece for the finals in the fourth section of the National Brassband Championships of Great Britain.Duration: 11:30
Estimated dispatch 7-14 working days
-
£65.00Second Suite in F - Brass Band Sheet Music Full Score & Parts - LM602 - Gustav Holst
COMPOSER: Gustav HolstTRANSCRIBED : Daniel S. AugustineA brand transcription from Holst's manuscript score for brass band.A very authentic version from the original for Military Band.Can be used as a testpiece in your next own choice contestSuitable for Section 3 bands upwardsSecond Suite in FOp. 28, No. 2 (1922)1. MarchThe "March" of the Second Suite begins with a simple five note motif between the low and high instruments of the band. The first folk tune is heard in the form of a traditional British brass band march using the morris-dance tune "Glorishears". After a brief climax, the second strain begins with a euphonium solo playing the second folk tune in the suite "Swansea Town". The theme is repeated by the full band before the trio. For the trio, Holst modulates to the unconventional subdominant minor of Bb minor and changes the time signature to 6/8, thereby changing the meter. Usually one would modulate to subdominant major in traditional march form. While Sousa, reputably the "king of marches", would sometimes change time signatures for the trio (most notably in "El Capitan"), it was not commonplace. The third theme, called "Claudy Banks",[2] is heard in a low woodwind soli, as is standard march orchestration. Then the first two tunes are repeated da capo.2. Song without Words "I'll Love My Love"Holst places the fourth folk song, "I'll Love My Love" in stark contrast to the first movement. The movement begins with a chord and moves into a solo over a flowing accompaniment. The solo is then repeated, forming an arc of intensity. The climax of the piece is a fermata, followed by a cornet pick-up into the final measures of the piece.3. Song of the BlacksmithAgain, Holst contrasts the slow second movement to the rather upbeat third movement which features the folk song "A Blacksmith Courted Me". There are many time signature changes (4/4 to 3/4) making the movement increasingly difficult because the accompaniment has a pick up on the up-beats of each measure. The band joins in on the melody around the body of the piece and are accompanied with the sound of a blacksmith forging metal with an anvil called for in the score. The final major chord has a glorious, heavenly sound, which opens way to the final movement.This chord works so effectively perhaps because it is unexpected.4. Fantasia on the "Dargason"This movement is not based on any folk songs, but rather has two tunes from Playford's Dancing Master of 1651. The finale of the suite opens with a solo based on the folk tune "Dargason", a 16th-century English dance tune included in the first edition of The Dancing Master. The fantasia continues through several variations encompassing the full capabilities of the band. The final folk tune, "Greensleeves", is cleverly woven into the fantasia by the use of hemiolas, with Dargason being in 6/8 and Greensleeves being in 3/4. At the climax of the movement, the two competing themes are placed in competing sections.As the movement dies down, a duet forms a call back to the beginning of the suite with the competition of low and high registers.The name 'dargason' may perhaps come from an Irish legend that tells of a monster resembling a large bear (although much of the description of the creature has been lost over time), the Dargason tormented the Irish countryside. During the Irish uprising of the late 18th century, the dargason is supposed to have attacked a British camp killing many soldiers. This tale aside, 'dargason' is more likely derived from an Old English word for dwarf or fairy, and the tune has been considered English (or Welsh) since at least the 16th century. It is also known as 'Sedony' (or Sedany) or 'Welsh Sedony'.
In Stock: Estimated dispatch 3-5 working days
-
£30.00Los Canarios - Gaspar Sanz
Gaspar Sanz (1640-1710) "The Master of the Spanish Baroque Guitar" was an Aragonese composer, guitarist, organist, teacher and priest born to a wealthy family in Calanda near Teurel. He studied music, theology and philosophy at the University of Salamanca, where he was later appointed Professor of Music. He wrote three volumes of works and studies for the Baroque guitar that form an important part of today's classical guitar repertory. The ninety guitar works he wrote included works both for the punted (pluck) and rasqueado (strummed) styles. He was also well known as a poet and writer. The Spanish composer Joaquin Rodrigo composed his famous "Fantasia para un Gentilhombre" on themes taken from Sanz's guitar works.
View Music