Searching for Wind Band Music? Visit the Wind Band Music Shop
We've found 11 matches for your search

Results

  • £68.00

    Shalom! - Philip Sparke

    The long history of Jewish folk song has resulted in a rich and varied repertoire of songs which deal with religion, history, festival and celebration. The melodies featured in Shalom! reflect this panoply of subjects and range widely in mood, from lament to rejoicing.

    Estimated delivery 10-14 days

     PDF View Music

  • £40.00

    Ayers Rock - Henk Hogestein

    The famous monolith Ayers Rock (also called Uluru) is the only true attraction in the Northern Territory of Australia. This colossal red rock lies in the middle of a desert plain. At dusk, a beautiful spectacle develops as the setting sun envelops the rock in rose-red hues. There are tourists who climb the rock, while this is a taboo according to the indigenous religion of the Aboriginals. Besides, the climb is very strenuous. A walk around the rock is also an unforgettable experience.During a journey through Australia, Henk Hogestein was inspired by this rock; he composed this robust rock number to cherish the memory of it.

    Estimated delivery 10-14 days

     PDF View Music

  • £34.95

    Pandemic 1349 - Paul McGhee

    ‘Pandemic 1349' was written during September and October 2016 and received its premiere on Sunday 20th November at the 40th Brass in Concert Championships at the Sage, Gateshead where it received the best new composition/arrangement award.‘Pandemic 1349' is a concert work that aims to capture the atmosphere of fear and terror as the plague spreads throughout the city. The cries and screams get louder and reach a chaotic climax, before a calmer and reflective passage takes over - although the chaos and fear never totally leaves as the melodic material is played against the backdrop of what has gone before.London lost almost half of its population during the Black Death, making this one of the single most devastating events in the city's dark history. The outbreak not only shaped the number of inhabitants in London but also changed their mind-sets with many turning to religion - even the English language was to be forever altered.

    Estimated delivery 3-5 days
  • £42.50

    Ayers Rock (Brass Band - Score and Parts) - Hogestein, Henk

    The famous monolith Uluru (formally known as Ayers Rock) is the one of the attractions in the Northern Territory of Australia. This colossal red rock lies in the middle of a desert plain. At dusk, a beautiful spectacle develops as the setting sun envelops the rock in rose-red hues. There are tourists who used to climb the rock, while this is a taboo according to the indigenous religion of the Aboriginals. Besides, the climb is very strenuous. A walk around the rock is also an unforgettable experience. During a journey through Australia, Henk Hogestein was inspired by this rock; he composed this robust rock number to cherish the memory of it.Duration: 3:00

    Estimated delivery 12-14 days

     PDF View Music

  • £72.99

    Shalom! (Brass Band - Score and Parts) - Sparke, Philip

    The long history of Jewish folk song has resulted in a rich and varied repertoire of songs which deal with religion, history, festival and celebration. The melodies featured in Shalom! reflect this panoply of subjects and range widely in mood, from lament to rejoicing.Duration: 10:00

    Estimated delivery 12-14 days

     PDF View Music

  • £25.00 £25.00
    Buy from Wobbleco Music

    Game Of Thrones - Ramin Djawadi - Len Jenkins

    "Game of Thrones" is an American fantasy drama television series based on George Martin's "A Song of Ice and Fire" and has received widespread acclaim by critics, although its use of nudity and violence has caused controversy. Filmed in Belfast and on location elsewhere in Northern Ireland, Malta, Croatia, Iceland, and Morocco, it premiered in 2011 and continues into a fourth season in 2014. The series interweaves several plot lines and through its morally ambiguous characters, explores the issues of social hierarchy, religion, loyalty, corruption, sexuality, civil war, crime, and punishment. It is set in a period that contains elements from the dark ages through to the medieval. The music for the series was composed by Ramin Djawadi and is noted for its popular main theme which is presented here as an arrangement for Brass Band. In keeping with the period depicted, the piece contains a significant contribution from the percussion section and care has been taken to achieve the desired effect with the normal resources of the average band.

  • £34.95

    The Mansions of Glory - Score & Parts - Jonathan Bates

    “A young, talented and tender-hearted actress was passing along the street of a large city. Seeing a pale, sick girl lying upon a couch just within the half-open door of a beautiful dwelling, she entered, with the thought that by her vivacity and pleasant conversation she might cheer the young invalid. The sick girl was a devoted Christian, and her words, her patience, her submission and heaven-lit countenance so demonstrated the spirit of her religion that the actress was led to give some earnest thought to the claims of Christianity, and was thoroughly converted and became a true follower of Christ. She told her father, the leader of a theatre troupe, of her conversion and of her desire to abandon the stage, stating that she could not live a consistent Christian life and follow the life of an actress. Her father was astonished beyond measure and told his daughter that their living would be lost to them and their business ruined if she persisted in her resolution.Loving her father dearly, she was shaken somewhat in her purpose and partially consented to fill the published engagement to be met in a few days. She was the star of the troupe, and a general favourite. Every preparation was made for the play in which she was to appear. The evening came and the father rejoiced that he had won back his daughter and that their living was not to be lost. The hour arrived; a large audience had assembled. The curtain rose and the young actress stepped forward firmly, amid the applause of the multitude. But an unwonted light beamed from her beautiful face. Amid the breathless silence of the audience, she repeated: ‘My Jesus, I love thee, I know thou art mine,For thee all the pleasures of sin I resign;My gracious Redeemer, my Saviour art thou,If ever I loved thee, my Jesus, ‘tis now.’ This was all. Through Christ she had conquered and, leaving the audience in tears, she retired from the stage, never to appear upon it again. Through her influence her father was converted, and through their united evangelistic labours many were led to God.” 1. My Jesus, I love thee, I know thou art mine,For thee all the pleasures of sin I resign;My gracious Redeemer, my Saviour art thou,If ever I loved thee, my Jesus, ‘tis now.2. I love thee because thou hast first lov?d me,And purchased my pardon on Calvary’s tree;I love thee for wearing the thorns on thy brow,If ever I loved thee, my Jesus, ‘tis now.3. I will love thee in life, I will love thee in death, And praise thee as long as thou lendest me breath; And say, when the death-dew lies cold on my brow; If ever I loved thee, my Jesus, ‘tis now.4. In mansions of Glory and endless delight,I’ll ever adore thee and dwell in thy sight; I’ll sing with the glittering crown on my brow: If ever I loved thee, my Jesus, ‘tis now. William Ralph Featherstone

    Estimated delivery 12-14 days
  • £17.50

    The Mansions of Glory - Score Only - Jonathan Bates

    “A young, talented and tender-hearted actress was passing along the street of a large city. Seeing a pale, sick girl lying upon a couch just within the half-open door of a beautiful dwelling, she entered, with the thought that by her vivacity and pleasant conversation she might cheer the young invalid. The sick girl was a devoted Christian, and her words, her patience, her submission and heaven-lit countenance so demonstrated the spirit of her religion that the actress was led to give some earnest thought to the claims of Christianity, and was thoroughly converted and became a true follower of Christ. She told her father, the leader of a theatre troupe, of her conversion and of her desire to abandon the stage, stating that she could not live a consistent Christian life and follow the life of an actress. Her father was astonished beyond measure and told his daughter that their living would be lost to them and their business ruined if she persisted in her resolution.Loving her father dearly, she was shaken somewhat in her purpose and partially consented to fill the published engagement to be met in a few days. She was the star of the troupe, and a general favourite. Every preparation was made for the play in which she was to appear. The evening came and the father rejoiced that he had won back his daughter and that their living was not to be lost. The hour arrived; a large audience had assembled. The curtain rose and the young actress stepped forward firmly, amid the applause of the multitude. But an unwonted light beamed from her beautiful face. Amid the breathless silence of the audience, she repeated: ‘My Jesus, I love thee, I know thou art mine,For thee all the pleasures of sin I resign;My gracious Redeemer, my Saviour art thou,If ever I loved thee, my Jesus, ‘tis now.’ This was all. Through Christ she had conquered and, leaving the audience in tears, she retired from the stage, never to appear upon it again. Through her influence her father was converted, and through their united evangelistic labours many were led to God.” 1. My Jesus, I love thee, I know thou art mine,For thee all the pleasures of sin I resign;My gracious Redeemer, my Saviour art thou,If ever I loved thee, my Jesus, ‘tis now.2. I love thee because thou hast first lov?d me,And purchased my pardon on Calvary’s tree;I love thee for wearing the thorns on thy brow,If ever I loved thee, my Jesus, ‘tis now.3. I will love thee in life, I will love thee in death, And praise thee as long as thou lendest me breath; And say, when the death-dew lies cold on my brow; If ever I loved thee, my Jesus, ‘tis now.4. In mansions of Glory and endless delight,I’ll ever adore thee and dwell in thy sight; I’ll sing with the glittering crown on my brow: If ever I loved thee, my Jesus, ‘tis now. William Ralph Featherstone

    Estimated delivery 12-14 days
  • £82.00

    The Saga of Haakon the Good - Score & Parts - Philip Sparke

    The Saga of Haakon the Good was commissioned by Frei Hornmusikk, from Norway, to celebrate the joining of the two neighbouring Kommuner of Frei and Kristiansund, which took place on 1st January 2008. The band used it as their test piece in the Norwegian National Brass Band Championships the following February.The piece traces key events in the life of Haakon the Good (c. 920-961), later to become King Haakon 1 - THE FUTURE KING - who had been fostered by King Athelstan of England as part of a peace agreement made by his father. The English king brought him up in the Christian religion, and, on the news of his father's death, provided him with ships and men for an expedition against his half-brother Eirik Bloodaxe, who had been proclaimed king of Norway. On his arrival he travelled north - THE JOURNEY TO TRONDHEIM - where he began to gain the support of the landowners by promising to give up the rights of taxation his father had previously claimed.Eirik's sons allied themselves with the Danes, but were invariably defeated by Haakon, who was successful in everything he undertook except in his attempt to introduce Christianity to the country - THE MISSIONARY KING - which aroused an opposition he did not feel strong enough to face.One of his most famous victories was THE BATTLE OF RASTARKALV (near to Frei) in 955. By placing ten standards far apart along a low ridge (to give the impression his army was bigger than it actually was) he managed to fool Eirik's sons that they were out-numbered. The Danes fled and were slaughtered by Haakon's army. These ten standards are represented by ten loud chords starting in bar 420

    Estimated delivery 12-14 days
  • £25.75

    The Saga of Haakon the Good - Score Only - Philip Sparke

    The Saga of Haakon the Good was commissioned by Frei Hornmusikk, from Norway, to celebrate the joining of the two neighbouring Kommuner of Frei and Kristiansund, which took place on 1st January 2008. The band used it as their test piece in the Norwegian National Brass Band Championships the following February.The piece traces key events in the life of Haakon the Good (c. 920-961), later to become King Haakon 1 - THE FUTURE KING - who had been fostered by King Athelstan of England as part of a peace agreement made by his father. The English king brought him up in the Christian religion, and, on the news of his father's death, provided him with ships and men for an expedition against his half-brother Eirik Bloodaxe, who had been proclaimed king of Norway. On his arrival he travelled north - THE JOURNEY TO TRONDHEIM - where he began to gain the support of the landowners by promising to give up the rights of taxation his father had previously claimed.Eirik's sons allied themselves with the Danes, but were invariably defeated by Haakon, who was successful in everything he undertook except in his attempt to introduce Christianity to the country - THE MISSIONARY KING - which aroused an opposition he did not feel strong enough to face.One of his most famous victories was THE BATTLE OF RASTARKALV (near to Frei) in 955. By placing ten standards far apart along a low ridge (to give the impression his army was bigger than it actually was) he managed to fool Eirik's sons that they were out-numbered. The Danes fled and were slaughtered by Haakon's army. These ten standards are represented by ten loud chords starting in bar 420

    Estimated delivery 12-14 days