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  • £30.00

    Brumes de Widor (Chris Cobon) - Brass Band Sheet Music Full Score and Parts - LM699

    COMPOSER: Chris CobonBrumes de Widor (Mists of Widor) is an original composition with hints of Widors Toccata

    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    Come, Take My Hand (Paul Pennicotte-Henrie) - Brass Band Sheet Music Full Score and Parts - LM509 - Paul Pennicotte-Henrie

    COMPOSER: Paul Pennicotte-HenrieBeautiful harmonies take hold of the listener throughout this wonderful piece.A great addition to your next concertSuitable Section 4 Upwards

    In Stock: Estimated dispatch 3-5 working days
  • £21.50

    Einsamer Hirte (The Lonely Shepherd) (James Last arr. by David Beal) - Flugel Horn & Brass Band Sheet Music Full Score and Parts - LM702

    COMPOSER: James LastARRANGER: David BealA haunting solo from the pen of James LastOriginally composed for Georghe Zamfir on Panpipes but beautifully transcribed here for Flugel HornOne for the next concert to showcase your Flugel Horn playerOriginally, the title was planned for the albumFilmusik ohne Filmewhich was only to contain original compositions by James Last. This album was never released, so "The Lonely Shepherd " was published on Last's 1977 albumRussland Erinnerungen(Memories of Russia). In the same year, it was also released as a single, which reached 22nd on the music charts in Germany. With this recording, Gheorghe Zamfir, who had already published a number of records, succeeded in an international breakthrough. Among other things, he accompanied James Last in his 1978 tour."The Lonely Shepherd" has repeatedly been used as soundtrack. In 1979, it was used as the title theme for the six-part television seriesGolden Soak(Das Gold der Wuste) and again in 1984 in the Oscar-nominated animated short film "Paradise" In 2003, Quentin Tarantino used the recording as soundtrack in a scene and in the closing credits of his filmKill Bill: Volume 1.

    In Stock: Estimated dispatch 3-5 working days
  • £25.00

    Fantasy On A Sea Shanty (Traditional / Rowland W. Little arr. by Derick Kane) - Brass Band Full Score and Parts - LM487

    COMPOSER: Traditional / Rowland W. LittleARRANGER: Derick KaneThe well-known 'drunken sailor' shanty is presentedin changing moods interspersed with other nautical referencesOne for your next concertLM487ISMN - 9790570004874

    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    Five Courtly Dances (Paul Pennicotte-Henrie) - Brass Band Sheet Music Full Score and Parts - LM697 -  Paul Pennicotte-Henrie

    COMPOSER:Paul Pennicotte-HenrieFive Dances for brass band in a Tudor court style.Playable by most bands from 4th section upwardsA must for your band library

    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    How Can I Keep From Singing? (Traditional arr. by David Beal) - Flugel Horn & Brass Band Full Score and Parts - LM029

    COMPOSER - TraditionalARRANGER - David BealThe tune made famous by EnyaArranged for Flugel Horn with Brass Band AccompanimentLM029 - ISMN : 9790570000296

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  • £90.00

    Impressions of Seurat (Chris Cobon) - Brass Band Full Score and Parts - LM482 - Chris Cobon

    COMPOSER: Chris Cobon1 - Stone breakersThe Suite opens with the only picture, of the five, which is not in the pointillist style. Several pictures were produced on the Stone Breaker theme, painted in oil on small panels called croquetons. The subjects in the art are breaking stones for use in road building. Musically the piece starts canonically alluding to the repetitive nature of the labour. A more direct, rhythmic link of three hammer blows, are first heard in the opening passages in the percussion. These hammer blows are also built into each third bar of the cannon and, therefore, become embedded into the opening section. Arising from the flurry of activity are two, three bar legato phrases in a majestic style until it falls to a more dramatic sounding of the legato phrase over a resounding of the cannon in a new textural order. This leads to a short, new section, featuring a trombone trio underneath rising scales in the cornet section.2: Bathers at AsnieresBathers at Asnieres was Seurat's first major painting...The canvas is of a suburban, Parisian riverside scene. Isolated figures, with their clothes, piled sculpturally on the riverbank, together with trees, austere boundary walls and buildings, and the River Seine are presented in a formal layout. This moment aims to capture the tranquillity of a summer's day in the park. This painting led the development of the pointillist technique whereby the colours were applied as small dots that combine to form a picture when viewed at a distance. The trombones capture this idea in the opening bars with their carillon-style entries. The 2nd/3rd cornets make a more direct link by individual picking out single notes of a melody being sounded on Baritones and trombones at C. The use of mutes adds a subtle darker side to this movement which nods to the industrial working-class aspects of the painting.3: White DogWhite Dog features a few characters relaxing in the sun, and a white dog with its tail held high. Having two dogs myself, I've taken the idea of an excited dog with a waggy tail as the basis for this short, middle, movement.4: Sunday Afternoonon the Island of La Grande Jatte Sunday Afternoon on the Island of La Grande Jatte is arguably Seurat's most famous work.5: Parade de CirqueCircus Sideshow Parade de Cirque encompasses a circus scene's boisterousness, vitality and chaos. However, the painting, constructed with the new pointillist technique, also portrays stillness, calmness and precision. As expected from looking at the picture, the trombone takes centre stage in various locations on either side of the calming circus waltz and pointillist section (I).LM482ISMN : 9790570004829

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  • £25.00

    Jesu. Joy of Man's Desiring (JS Bach arr. by David Beal) - Cornet Feature & Brass Band Full Score and Parts - LM028

    COMPOSER: J.S. BachARRANGER: David BealFeatures all cornets in three choirs of 3 playersA great feature using carillion effect throughout

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  • £25.00

    Marionettes Espagnole (Cesar Cui arr. by David Beal) - Brass Band Full Score and Parts - LM046

    COMPOSER: Cesar CuiARRANGER: David BealA piece known by sound but not by titleAn excellent concert favourite, loved by all

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  • £50.00

    Moments in Brass ~ Set 2 (Chris Cobon) - Brass Band Sheet Music Full Score and Parts - LM279

    COMPOSER: Chris CobonMoments in Brass -Set 2Nos. 5 - 8'Moments in Brass ~ Set 2' follows on, chronologically, from Moments in Brass ~ Set 1 and the three programmatic pieces about steam trains. LMR600 Gordon, Tornado (LNER Peppercorn Class A1 60163) and The Lady Armaghdale.In contrast, Moments in Brass are all examples of absolute music and is non-representational. The compositions develop from ideas I have found interesting and, in some cases quirky.The pieces are grouped into sets of four; which allows for shorter pieces that still have musical value. Conductors should not feel compelled to perform all four together (although they do work well in that form) the moments are not movements, but individual pieces in their own right.Musical traits: I particularly like exploring shifting tonal centres, metre and the use of appoggiaturas. Hidden in a number of the Brass Moments is the use of a rising scale, inspired by the brass in the closing sections of Respighi's Pines of Rome.

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