Results
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£44.95
Cristo Redentor (Brass Band - Score and Parts) - Ponsford, Steven
Cristo Redentor' (Christ the Redeemer) is the Portuguese name of the unmistakable statue that overlooks every part of the vibrant Brazilian city of Rio de Janeiro. The composer was inspired to bring these images to music, creating various atmospheres to portray the diverse scenery. The melodies used, 'Lord I lift your name on high', 'Ochills' and 'There is a redeemer' are used to express the overall power of the love displayed for all in the outstretched arms of Christ the Redeemer.
Estimated dispatch 7-14 working days
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£22.50
Cristo Redentor (Brass Band - Score only) - Ponsford, Steven
Cristo Redentor' (Christ the Redeemer) is the Portuguese name of the unmistakable statue that overlooks every part of the vibrant Brazilian city of Rio de Janeiro. The composer was inspired to bring these images to music, creating various atmospheres to portray the diverse scenery. The melodies used, 'Lord I lift your name on high', 'Ochills' and 'There is a redeemer' are used to express the overall power of the love displayed for all in the outstretched arms of Christ the Redeemer.
Estimated dispatch 7-14 working days
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£89.95
Infinity (Brass Band - Score and Parts) - Redhead, Robert
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days
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£44.95
Infinity (Brass Band - Score only) - Redhead, Robert
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days
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£10.00
Infinity (Brass Band - Study Score) - Redhead, Robert
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days
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£44.95
The Dawning (Brass Band - Score and Parts) - Graham, Peter
This early Peter Graham work in Sinfonietta form, takes as its central theme Joy Webb's original melody 'There will be God', which speaks of 'the dawning of a brand new day'. Peter Graham's dramatic treatment takes us into a world of 'cosmic power' and evokes ideas that one day wars will end as God will rule supreme.
Estimated dispatch 7-14 working days
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£22.50
The Dawning (Brass Band - Score only) - Graham, Peter
This early Peter Graham work in Sinfonietta form, takes as its central theme Joy Webb's original melody 'There will be God', which speaks of 'the dawning of a brand new day'. Peter Graham's dramatic treatment takes us into a world of 'cosmic power' and evokes ideas that one day wars will end as God will rule supreme.
Estimated dispatch 7-14 working days
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£89.99Cry of the Falcon (Brass Band - Score and Parts) - Houben, Kevin
The Cry of the Falcon refers to the Germanic Goddess Freya, who had a cloak of feathers that gave her the ability to change into a falcon. As a falcon Freya could make her way among people. Weeping and screaming, she searched for her lost husband Odur. Power and justice are the main ideas portrayed by Kevin Houben in this lyrical concert work.Duration: 11:30
Estimated dispatch 7-14 working days
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£59.99Fanfare in Iubilo (Brass Band - Score and Parts) - Doss, Thomas
The power of this bright fanfare reflects the optimism, joy and commitment to tradition that the people of the Italian town of Schlanders have deep within their souls. The golden trumpets from the valleys of South Tyrol echo across the mountains on both sides of the Austrian-Italian border and help to convey the composer's message: just as the sun shines on all parts of the world, music knows no boundaries. This message echoes throughout this brilliant fanfare.Duration: 4:30
Estimated dispatch 7-14 working days
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£24.95SALT OF THE EARTH, FINALE (Brass Band Parts) - Scott, Andy
Brass Band parts only. A full band arrangement created by the composer from the third movement of 'Salt of the Earth', a Concerto for Tuba & Brass Band is a fiery mix of Latin rhythms and big band power! With a virtuosic introduction from the solo cornets and percussion, the full band then enters with the catchy melody, before a two part contrapuntal passage that leads into a series of short 'solo breaks'. The main theme returns, re-scored for added impact, before an extended contrapuntal section, which leads to two closing paused chords, which may be separated by an optional extended drum/percussion solo if required. Dur: 3:30
Estimated dispatch 7-14 working days
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