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  • £29.50

    Ecstasy Of Gold - Ennio Morricone - Andi Cook

    This energetic piece, one of the many qualities of Ennio Morricone's music, has recently been brought back into the public eye with its use in the new 'Health Lottery" Adverts and many other TV appearances. The music comes from the iconic picture "The Good, The Bad & The Ugly" while the character Tuco searches for the $200,000 hidden in a graveyard. Since then, its been a hit world wide, being used in several media campaigns. its success can be attributed to the strong, powerful melody that last long in the memory. Now for the first time, arranged for band by Andi Cook, the brass band can enjoy the powerful piece that follows its delicate opening for Solo Horn. To download the Solo Cornet part, please CLICK HERE . To download the Solo Horn part, please CLICK HERE . To download the Solo Euphonium part, please CLICK HERE . To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .

    In stock: Estimated dispatch 1-3 days

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  • £29.50

    Into The Future - Max Stannard

    With the success of the inaugural BrassFest UK events last year and along with it, the commssioned work to celebrate the Brass Band movement, the event this year threw the doors open with a competition to compose the 2018 anthem for bands across the country to enjoy. Judged by Philip Harper, Gavin Somerset and Christopher Bond, this winning work by Max Stannard was written with a view to celebrating the youngsters and future of the Brass Band movement.Click Here for the Youth Band edition

    In stock: Estimated dispatch 1-3 days

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  • £29.50

    Into The Future - Youth Band - Max Stannard

    With the success of the inaugural BrassFest UK events last year and along with it, the commssioned work to celebrate the Brass Band movement, the event this year threw the doors open with a competition to compose the 2018 anthem for bands across the country to enjoy. Judged by Philip Harper, Gavin Somerset and Christopher Bond, this winning work by Max Stannard was written with a view to celebrating the youngsters and future of the Brass Band movement.Click Here for the Senior Band edition

    In stock: Estimated dispatch 1-3 days

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  • £89.95

    Four Etudes (Brass Band - Score and Parts) - Gregson, Edward

    This work was written during August and September 2016. In it, I wanted primarily to explore the elements of timbre, rhythm, texture and colour. The first three tudes (or studies) are based on a set of piano pieces I composed in 1982, whilst the last, the longest of the set, was composed specially. My reference point was the Four tudes for orchestra of 1928 by Stravinsky, a work I have always admired, and of which the first three also happen to be based on a set of earlier pieces, in his case for string quartet, with the last being a re-arrangement of a work for pianola. I have also borrowed the titles he gave to the individual studies as they seemed to fit the mood of my pieces.However, the exception is the final study, where instead of the exuberant mood of his colourful portrayal of Madrid, mine was influenced by the terrible human tragedy that was unfolding in Aleppo at the time I was writing it, and thus reflects the violence and barbarism of those events; yet towards the end it does offer a glimmer of hope for humanity with a return to the Canticle (Song) of the first study, and concludes quietly with the chords and bells that began the work. The titles of the tudes are Canticle, Dance, Excentrique, and Aleppo. Like Stravinsky's, the set is relatively short, lasting around 8 minutes.The Four tudes were commissioned by Black Dyke Band and were written specially for the recording marking the conclusion of my year as Composer-in-Residence. The concert premiere will be given by Black Dyke Band, conducted by the composer, at the RNCM Festival of Brass in January 2017.- Edward GregsonDuration: 8.00

    Estimated dispatch 7-14 working days

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  • £37.95

    Four Etudes (Brass Band - Score only) - Gregson, Edward

    This work was written during August and September 2016. In it, I wanted primarily to explore the elements of timbre, rhythm, texture and colour. The first three tudes (or studies) are based on a set of piano pieces I composed in 1982, whilst the last, the longest of the set, was composed specially. My reference point was the Four tudes for orchestra of 1928 by Stravinsky, a work I have always admired, and of which the first three also happen to be based on a set of earlier pieces, in his case for string quartet, with the last being a re-arrangement of a work for pianola. I have also borrowed the titles he gave to the individual studies as they seemed to fit the mood of my pieces.However, the exception is the final study, where instead of the exuberant mood of his colourful portrayal of Madrid, mine was influenced by the terrible human tragedy that was unfolding in Aleppo at the time I was writing it, and thus reflects the violence and barbarism of those events; yet towards the end it does offer a glimmer of hope for humanity with a return to the Canticle (Song) of the first study, and concludes quietly with the chords and bells that began the work. The titles of the tudes are Canticle, Dance, Excentrique, and Aleppo. Like Stravinsky's, the set is relatively short, lasting around 8 minutes.The Four tudes were commissioned by Black Dyke Band and were written specially for the recording marking the conclusion of my year as Composer-in-Residence. The concert premiere will be given by Black Dyke Band, conducted by the composer, at the RNCM Festival of Brass in January 2017.- Edward GregsonDuration: 8.00

    Estimated dispatch 7-14 working days

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  • £32.95

    LAST OF THE SUMMER WINE (Brass Band)

    Estimated dispatch 7-14 working days
  • £95.00

    Last of the Wilds (Brass Band - Score and Parts)

    As sung by NightwishDuration: 3.30

    Estimated dispatch 7-14 working days

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  • £14.99

    Tis the Last Rose of Summer (Flugel Horn Solo with Brass Band - Score and Parts)

    It is often thought that Tis the Last Rose of Summer came from the Victorian era, when Irish songs were very popular. However this was first published in 1813 and has been adapted and arranged by many composers and arrangers over the years. This arrangement, as a Flugel Horn solo, by Gary Westwood reveals the tenderness in this wistful love song. Suitable for Advanced Youth/3rd Section Bands and above. Duration: 5.00

    Estimated dispatch 7-14 working days
  • £45.00

    The Pilgrim - Josiah Walters

    Josiah describes his composition'The Pilgrim' as a journey of development and emotion, encompassing three key stages of emotional state: from the opening sounds which are full of anticipation and uncertainty, through to a passage of disillusionment and frustration, then moving on to a concluding stage which reintroduces the positive elements of the opening optimism, yet closing quietly, symbolizing an inner peace and contentment at the end of the musical journey.The composer's emotive approach to the creation of the work embraces a wealth of passion, anguish and enlightenment. Through his use of imaginative melody, themes and harmonic texture, Josiah has represented a collection of powerful emotions. Essentially non-programmatic, the piece opens in a contemplative manner, building with enthusiasm, and first introducing the use of bells and bell effects as a musical metaphor which is used throughout the piece to signify the journey's destination.As the sentiment continues, the music evolves in to an Allegro Furioso section, opening up a strong sense of frustration. At this section's climax, the symbolic use of the bells is reintroduced to create an over-tone of hope and purpose, although this does not last long as they fade into the Misterioso Molto Rubato section.As the melodies and harmonies develop onwards, 'The Pilgrim' evolves into a more reflective phase, reintroducing the sounds and motifs of the more strident opening.This closing section symbolizes the realisation that everything needed was already available to The Pilgrim, but travelling the journey, confronting and overcoming all of the challenges was the only route of discovery - peacefulness prevails, bringing the work to a close with a sense of contentment and enlightenment.'The Pilgrim', highly emotive in its creation, offers a wealth of musical imagery.Even to the uninformed listener, this fascinating, powerful and beautiful work stirs and stimulates a variety of emotional reactions - offering each listener an opportunity to apply the music to their own journey, their own personal pilgrimage.

    Estimated dispatch 7-14 working days

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  • £45.00

    The Thunderer (Brass Band - Score and Parts)

    This march, one of Sousa's most popular compositions, was written in 1889 and was dedicated to the Knights Templar of Washington, D.C. Sousa had been knighted by that organization three years earlier. The origins of the name of the march are unclear and the march is noteworthy not only for Sousa's usual creative skills but also for the use, in two sections of the march, of military-style percussion and, in the last section, of featured fanfares.This arrangement was prepared for the 2009 Summer concerts of Brass Band of the Western Reserve, musical director Dr Keith M Wilkinson. The arrangement highlights the particular features mentioned above and performances will be enhanced by following the indicated staging directions.

    Estimated dispatch 7-14 working days