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  • £24.95

    My Love Is Like A Red, Red Rose - Euphonium Solo (Brass Band - Score and Parts) - Downie, Kenneth

    An arrangement for Euphonium solo with brass band accompaniment of surely one of the world's greatest melodies. Its wide-ranging intervals and exquisitely shaped climax near the end give it a natural line that is truly memorable.

    Estimated dispatch 7-14 working days
  • £12.50

    My Love Is Like A Red, Red Rose - Euphonium Solo (Brass Band - Score Only) - Downie, Kenneth

    An arrangement for Euphonium solo with brass band accompaniment of surely one of the world's greatest melodies. Its wide-ranging intervals and exquisitely shaped climax near the end give it a natural line that is truly memorable.

    Estimated dispatch 7-14 working days
  • £37.95

    Party Piece (Euphonium Solo with Brass Band) - Sparke, Philip

    Party Piece was commissioned in 1986 by the Cambirdge Co-op Band for their long-serving principal euphonium (and later, conductor) Charles Shipp. It falls into two sections which are jointed by a short cadenza: the first is a tender Andante with a simple tune which is then decorated, and the second a breezy Allegro with a darker central episode.Also available Euphonium with Piano Accompaniment edition.Duration 7:06Recorded on Polyphonic QPRL042D A Touch More SpiceSolo with Piano Accompaniment version recorded on Polyphonic QPRZ019D The World of Euphonium Vol.3 (Steven Mead)

    Estimated dispatch 7-14 working days
  • £37.04

    Drink to me only (Flugel Solo with Brass Band) Trad. English Melody arr. Bowen

    The title of this flugel horn solo derives from a 17th century English poem by Ben Johnson that begins 'Drink to me only with thine eyes, and I will pledge with mine'. Its familiar melody is attributed to Colonel R. Mellish (1777-1817). This solo setting was written for the New York Staff Band in 1991. Within The Salvation Army church, the melody is associated with a religious lyric by William Drake Pennick (1884-1944) that begins 'There is a holy hill of God, its heights by faith I see'. (The Song Book of The Salvation Army, No. 627). The New York Staff Band recorded the solo on its 1992 CD, Under Three Flags (Triumphonic TRCD 1050). To view a follow-the-score video featuring Donald Spencer (Flugel Horn Soloist) with the New York Staff Band please visit: www.youtube.com/watch?v=ZRocgjTrli4 Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 4th Section + Instrumentation: Flugel Horn Soloist Bb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Glockenspiel

    In Stock: Estimated dispatch 1-3 working days
  • £69.99

    The Green Hills of Tyrol (Euphonium Solo with Brass Band - Score and Parts) - Sparke, Philip

    The Green Hills of Tyrol was commissioned by Jrena and Beat Knusel for their son, Swiss euphonium player Joel Knusel, to celebrate his 20th birthday in 2019. The request was for a piece suitable for use in a solo competition, possibly using a Scottish or Irish melody, and composer Philip Sparke suggested an old-fashioned air varie might be a suitable idea. The piece follows the well-established formula of a theme followed by four variations. The history of the original melody is fascinating and, although it is now well-known as a bagpipe tune, its background is Austrian or Italian, rather than Scottish. The tune appears as a chorus of Swiss soldiers in Rossini's 1829 opera William Tell but was possibly an existing Tyrolean folk tune. In 1854, during the Crimean War, Pipe Major John MacLeod of the 93rd Highlanders heard a band of the Sardinian contingent playing selections from the opera in camp before the Siege of Sebastopol. He was struck by the melody and arranged it for his pipers, calling it The Green Hills of Tyrol, referring to Tell's visit to that corner of Austria in the opera. It has since become universally popular among pipe bands who usually refer to it as A Scottish Soldier, following the addition of new lyrics in a 1961 hit by Andy Stewart.Duration: 5.45

    Estimated dispatch 7-14 working days

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  • £76.99

    Euphonium Fiesta (Euphonium Solo with Brass Band - Score and Parts) - Moren, Bertrand

    A wonderful work for euphonium, Euphonium Fiesta consists of three separate movements played without a break. The first and third movements explore the technical and rhythmical possibilities of the soloist whilst, in the middle movement, the soloist has a wonderful lyrical melody fully utilising the full range of the instrument. This phenomenal work is sure to become a popular soloist showcase for many years to come.Duration: 9:30

    Estimated dispatch 7-14 working days

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  • £44.95

    The Holy Well (Euphonium Solo with Brass Band - Score and Parts) - Graham, Peter

    The main theme from?On Alderley Edge?was commissioned for euphonium solo by Riki McDonnell. Recorded by both Riki and Morgan Griffiths of Yorkshire Building Society Band.

    Estimated dispatch 7-14 working days

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  • £44.95

    The Name (Trombone or Euphonium Solo with Brass Band - Score and Parts) - Graham, Peter

    Solo for Trombone (or Euphonium Bb). Recorded by Brett Baker with the Black Dyke Band on Call of the Cossacks - Music of Peter Graham Vol II.

    Estimated dispatch 7-14 working days

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  • £29.95

    IN CHRIST ALONE (Euphonium Solo with Brass Band Set) - Richard Phillips

    The popularity of this modern song is evidenced by the frequent use it enjoys during Sunday worship in many different denominational churches. The strength and solidity of the song is reflected in this triumphal arrangement, written at the request of Derick Kane and as a sequel to the earlier euphonium solo, 'There Will Be God'.

    Estimated dispatch 7-14 working days
  • £57.50

    Erin's Isle (Euphonium Solo with Brass Band - Score and Parts) - Sparke, Philip

    Erin's Isle was commissioned by euphonium player Micah Parsons and premiered by him in June 2024. The idea was to write a slow melody with an Irish flavour and the title is a romantic, 19th century name often used to refer to the island of Ireland itself. The work opens with fluttering, muted cornets, under which a tentative theme appears. This leads to an accompanied cadenza for the soloist, out of which the main theme emerges. This is a long and expansive melody, which winds through several related phrases with a folk-like flavour. A change of key heralds snatches of the theme by the band with interjections from the soloist, leading to a second cadenza. Eventually the band takes up the main theme again, over which the euphonium weaves an elaborate counter melody. The fluttering cornets return to allow the soloist to close the work with a brief and flowery coda.Duration: 7.45

    Estimated dispatch 7-14 working days

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