Results
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£82.95Tallis Variations (Brass Band - Score and Parts)
The hymn tune on which these variations are based is the third of nine that Thomas Tallis wrote in 1567 as part of a psalter for the first Anglican Archbishop of Canterbury, Matthew Parker. It was later used by Vaughan Williams in the English Hymnal and as the basis for his Fantasia.Duration: 15:09Recorded on Polyphonic QPRL232D Sea Pictures
Estimated dispatch 7-14 working days
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£49.99Schindler's List, Theme From (Brass Band - Score and Parts)
What a stunning piece of cinematic history and what a stunning soundtrack. John William's wonderfully compassionate main theme is woven into this arrangement that will haunt both band and audience. The magnificently simple melody reflects both the sadness and hope portrayed in the epic Steven Spielberg film.Duration: 4:15
Estimated dispatch 7-14 working days
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£57.50Happy Trombones (Trombone Trio with Brass Band - Score and Parts)
A rip-roaring romp for three trombones. Your trombone section will be begging you to let them perform this short piece that highlights the fun side of the trombone.Duration: 3:15
Estimated dispatch 7-14 working days
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£37.95Benvenuto Cellini (Brass Band - Score only)
Berliozs opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes " the Cardinals aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresas aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo " without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.
Estimated dispatch 7-14 working days
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£82.95Benvenuto Cellini (Brass Band - Score and Parts)
Berliozs opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes " the Cardinals aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresas aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo " without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.
Estimated dispatch 7-14 working days
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£46.20Pulsar (Brass Band - Score and Parts)
A Pulsar is a highly magnetised, rotating neutron star or white dwarf that emits a beam of electromagnetic radiation. A great opener from the pen of Alan Fernie
Estimated dispatch 7-14 working days
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£74.95Red Priest (Brass Band - Score and Parts)
Concerto After VivaldiDuring his lifetime, Antonio Vivaldi was known as 'il Prete Rosso', the Red Priest, thanks to his youthful ordination and his flaming red hair. The son of a violinist at San Marco in Venice, Vivaldi's musical pedigree was impeccable and an excellent start to his career was coupled with astounding energy and productivity. His vast output of concerti grossi, using soloists in groups, inspired this composition and performers may choose appropriate stage positions for the various groupings of cornets and trombones, spaced around the performance area. The score quotes freely from some of Vivaldi's most popular compositions, including 'Winter' from The Four Seasons, the motet Nisi Dominus, the famous Gloria and the fugue from the Concerto grosso in D minor found in L'Estro Armonico.However, it is the musical spirit of Vivaldi, a close contemporary of both Handel and Casanova, that inspired this music, which should be played with a mixture of accuracy and abandoned virtuosity. The musical images in this piece have clear associations in the composer's mind with individual Venetian locations, ranging from bustling street scenes to vaulted interiors, and describing the famous journey down the Grand Canal, past the Doge's Palace, to the Ospedale della Pieta where Vivaldi worked for so many years.Duration: 14.00
Estimated dispatch 7-14 working days
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£69.95
Le Roi D'ys (Brass Band - Score and Parts)
OvertureLe roi d'Ys (The King of Ys) is an opera in three acts and five tableaux by the French composer douard Lalo, to a libretto by douard Blau, based on the old Breton legend of the drowned city of Ys. That city was, according to the legend, the capital of the kingdom of Cornouaille.
Estimated dispatch 7-14 working days
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£29.50Love Story - Taylor Swift - Gavin Somerset
Released in September 2008, this hit shot Taylor Swift to fame both in the pop and country music industry. The song still holds the record for being the most downloaded country song in history. With words based on a modern day Romeo & Juliet, however this time, with a happy rather than tragic ending. This arrangement by Gavin Somerset remains faithful to the original in every way, with cues and some doubling of parts allowing most levels of bands to perform this work. A perfect piece for younger bands and for summer and gala concerts where this piece shows the younger members of your audiences that Brass Bands are incredibly versatile and even gives the chance to sing along!
In stock: Estimated dispatch 1-3 days
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£12.50Of Distant Memories (Music in an Olden Style) (Brass Band - Study Score) - Gregson, Edward
2013 Finals of the National Brass Band Championships of Great Britain - Championship Section.Of Distant Memories pays homage to the brass band composers that form the backbone of the brass band repertoire, and their music, and in the process summons up a kind of subconscious memory bank of the musical languages, styles and forms used by them. The music is conceived in the form of a 'traditional' tone poem, reflecting certain aspects (e.g. melodic, harmonic, textural) of those early test pieces. Although fairly traditional concepts have been kept in planning the architecture of the work, certain aspects of the instrumentation, or scoring, are more contemporary in colouristic terms, as befits a composer writing in the 21st century. However, the percussion requirements are fairly modest, similar to those used in the works of that period. The brass band tradition owes much to the composers of that period, for through their music they established a truly homogenous 'British' brass band sound which has spread throughout many parts of the world. That tradition flourishes today and remains important for today's composers, even if their musical language is far removed from that of their predecessors. Of Distant Memories is the composers own way of repaying that gratitude.Duration: 15.00
Estimated dispatch 7-14 working days
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