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£76.99Flower Power - Don Campbell
Don Campbell has taken four songs which reflect the period of Flower Power and made a swingin' groovin' medley out of them. Put on your flares and sunglasses and enjoy the sound of the 60's.
Estimated dispatch 5-14 working days
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£27.00Clarion Alarum - Simon Dobson
Clarion Alarum: Fanfare No.1 for Brass Band is a short fanfare for brass band, contrasting the brilliance of the sound of cornets and trombones with the warmer tones of horns, euphoniums and tubas. BrassBand Grade 5: 1st Section Duration: 2.5 minutes
Estimated dispatch 5-14 working days
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£74.60Let Us Wander & Sound The Trumpet - Henry Purcell - John Glenesk Mortimer
Estimated dispatch 5-14 working days
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£42.00Silent Night. Franz Gruber arranged for brass band by Andrew Duncan
Silent Night is an Austrian Christmas Carol written by Franz Gruber, (1787-1863). Franz Gruber was an primary school teacher, organist and composer who lived in the village of Arndorf in Austria. Silent Night (Stille Nacht) has become one of the best loved Christmas Carols ever written. This arrangement for brass band imagines Christmas morning in a small Austrian village, such as Arndorf, with the sound of the local church bells ringing out along with the sound of a choir singing Silent Night accompanied by the local band.. The arrangement features the tubular bells playing a simple descending scale, which is also played by muted cornets (2nd and 3rd cornets). After 2 verses of the hymn the coda features a short trombone trio with a jazzy feel which leads into a final scale from the tubular bells and cornets bringing the piece to a peaceful close. To hear a sound file of Silent Night scroll down.
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£42.00Patapan. Arranged for brass band by Lynda Nicholson
Arranged for brass band by Lynda Nicholson Patapan is a French Christmas Carol written by the French composer, Bernard de la Monnoye (1641-1720). The words are written from the perspective of the Shepherds in Bethlehem, playing their drums and flutes at the birth of Jesus. " Patapan" mimics the sound of the drums and the scale passages on the the flutes. Patapan begins with a solo side drummer playing a punchy rhythm in 2/2 with a tambourine being added before this rhythm underpins the melody played by the full band. A section featuring the trombones follows before the main theme returns after which a short duet for Euphonium and flugal leads into a rousing final section with a Rock feel. This final section has the full band playing with the tunes in the cornets, a fast quaver movement in the middle of the band and cleverly, the melody in counterpoint in augmentation played by the trombones. This arrangement is part of the Lynda Nicholson Collection To hear a sound file of Patapan scroll down.
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£67.00
Hard to Say I'm Sorry - Peter Cetera & David Forster - Jan Utbult
"Hard to Say I'm Sorry" is one of the greatest hits by US rock band Chicago. It was the first single record from the "Chicago 16"-album (1982). The song went to no. 1 on the Billboard charts and stayed there for two weeks.Produced by David Foster, the song was given a typical early 80's sound with synthesizers and heavy guitars dominating the sound. The album-version of the song included a part two of the song; "Get Away", a up-tempo song featuring the famous horn-section of the band.
Publisher Closed for Holidays. Est Delivery 13-14th Aug
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Diamonds - Jerry Lordan - Len Jenkins
In November 1962, ex-Shadows members Jet Harris and Tony Meehan decided to work as a duo and went to No 1 with a Jerry Lordan composition, "Diamonds". Harris, a bass player, took an ordinary Fender guitar and detuned every string a whole tone to enable him to hit notes which were lower than an ordinary guitar. However, it was apparently difficult to work with on stage since once the strings were slackened they would go out of tune very easily. The duo went on to have a second Top 10 hit with "Scarlett O'Hara" which is also available from Wobbleco Music in an arrangement for brass band. Both arrangements seek to capture the characteristic style of 60's rock music and retain the signature drum solos for which they are rightly remembered. But in addition, both pieces also appeal to a younger generation who may not have heard the originals. Our young kit drummer in Woburn Sands 'A' Band commented "...the (drum) part has the slightest shuffle feel to it, which improves the groove of the song, and to replicate the vintage snare-drum sound, I have heard that you can place a towel or a cloth over the head of the drum. I think it would work well...(otherwise) the drum part stays relatively simple and repetitive"...Chance to re-create the sound of the 60's.....Go for it!
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£67.00
Taiko & Geisha (Bra) - Traditional - Fredrick Schjelderup
"Taiko & Geisha" was commissioned by the Norwegian brass band, Kleppe Musikklag, as a part of their contest program: "Around the world", for the entertainment contest, Siddis Brass Festival, in 2012. The piece is in some ways a small "postcard" or a hommage to the sound of different asian music. It includes drum features (quasi Taiko-drumming), solos and great big melodic lines as well as the sound of traditional Koto-harp themes.
Estimated dispatch 7-14 working days
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£79.00
Every Breath You Take - Gordon Matthew Sumner - Idar Torskangerpoll
The great hit from 1983 by English band Police has moods and colours that is immediately recognized. In the band arrangement it is much the same, but with the added timbres and carpets of sound typical for wind players. Please pay attention to balance throughout the piece. You may also use this piece To improve the sound, balance and intonation in your band.
Publisher Closed for Holidays. Est Delivery 13-14th Aug
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£34.99Submerged... (Cornet Concerto No.2) - Jonathan Bates
'Submerged..' is a virtuoso concerto for Cornet composed as a response to the 'lost' Derbyshire villages of Ashopton & Derwent,. both of which were drowned in the early 1940's to make way for a new reservoir to aid the ever-increasing water demand from nearby. Sheffield and it's steel industry during World War 2. The work is through-composed but is defined by 3 clear main sections, 'The . Packhorse Bridge, Derwent', 'Ashopton Chapel' and 'Operation Chastise'. Much of the melodic and harmonic material throughout the. concerto is inspired by 3 contrasting sources; an original motif of towering block chords which opens the concerto, the famous opening. fragment of Eric Ball's 'High Peak' (1969) which was composed as a tribute to the district of Derbyshire where Ashopton & Derwent lie, . and finally Claude Debussy's haunting 'La Cath drale Engloutie' or 'The Sunken Cathedral', which was composed in 1910 around the legend of. the submerged cathedral of Ys. . I. Packhorse Bridge, Derwent (1925). One of the most striking features of the former village of Derwent was it's Packhorse Bridge, which spanned the River Derwent. adjacent to the Derwent Hall - a grand, picturesque Jacobean country house. In 1925, the renowned impressionist artist Stanley. Royle painted a striking image of the two in midwinter, with the partially frozen river sat quietly underneath the snow-topped. bridge in the foreground, while the old hall sits peacefully and dark in the background. The opening setion of this concerto paints. this picture in a quite schizophrenic manner; with frosty, shrill march-like material picturing the villagers crossing the narrow icy. bridge, combined with wild and frenzied waltz music of the grand hall and it's masquerade balls laying, for now, quietly mysterious. across the river. . II. Ashopton Chapel (1939). Ashopton was much the smaller and less-populated of the 2 'lost' villages, but still bore home to a Roman Catholic Chapel which was. the focal point of the village. The chapel - along with the rest of Ashopton - was drowned in 1943, but the final service to take place there. was held in 1939, with the final hymn being 'Day's Dying in the West'. This hymn forms a haunting coda to the 2nd section, with firstly the . piano leading the melody before an audio track containing an old recording of the hymn is accompanied by the sound of flowing water and . the rumble of storms as the village hypothetically disappears from existence with the hymn tune still echoing around the valley, before . subsiding into the growing roar of the engine of a Lancaster Bomber as it soars overhead towards Derwent to practise it's 'Dam-Buster' raid. . III. Operation Chastise (1943). The Derwent Reservoir lies adjacent to Ladybower Reservoir (of which Ashopton & Derwent were flooded to make way for) in the . Derbyshire High Peak, and during the 2nd World War was used as one of the central low-atitude practise areas of the 617 Squadron - more . commonly known affectionately as the 'Dambusters'. Before the destruction of Derwent, it's 'Packhorse Bridge' was dismantled stone by stone . and re-assembled upstream at Howden Dam to the north end of Derwent Reservoir. This is where the music begins, with a reconstruction of . the opening material before taking flight into a whirlwind tour of virtuosity from the soloist. .
In Stock: Estimated dispatch 1-3 working days
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