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  • £60.99

    Ave Verum Corpus (Brass Band - Score and Parts)

    Edward Elgar (1857-1934) originally composed this work in 1887, as a Pie Jesu, when he was an organist in the St George's Church in Worcester. Years later, in 1902, he transformed the Pie Jesu into an Ave Verum for soprano and tenor solo, mixed choir and organ. This excellent arrangement was created by Robert van Beringen and skilfully retains the wonderful atmosphere of the original composition. 03:30

    Estimated dispatch 7-14 working days

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  • £44.95

    Rainforest (Eb Horn Solo with Brass Band - Score and Parts) - Graham, Peter

    Solo for Tenor Horn Eb. The Second movement from Windows of the World.

    Estimated dispatch 7-14 working days
  • £45.00

    SALSATION (Brass Band) - Shire, David - Harper, Philip

    This song was composed for the 1977 John Travolta film?Saturday Night Fever, and the 70s disco vibe is never far from the surface of the music. In combination with the scat style of Latin singer Tania Maria, this arrangement features virtuosic solos for tenor horn, trombone and soprano cornet, with all the B? cornets kept thoroughly busy throughout! This piece is on the CD Cory in Concert Volume V. Grade: Championship section. Duration: 4:00

    Estimated dispatch 7-14 working days

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  • £37.95

    Benvenuto Cellini (Brass Band - Score only) - Berlioz, Hector - Wright, Frank

    Berlioz's opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresa's aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo - without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.

    Estimated dispatch 7-14 working days

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  • £82.95

    Benvenuto Cellini (Brass Band - Score and Parts) - Berlioz, Hector - Wright, Frank

    Berlioz's opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresa's aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo - without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £34.95

    HIS EYE IS ON THE SPARROW (Tenor Horn Solo with Brass Band Set) - Leonard Ballantine

    A traditional gospel spiritual originally written in 1905 by Civilla D. Martin and Charles H. Gabriel, the song is most associated with actress-singer Ethel Waters. The song has been covered extensively in gospel music, with notable versions by Shirley Caesar, Marvin Gaye, Kirk Franklin and the Family, Lauryn Hill and Tanya Blount (from Sister Act 2), Mahalia Jackson, Sister Rosetta Tharpe, Dottie West, Barbara Mandrell and Jessica Simpson.

    Estimated dispatch 7-14 working days
  • £24.95
  • £24.95