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  • £59.95

    Darkwood - Dan Price

    Darkwood was commissioned in 2012 by Neil Ashcroft, a lifelong member of Blackley Brass Band and was presented to the band in recognition of its 75th Anniversary. The work is in three movements and was conceived as either an extended concert item or as an own choice test-piece.Blackley Village is a northerly district of the city of Manchester and is the home of the last remaining city centre brass band. Blackley appears in the Doomsday book and its name is a derivative of the Anglo-Saxon Bl?cl?"ah which means ‘Darkwood’ or ‘Dark Clearing’.The BoggartThe first movement of the suite is named after Boggart Hole Clough, which is a local urban nature reserve. A clough is a local colloquialism for a steep sided valley or gully and this particular clough is believed to be the home of a Boggart, a mischievous spirit or imp.House on the HillThe second movement of Darkwood is subtitled ‘House on the Hill’ and evokes images of St Andrew’s Church which is located in Higher Blackley and is commonly referred to by this name. Perched high on the hill, it overlooks the village and across the valley towards Manchester city centre.Blackley VillageThe final movement depicts Blackley’s historic evolution from its medieval roots, as a small residential hamlet, through to the present day and its importance as an industrial part of the city.Born in the Vale of Evesham, Worcestershire, Dan took a keen interest in music from an early age playing tuba and trombone with his local brass band. After leaving school he embarked on a 10 year career as a hotelier integrating it with a developing career as a freelance musician playing double bass, sousaphone and bass saxophone with big bands including the internationally Pasadena Roof Orchestra.In 2003, he enrolled in the Band Musicianship course at Salford University where he studied composition and arranging with Prof. Peter Graham. Dan’s first test-piece An Elgar Portrait was selected as the 4th Section set work at the Swiss National Brass Band Championships in 2007 and again at the Pontins Championships the following year. He then went on to write the test-piece New World Sketches which was set as the 2nd Section test-piece for the British Regional Contests in 2009.In 2009, Dan became Composer in Association with the Cory Band, helping them with their winning programmes at several Brass in Concert Championships. In 2012 he became the Arranger in Association with Black Dyke Band and has been involved with many of the band’s exciting projects including his arrangement of Recycled for the ground breaking multimedia campaign – Danger Global Warming Project and the band’s collaboration with British composer Tolga Kashif in 2012 for his Olympic Anthem Let Your Light Shine.In 2015, Dan had a number of major works performed at International contests which included Realms of Asgard: Yggdrassil – a new test-work commissioned by Jaren Hornmusikkforening to be used as their choice work at the Norwegian Brass Band Championships, Ocean of Storms – an exciting new work for Grimethorpe Colliery Band’s Brass in Concert programme and his test-piece Visions which was used as a 4th Section National Finals test-piece.Dan is currently working full time at the University of Salford, lecturing in Composition and Arranging. He continues to work as a freelance composer working with a number of leading soloists, brass and wind bands around the world.

    Estimated delivery 12-14 days
  • £23.50

    ESSAY (Brass Band - Extra Score) - Gregson, Edward

    2016 National Championships Regional Testpiece - 1st Section. Previously used as a Championship Section Testpiece.

    Estimated delivery 12-14 days
  • £105.00

    Realms of Asgard - Dan Price

    Brass Band Concert Series - Grade 6 Championship Section Test-piece Realms of Asgard is a symphonic poem for brass and percussion which comprises of seven musical scenes, each reflecting the composers impressions of the individual worlds found in the Yggdrasill legend. In Norse mythology, Yggdrasill (Ig-dru-cell) is an immense Ash tree that connects the nine home-worlds of the Norse cosmos. Asgard sits at its pinnacle where the High Gods look down and oversee the activities in the other worlds. The nine worlds are: Hel & Muspelheim - The Realm of Fire NiAavellir - A Dark Dwelling Vanaheimr - Home of the Vanir JAtunheimr - Home of the Giants Niflheim - Mist Home Alfheimr - Elf Home Midgard - Middle Enclosure (Earth) & Asgard - Home of A?sir Commissioned in 2014 by Dr Howard Evans and the Jaren Hornmuiskkforening for use as thier own choice test-piece at the 2015 Norweigian Nationals. Duration: 00:16:30

    Estimated delivery 5-7 days
  • £83.00

    A Bournemouth Suite - Benjamin Tubb

    Bournemouth Suite was written by Benjamin Tubb in 2005, when the composer was just 17 years of age. After spending many school holiday weeks with his grandparents in the coastal town of Bournmouth, it was obvious that these experiences would make a great basis for a composition.This testpiece is split into three separate movements: Balloon Ride, The Pier at Night and The BIC. Each movement has its own unique character, although there are ideas shared by all three throughout, one of which is the opening syncopation.Balloon RideThe First movement, Balloon Ride, describes a journey on "The Bournemouth Eye", a tethered hot air balloon that takes you up 500 feet. It's located in the middle of the town centre, which enables you to see surrounding countryside for up to 20 miles! The movement begins rather ominously as the balloon raises from the ground which leads into a more lively section caharacteresed by the repeating quavers in the lower brass and woodblock. The movement ends in much the same way as it started - signalling the return to terra firma.The Pier At NightDuring the summer there are several large firework displays in the town centre. The second movement, The Pier At Night descirbes an evening spent on the beach in deckchairs watching the montage of colours in the night-time sky. With demanding solos for horn and cornet, as well as exposed playing spread throughout the band, this slow movement will really test a band's expressive and lyrical playing.The 'BIC'The Bournemouth INternational Centre, also known as "The BIC" is one of Bournemouth's most visited attractions, and regularly hosts shows such as 'Riverdance' and pantomimes. Inside is a world of entertainment and the centre itself is just a stone's throw from both "The Bournemouth Eye" and the Pier. The 3rd movement has been written to describe the buzz of activity surrounding the BIC, and the entire works ends with the same syncopated motif from the beginning.A Bournemouth Suite was set as the 'set-test' at the Pontins Brass Band Championships 2009.

    Estimated delivery 12-14 days
  • £59.95

    Connotations (Brass Band - Score and Parts) - Gregson, Edward

    Connotations was commissioned for the 1977 National Brass Band Championship finals, held in the Royal Albert Hall, London (the winner, incidentally, of that particular competition was the famous Black Dyke Mills Band).At the age of 32 Gregson was the youngest composer to have received the honour of such a commission. It came at the end of a productive five years writing for the brass band publisher R Smith. Some of those works – The Plantagenets, Essay and Patterns for example, with their direct and tuneful style, have remained popular with brass bands the world over.For Gregson, these were the means by which he sharpened the tools of his trade, preparing the ground, as it were, for his finest work to date – Connotations. He thought of calling the piece Variations on a Fourth, but with due deference to Gilbert Vinter perhaps (Variations on a Ninth), he chose a more appropriate one. As Gregson has written, ‘Connotations suggests more than one way of looking at something, an idea, and this is exactly what the piece is about’.Writing a competition piece brought its own problems. ‘It has to be technically difficult and yet musically satisfying. I didn’t like being kept to an eleven-minute maximum. The inclusion of short cadenzas for less usual solo instruments seems to signify a certain test-piece mentality’.Gregson solved the problems admirably by adopting a symphonic approach to variation form: Introduction – fanfares, a call to attention, in effect Variation 1; Theme – a six-note motif, given a lyrical and restrained first statement; Variation 2 – a delicate toccata; Variation 3 – typically robust in melody and rhythm; Variation 4 – lyrical solos; Variation 5 – a scherzo; Variation 6 – cadenzas; Variations 7-9 – an introduction, fugato and resounding restatement of the theme.Duration: 10.30

    Estimated delivery 12-14 days

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  • £29.95

    Connotations (Brass Band - Score only) - Gregson, Edward

    Connotations was commissioned for the 1977 National Brass Band Championship finals, held in the Royal Albert Hall, London (the winner, incidentally, of that particular competition was the famous Black Dyke Mills Band).At the age of 32 Gregson was the youngest composer to have received the honour of such a commission. It came at the end of a productive five years writing for the brass band publisher R Smith. Some of those works – The Plantagenets, Essay and Patterns for example, with their direct and tuneful style, have remained popular with brass bands the world over.For Gregson, these were the means by which he sharpened the tools of his trade, preparing the ground, as it were, for his finest work to date – Connotations. He thought of calling the piece Variations on a Fourth, but with due deference to Gilbert Vinter perhaps (Variations on a Ninth), he chose a more appropriate one. As Gregson has written, ‘Connotations suggests more than one way of looking at something, an idea, and this is exactly what the piece is about’.Writing a competition piece brought its own problems. ‘It has to be technically difficult and yet musically satisfying. I didn’t like being kept to an eleven-minute maximum. The inclusion of short cadenzas for less usual solo instruments seems to signify a certain test-piece mentality’.Gregson solved the problems admirably by adopting a symphonic approach to variation form: Introduction – fanfares, a call to attention, in effect Variation 1; Theme – a six-note motif, given a lyrical and restrained first statement; Variation 2 – a delicate toccata; Variation 3 – typically robust in melody and rhythm; Variation 4 – lyrical solos; Variation 5 – a scherzo; Variation 6 – cadenzas; Variations 7-9 – an introduction, fugato and resounding restatement of the theme.Duration: 10.30

    Estimated delivery 12-14 days

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  • £63.00

    Contrasten (Brass Band - Score and Parts) - De Haan, Jan

    The source of inspiration for the composer was the nuclear disaster in Chernobyl in Russia. The first movement Ostinato expresses desperation, helplessness, fear and anger. The themes from the first movement are further exposed in the second movement Fantasia which has a spectacular finale. In 1989 this composition was the test-piece for the finals in the fourth section of the National Brassband Championships of Great Britain. 11:27

    Estimated delivery 12-14 days

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  • £54.95

    DIVERTIMENTO (Barry) (Brass Band - Score and Parts) - Barry, Darrol

    Especially published for the National Championships of Great Britain in 1989, this work is cast in three movements: Festival, Romance and March. A popular and engaging work at this level, it is no stranger to the contest platform, having been used as the Section 3 'Regional' test-piece in 1990, and the third tier of the Dutch and Australian Championships in 1995 and 1996 respectively.

    Estimated delivery 12-14 days
  • £24.95

    DIVERTIMENTO (Barry) (Brass Band - Score only) - Barry, Darrol

    Especially published for the National Championships of Great Britain in 1989, this work is cast in three movements: Festival, Romance and March. A popular and engaging work at this level, it is no stranger to the contest platform, having been used as the Section 3 'Regional' test-piece in 1990, and the third tier of the Dutch and Australian Championships in 1995 and 1996 respectively.

    Estimated delivery 12-14 days
  • £15.00

    ENGLISH PASTORALE (Brass Band Extra Score) - Jones, Dean

    2015 National Championships Regional Testpiece - 4th Section. Extra Score only. This set of variations was composed for the ISB's tour of Australia, New Zealand and Japan in 1995. Handel's majestic tune is associated with the great resurrection hymn 'Thine is the glory, risen, conquering Son' and melodic fragments of the tune form the basis of the four variations. The tune is heard in its entirety at the beginning and near the end and the piece finishes with a vigorous coda. Duration: 13:00

    Estimated delivery 12-14 days

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