Results
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£104.99High Flyers - Andrew R. Mackereth
From the composer: High Flyers are regarded as people with promise and potential.They are winners. This is music for winners.The title, as well as being a play-on-words, implies the nature of the work. It is a bright, optimistic, and upbeat piece attempting to depict an exhilarating ride on flying carpet. The opening rising chords immediately suggest the gentle elevation of the carpets' ascent towards unknown heights, leading to a hint of a first theme in the horns at Fig. B. The first four notes provide the thematic material for the whole work: C F G A.A perpetual sense of movement is achieved through accented quaver chords punctuating the melodicmaterial of the first main theme. Fig. E sees the music of the opening bars fully realised, with flourishes from the euphonium and baritones representing swirling clouds, shooting stars, or passing birds in flight.The same subject is developed into a lyrical second theme with a new lush harmonic treatment, evocative of gliding over an expanse of sparse countryside.This section ends with a note of serenity but is shattered by the urgent insistence of the percussion rhythms.The third section introduces a new idea with a slightly distorted fanfare in the cornets and trombones. This figure suggests for the first time that there may be trouble ahead. In fact, there is no need to fear and the journey can continue without aggravation. This fanfare returns near the end to signal a final note of triumph.A new rhythmic variant of the cell motif emerges as the third theme now transformed by the addition of a triplet figure. The music steadily gains momentum before moving inexorably towards the climactic return of the music and tonality of the opening bars of the piece.
Estimated dispatch 5-14 working days
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£74.99Olympus - Philip Harper
Selected as the test-piece for the 3rd Section Regional contests of the National Brass Band Championships 2012The music begins with a depiction of the exciting Opening Ceremony where noisy fanfares and sudden swells add to the cosmopolitan flag-waving clamour. Without a break the music leads to The Chariot Race, a fast compound-time gallop withthundering hooves in the basses and percussion, and a heroic melody introduced by the tenor horns. Chariot racing was the main equestrian event in the Ancient Greek Games, which were founded in memory of King Oenomaus. In the Greek legend he suffereddefeat in a chariot race to his son-in-law and Zeus' grandson, Pelops, but much of the music is bitter-sweet to symbolise the fact that Pelops had to cheat to win drawing parallels with some of the issues still facing modern-day athletics. A slow, mystical passage follows, describing The Temple of Zeus at Olympia. The statue of Zeus, who was honoured throughout the Ancient Games' history, was housed inside the temple and was one of the Seven Wonders of the Ancient World. Themusic depicts this period of the dawn of one of mankind's most ancient civilisations and there is a series of solo passages above a drone. The next section is called The Olympic Flame and a broad and lyrical anthem-like melody develops slowly in the euphoniums, which gradually ascends until the horns can take it over before passing upwards again to the cornets (Higher). The musicbursts into bright life at the lighting of the flame and the regular rhythmic pattern which has been established goes through an accelerando (Faster). The final section is called The Olympic Truce and aims to capture the cooperative spirit of the ancient practice of ending wars for the duration of the games. The anthem-like melody makes an affirmatory return (Stronger) and the work ends asit began with a blaze of colour and a real sense of optimism and global celebration. "Citius, Altius, Fortius" (Faster, Higher, Stonger)NOTES ON PERFORMANCEPercussion requirements: 1 to 3 players (3 Timpani, Snare Drum, Tenor Drum, Cymbals, Glockenspiel, Triangle)
Estimated dispatch 5-14 working days
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£59.95Essay - Edward Gregson
This work was specially commissioned as the test piece for a new brass band competition in 1971, held at the Royal Albert Hall, London. It is in three movements, the titles of which all have literary connotations. The first movement, Dialoguetakes the form of 'conversations' between the instruments. The second movement, Soliloquy is dedicated to the memory of Gilbert Vinter - a composer who did so much in the 1960s to bring the brass band into the modern world. The final movement,Epigram, creates strong rhythmic contrasts and exploits the more virtuoso character of the brass band.
Estimated dispatch 5-14 working days
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£54.99Soweto Swing - Peter Martin
The sparkling music from Soweto (South Africa) has a long history. The rhythmic dances of Kwela, the 'syncopated guitars' of Mbaqanga, the saxophones and trumpets with their supple African jazz sounds as well as the infectious and sometimes gripping choir singing. All these elements can be recognized when listening to the 'Soweto String Quartet', which in its turn inspired Peter Martin to write 'Soweto Swing'.
Estimated dispatch 5-14 working days
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£69.00Festivo! - Dean Jones
Depicting 3 different dances styles, this fun-filled suite will have toes tapping and people swaying! There is plenty of exciting rhythmic drive in the initial Salsa which is then followed by the precision of the Tango. The final Samba will bring plenty of smiles to faces as this lively and engaging suite of dances comes to a fitting conclusion!
Estimated dispatch 5-14 working days
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£127.30
Dancing Trolls [Norwegian Dance] - Øystein Olsen Vadsten
"Dancing Trolls" is a sequel to "The Battle of the Hats", which was published in 2015. Like "The Battle of the Hats", "Dancing Trolls" is a piece of music based on Norwegian traditional dances. This time around,its the reinlender dance which takescentre stage.The music is composed by Oystein Olsen Vadsten who keeps the strong melodic and tempo, which is dear to this kind of dance. Admittedly given a make-over with a more rhythmic accompaniment and more exciting harmonization.Thismakes it a fun piece, both to Listen to and play. The reinlender dance derives from the Rhineland in Germany,and is also known as the German Polka.To the conductor:Because this is a dance form whichis dependent on the right "swing",it is of great importance to keep as close to the metronome mark as possible. A steady groove, primarily specified by the drum set, is also essential for a good result. Remember to keep a good balance between the melody carrying instruments and theaccompaniment. Good luck and have fun with this "crazy" little tune.
Estimated dispatch 5-14 working days
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£115.60Joyful Life - Jerker Johansson
When Jerker Johansson in the 80's started to compose he was for a while obsessed with writing music in odd time signatures, more specifically 7/8. He was asked during the fall of 2020 by Leif Karlsson (former member of the legendary percussion ensemble Kroumata and nowadays conductor) to write something challenging for Uppsala Blasarsymfoniker and this resulted in Joyful Life. The piece is, to say the least, difficult to tap the pulse along to and is something of a baptism of fire for the musicians, regarding rhythmic precision. Joyful Life is dedicated to the always likeable Leif Karlsson (Joyful Leif!) and was premiered on the 15th November 2020 by The Swedish Air Force Band under the baton of the composer.
Estimated dispatch 5-14 working days
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£188.50
Fansa da Matasa - Reid Gilje
"Fansa da Matasa" was written for Norwegian Brass Band Felleskorpset Askoy, today named Ravnanger Brass.The piece is divided into six main parts where the last one includes the hymn "Colne";Part 1 starts slowly, but rhythmically where the intensity grows towards a virtuosic Part 2.Part 2 feature a demaning solo for xylophone (bars 55 to 63). A simplified version of this solo is included in the part.Part 3 starts with some declamatory cadences and continue with several solos before it closed with a larger tutti-part.Part 4 has to be played well firmly and rhythmically. The melody is more of a cantabile style.Part 5 is a beautiful and quiet one with a touch of melancholy. (Small notes in Baritone to played if necessary).Part 6 has to be played with a rhythmic drive and intensity. The hymn "Colne" starts at bar 248 and should be played with a sostenuto-style.
Estimated dispatch 5-14 working days
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£89.99Ross Roy - Jacob de Haan
In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". This movement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in aplayful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life.
Estimated dispatch 5-14 working days
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£42.00Sinfonietta (Score only) - James Curnow
Sinfonietta for Brass Band is basically a short symphony in three movements. The maestoso opening of the first movement introduces the melodic, harmonic, and rhythmic material from which the entire work is structured. The first movement, allegro vivace, is a brilliant capriccio built upon two contrasting melodic lines that are developed throughout the movement. The form is sonata-allegro and it creates an atmosphere of energy and drive. The percussion section opens the second movement and presents the underlying rhythmic ostinato on which this brief but expressive siciliano (pastorale) is developed. Movement three is a rollicking rondo that challenges the technical and rhythmic control of the whol;e ensemble. The brilliant closing fanfare is based on material which has been developed in all three movements.
Estimated dispatch 7-9 working days
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