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£73.00
Stealing Apples - Fats Waller - Reid Gilje
"Stealing Apples" is an old swing-tune written by Fats Waller. Performances by Benny Goodman and his big band made the song very popular.In this arrangement for brass band, the mallet percussion is very essential. Mallet Percussion presents the melody from letter A and is also featured as soli-instruments from letter L to P. These parts can alternatively be played as vibraphone solo.Please be aware of the balance at letter A. Horn and Trombones must play piano but well articulated. Letter D must sound sparkling and fresh with articulated and powerful trombones and cornets (using straight-mute).Make shue that the 8th-notes are not played too dotted two bars before letter G. Almost even 8th-notes accentuated on the start of the slur is a good tip.Watch the balance at letter H. This part have to sound homogeniously.The soloistic Soprano Cornet at letter Q must be played in the style of Benny Goodan. The accompaniment must not be too powerful from letter R to S. Best of luck with the performance!
Estimated dispatch 7-14 working days
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£24.95Secret Hymn - Lucy Pankhurst
Secret Hymn is a reflective, passionate ballad for tenor horn solo and brass band. A single theme is played by the tenor horn soloist (with optional percussion accompaniment) from which the entire piece grows. The music gradually expands, texturally and...
Estimated dispatch 5-7 working days
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£30.00My Little Welsh Home - Traditional
A beautiful arrangement by Tim Paton of a Welsh song by W S Gwynne Williams. Created in memory of his mother, Tim has produced a wonderful version for brass band and has also included an optional vocal solo or unison choir line.Comments from the arranger:I have arranged [My Little Welsh Home] in memory of my mother. [She] was born, Doreen Davies, on 27th November 1918, in Haverfordwest, Pembrokeshire, a small town in South West Wales. She had a beautiful voice, and met my father, Bill Paton, during World War II, whilst she was singing in a troop concert at the County Theatre in her home town, and my father was the MC.Throughout her life, my mother and father entertained, and she was singing right up until the final months of her life. She spent many years in Weston-super-Mare, Somerset, a seaside town in South West England, and it was here that she passed away on 20th September 2004. During the last several months of her life, she often referred to the song My Little Welsh Home:Here are the words.I am dreaming of the mountains of my homeOf the mountains where in childhood I would roamI have dwelt 'neath southern skiesWhere the summer never diesBut my heart is in the mountains of my homeI can see the little homestead on the hillI can hear the magic music of the RhyllThere is nothing to compareWith the love that once was thereIn the lonely little homestead on the hillI can see the quiet churchyard down belowWhere the mountain breezes wander to and froAnd when God my soul will keepIt is there I want to sleepWith those dear old folks that loved me long agoLooking at the words, I can see why it meant so much to her. Haverfordwest is at the foot of the Preseli Mountains, and her home and church were at the top of a hill. My mothers' ashes were taken back to her own little Welsh home, and laid to rest in the grounds of the church where she had been Christened, Confirmed and Married.Look and Listen (Score-reading digital sound-sample):
In Stock: Estimated dispatch 3-5 working days
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£30.00She's Out of My Life - Tom Bahler
A lovely flugel solo arrangement of this well known song, made famous by the late Michael Jackson.It's arranger, Jon Bennett, has truly captured the beauty of the melody and through his scoring he has given the soloist and accompaniment the opportunity to bring the piece to life.A great new addition to your concert programme, not just because of its current relevance in the music world, but even moreso because of the way in which the music has been crafted for brass band.
In Stock: Estimated dispatch 3-5 working days
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£33.00
Fat Bottomed Girls - May, B - Harper, P
Again from the Jazz album, Fat- Bottomed Girls has been brilliantly arranged for brass band to maintain its heavy rock feel. The trombones provide that edgy, raw sound whilst the soprano has a virtuosic solo which powers the piece to an awe inspiring fortissimo conclusion.2nd section +
In Stock: Estimated dispatch 1-3 working days
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£35.00
The Very Best Time of Year - Rutter, J - Griffiths, D
This new arrangement for Solo Euphonium & brass band by David Griffiths, truly evokes that feeling of nostalgia and longing anticipation of the joyous season and is a true celebration of all that we love about Christmas time!4th section +Duration 3 mins 30 secs
In Stock: Estimated dispatch 1-3 working days
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£80.00St. Magnus - Kenneth Downie
Dedicated to Alastair Massey, an inspirational music teacher. Commissioned by the Scottish Brass Band Association for the 2004 European Brass Band Championships in Glasgow. This music is a set of variations on the tune known as St Magnus, which is attributed to Jeremiah Clarke. Most people will associate it with Thomas Kelly's hymn which begins: "The Head that once was crowned with thorns is crowned with glory now". The tune is very simple, consisting of just two, four-bar phrases. Neither is there much in the way of rhythmic variety, every note being a crotchet with the exception of two quavers, and the last note in each phrase. Within such a simple structure, however, lies considerable strength. THEME The listener is given the opportunity of hearing it twice, in full, at the beginning, starting with one player but soon taken up by the full ensemble. It returns in the middle of the music and is stated again near the end. This has been done quite deliberately in the hope that there will be an appreciation of what material is being developed, by the listener as well as by those with access to the score, who are able to see the visual connections. VARIATION 1 This takes the rhythm of the last part of the theme and also uses the shape of the opening as a recurring figure. The mood is whimsical and skittish, with short, teasing rhythmic figures tossed around the band, and quick interplay with percussion, at a fast tempo. An energetic flourish finishes this variation before the Andante espress. VARIATION 2 This commences with chords related to the opening of Variation 1. The cantabile on solo comets establishes a new, lyrical mood and there is scope for expressive playing in a series of short solo passages. The theme works its way unobtrusively into the texture before a reprise of the solo cornet melody and some more lyrical interchanges between Eb bass, euphonium, flugel horn and comets. The variation ends serenely with clear references to the last phrase of the theme. VARIATION 3 The first idea to dominate is clearly linked to the shape of the theme's first phrase. There is a frenetic feel to much of this variation, with considerable energy and instability created by extensive use of cross-rhythms. A thinning-out of the score marks a clear change to development of the start of the second phrase of the theme. This proves to be short-lived however, and the opening material returns leading to a restatement of the theme, "Maestoso," after which a euphonium cadenza links to Variation 4. VARIATION 4 Here we have some solos for euphonium, cornet, trombone and Eb bass set against a background of horns and baritones presenting a pensive statement of the theme's opening. VARIATION 5 This commences Allegro, with lively work for cornet and euphonium spreading to the whole band before attention focuses on the beginning of the second phrase of the theme which is initially presented in diminution, then in regular rhythm, then in inversion. An increase in tempo coupled with a decrease in volume, requires dexterity and control, with several metrical challenges thrown in for good measure. The same fragment of phrase becomes an ostinato which generates a frenzied climax, punctuated by short, dramatic silence, before the opening figure returns and the music gradually winds down. The tubular bells herald the final return of the theme, in augmentation, marking the start of the Finale. FINALE This features the running semiquavers of the previous variation sounding in counterpoint. A fast, furious coda speeds the work to a conclusion while references to the opening of the theme are still trying to break into the texture of the music. Kenneth Downie
Estimated dispatch 5-14 working days
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£122.10Den store dagen - Benny Borg - Bjørn Morten Kjærnes
This beautiful song contains a huge contrast between the hopeful and the disappointing. A mother has her birthday and is waiting her children to celebrate it. Each verse starts optimistically, but the short chorus is characterized by the disappointment, that everyone calls, and cannot come. This has been tried recreated musically, mostly in the last two choruses, as it dawns on her that she will not receive a visit. It's a beautiful tune, but with a serious message that it's easy to take someone for granted.One of the elements Hjorring Brass Band (DK) came up with after rehearsal, was that they really liked the change between the ballad parts with even eights and the swing parts. This also gives the piece a sense of "parlando" character, which tells a story, and is therefore important to focus. It is not quite simple, as the melody also in those parts with even eights has some triplet rhythms. Therefore, this is a topic you can work on very consciously.If you have heard the Wind Band version, you can notice that both keys and modulation are different in the Brass Band arrangement to sound better for this instrumentation.Regarding instrumentation, Flugelhorn, Solo Horn and Euphonium have important roles, in addition to Solo Cornet.It is also possible to use a vocal soloist, but then you have to soften the melody voices, especially, where small variations in the melody have been made for the wind instruments.
Estimated dispatch 5-14 working days
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£54.95Sonata - Derek Bourgeois
This work, composed in 1998, was commissioned by the American trombonist Don Lucas as a work for trombone and piano and first performed by him in Birmingham on 19th May 2000. Subsequently, I arranged the music for both solo trombone and brass band and solo trombone and wind band so that it now exists in three formats. The first movement, in B flat major, is brisk and energetic, and is cast in sonata form. The second subject is gentler and more lyrical. The second movement, a scherzo in C major, is the most complex of the four. Basically the structure is a rond. For a long time the music remains in the opening 5/8 time until a new theme introduces more broken rhythms in a more jazzy idiom. After a return of the opening theme the following episode is more tonally ambiguous. Finally, the main theme returns to round off the movement. The third movement, a lyrical adagio, is really one long extended melodic flow. The harmonies are lush and the textures simple and direct. The tonal center is A minor, but the music meanders through so many keys, that this key centre is heavily disguised. The finale is a fiery affair. G minor is really its home key, but throughout the movement the music moves about a lot and the second subject is first heard in A flat minor. The movement's underlying sonata structure is masked not only by its loose tonality but also by its frequently changing time signatures. Like the first movement the second subject is more lyrical in nature and for a while it seems that the music will end peacefully, but a final flurry heralds a triple forte unison on the home note of the first movement - B flat. Derek Bourgeois
Estimated dispatch 5-14 working days
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£119.99Delta Energy - Jan Bosveld
The assignment to write a test piece for the National Brass Band Championships ended up also being a 'test piece' for myself as a composer. Although being quite familiar with the Brass Band phenomenon, as a composer I still have the feeling ofbeing an outsider. Delta Energy turned out to be a non-program composition. The Brass Band as orchestra form is depicted musically in this piece. All the specific characteristics are portrayed in varying settings. Solo passages for Euphonium,Flugelhorn and Cornet alternating with extensive tutti-passages and of course technical highlights form the ingredients for this work written in rhapsodic form. The title "Delta Energy" is derived from a project of the N.V. NederlandseGasunie in Groningen which also contributed in making this composition possible.
Estimated dispatch 5-14 working days
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