Searching for Wind Band Music? Visit the Wind Band Music Shop
We've found 191 matches for your search. Order by

Results

  • £59.99

    Constellation (Brass Band - Score and Parts)

    This easy concert march can be divided into two parts. The first part, which is rhythmical, beautifully contrasts with the second part, which is lyrical. Each section of the band has its turn in this concertmarch, which, in spite of its easy level of difficulty, deserves the designation "five-star piece." 03:45

    Estimated dispatch 7-14 working days

     PDF View Music

  • £18.99

    GRACES OF LOVE (Le Gratie d'Amore) (Brass Band Extra Score) - Waespi, Oliver

    2015 National Championships Finals Testpiece - Third Section - Extra Score only. The Graces of Love (Le Gratie d'Amore) is the title of a book published in 1602 by Cesare Negri, the famous dance master of the Milan court in the Renaissance. It contains numerous dance tunes and precise descriptions of courtly dances. It also includes the tune Il bianco fior (The White Flower) on which the first movement of the present piece is based. A vigorous dance in three-four, it leads to an acceleration and a sudden shift to an even meter towards the end. The second movement, calm and contemplative in character, features the tune Vaghe bellezze ... (Veiled Beauty ...). Widely spaced melodic parts surround two solos during which the tune is varied and developed. Finally, the third movement contains a saltarello with a hypnotic rhythm, ending the work with flair and gusto. Duration: 11:30

    Estimated dispatch 7-14 working days

     PDF View Music

  • £118.99

    GRACES OF LOVE (Le Gratie d'Amore) (Brass Band Set) - Waespi, Oliver

    2015 National Championships Finals Testpiece - Third Section. The Graces of Love (Le Gratie d'Amore) is the title of a book published in 1602 by Cesare Negri, the famous dance master of the Milan court in the Renaissance. It contains numerous dance tunes and precise descriptions of courtly dances. It also includes the tune Il bianco fior (The White Flower) on which the first movement of the present piece is based. A vigorous dance in three-four, it leads to an acceleration and a sudden shift to an even meter towards the end. The second movement, calm and contemplative in character, features the tune Vaghe bellezze ... (Veiled Beauty ...). Widely spaced melodic parts surround two solos during which the tune is varied and developed. Finally, the third movement contains a saltarello with a hypnotic rhythm, ending the work with flair and gusto. Duration: 11:30

    Estimated dispatch 7-14 working days

     PDF View Music

  • £59.99

    Honneur (Brass Band - Score and Parts)

    This march attempts to portray the role of Honour as a quality of character using highly energetic rhythms and strong melodic lines. The opening themes, together with those developed in the first section, perfectly reflect this significant human quality. A short bridge passage consisting of a series of sonorous chords played by the higher instruments in the band is soon taken up by the lower sections. The main theme appears in the second part of this march and is a melodic duet for Eb soprano cornet and solo cornet. 04:45

    Estimated dispatch 7-14 working days

     PDF View Music

  • £36.00

    Purple Prelude

    Purple Prelude was composed in 2017 by Ian Raisbeck for the Lions Youth Brass - the title, reflecting the colours of the band uniforms. The piece features 3 contrasting themes; the first a fanfare style opening full of pomp and ceremony, the second idea is a lively and rhythmical section giving the...

    In stock: Estimated dispatch 1-3 days
  • £40.00

    FAtes - Claude Debussy arr. Phillip Littlemore

    Debussy's Nocturnes are a set of three orchestral pieces inspired by three paintings by the American James McNeill Whistler from the 1870s. These three paintings, also entitled Nocturnes, were studies in light and shade offering an impression of landscapes and objects. The second movement, Fetes (Festivals) offers a dancing, vibrating rhythm with sudden flashes of ight. There is also a procession, described by Debussy as a dazzling fantastic vision, which passes through the festive scene and becomes merged in it (letter J in the score). However the background remains the same driving dance-like work.Debussy wrote the Nocturnes between 1897 and 1899 and the first two movements, the first being Clouds, received their premiere in Paris in 1900. The first performance met with a cool critical reception and Debussy made many revisions thereafter to all three movements.Duration: 6'00"Difficulty: 2nd section and above

    Estimated dispatch 5-7 working days
  • £40.00

    Semiramide - Gioacchino Rossini arr. Phillip Littlemore

    The Rossini Overture is practically a genre unto itself, for few other composers have had so many operatic overtures find a second home in the concert hall. Semiramide is one of Rossini's lengthier overtures, clocking in at approximately twelve minutes, although in this transcription it has been reduced to a more manageable eight minutes. Characteristically, Rossini uses several themes from the opera as the basis for his instrumental prelude. This overture became extremely popular in Rossini's day and its most distinctive feature is the rich andantino passage, introduced by the four horns that dominates the slow introduction after an opening flourish. It proved to be the last opera Rossini wrote in his native Italy. After a brief sojourn in London, he moved to Paris the following year and settled permanently in the French capital.Duration: 8 minutesDifficulty: 2nd Section and above

    Estimated dispatch 5-7 working days
  • £35.00

    Hallelujah Chorus - Messiah

    Handel's Messiah was composed in 1741, receiving it's premiere in Dublin a year later. Written in three parts, the Hallelujah Chorus concludes the second part, and is often performed separately from the main oratorio, and especially around Christmas. This arrangement, for chorus and brass band, works with all the major editions of vocal score.Duration: 3'30"Difficulty: 3rd Section and above

    Estimated dispatch 5-7 working days
  • £44.00

    Bring Me Sunshine - Christopher Bond

    Bring Me Sunshine was written in 1966 by composer Arthur Kent with lyrics by Sylvia Dee. It was first recorded by The Mills Brothers in 1968 on their album, My Shy Violet. In the UK, the song is synonymous with the popular comedy duo Morecambe & Wise, after it was adopted as their signature tune in their second series for the BBC in 1969. This arrangement, for brass band, is suitable for bands of third section standard and higher.

    Estimated dispatch 5-10 working days
  • £49.95

    Bestowal of a Century - Christopher Bond

    Bestowal of a Century (2014) was commissioned by Lowenna Taylor, and funded through her Harry Mortimer Trust award which she was presented with at the 2013 British Open Championship following the completion of her studies at the Royal Welsh College of Music in Cardiff. The 15-minute work received its world premiere at the Cornwall Youth Brass Band Christmas concert in 2014 with solosit, Lowenna, working alongside the band under the baton of Les Neish. The 'Bestowal' refers to the presentation of the Royal Trophy by the then Prince of Wales to the famous West of England Bandsman's Festival in Bugle in 1913. Over the years it has been won by some of the greatest names in brass banding, including Black Dyke and Munn & Feltons - although more recently it has become a wonderful open festival that includes sections for local bands as well as visitors from all over the banding globe. 2014 marked the one-hundredth anniversary of the presentation of the trophy, which is the only brass band trophy to have the official seal of royal patronage. The work, in three distinct sections, opens in a mysterious way, building progressively with interjections from the horn. The composer notes its as though one can imagine different part of the trophy being put together, piece by piece, until the trophy is complete and a climax is reached. Following this, a playful theme is presented which is developed throughout the first section and interacting between soloist and band. The second movement, in complete contrast, is a lyrical melody; heart-wrenching throughout, and sits well both as part of the concerto and also as a stand-alone solo item. The third movement is light-hearted and virtuosic, demonstrating the technical capabilities of the instrument with fast and virtuosic playing, and a cadenza towards the end of the work.

    Estimated dispatch 5-10 working days