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  • £34.95

    A Swedish March and Fanfare (Brass Band - Score and Parts) - Gregson, Edward

    A Swedish March:This little march was written in 1975 and was commissioned for the Jnkping Summer School, Sweden, where Edward Gregson was guest composer and conductor. It incorporates the old Swedish folksong Britta at its heart, but otherwise is quite conventional in every aspect.Duration: 3.00Fanfare:This fanfare was originally written for brass ensemble, organ and percussion, under the title Fanfare for Europe, and was commissioned for a concert at the Royal Albert Hall, London, to celebrate Great Britain's entry into Europe. The composer then created this version for brass band which was published in 1976.Duration: 1.30

    Estimated dispatch 7-14 working days

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  • £30.00

    Cherry Pink and Apple Blossom White - Louiguy

    A creative arrangement by Jon Bennett for full brass band, of this popular melody made famous originally as a solo piece by Eddie Calvert.This full brass band version offers an upbeat and varied alternative with plenty of style development and percussion interest. From its opening of the featured melody, the piece takes on a range of other new angles in its scoring, including little solo spotlights and some great jazz textures, making it a real item of interest. A guaranteed toe-tapper, and may even lead to an audience conga!Look and Listen (courtesy of Dronfield Band at Newark Castle 2013):

    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    Janacek's 'Taras Bulba' - Janacek

    Comments from Tim Paton, the arranger of Janacek's 'Taras Bulba': "I will never forget the day in 1967 when I was introduced to the music of Leos Janacek, a Czech composer born in 1854, who died in 1928. Janacek was little known in Britain until the 1960's, when the conductor Charles Macherras introduced his unique music. I heard a recording of Macherras conducting the Pro Arte Orchestra in a performance of Janacek's "Sinfonietta".It was in 1969 that I first heard Janacek's Symphonic Rhapsody, "Taras Bulba".Janacek's music is exciting, powerful, emotive, impassioned and unpredictable.I have taken the first and third movements of this piece, and adapted them for Brass Band, which was at times extremely difficult, but rewarding. It sometimes took up to an hour to be satisfied that a mere several bars had been reproduced to convey the composer's intentions.The Death of AndriThe Cossaks, under the leadership of Taras Bulba, are fighting against the Poles in the 17th century. Taras's son Andri seeks to rescue his love, a Polish princess, from a city which is being besieged by the Cossaks. Having found her, he throws in his lot with the Poles, but is finally captured by his father, who executes him as a traitor before riding off again to battle.Prophesy and Death of Taras BulbaTaras himself is finally captured and condemned to be nailed to a tree and burned alive. As the flames creep around him, Taras has the satisfaction of seeing histroops escape, and as he dies, sees a vision of his country freed at last.This is incredibly descriptive music. The mood is constantly changing, creating feelings of love and anger, celebration and melancholy, despair and triumph.This Brass Band EditionThe duration of the original symphonic rhapsody, three movements, is approximately 23 minutes. I chose the first and third movements, so the Brass Band edition is approximately 14 minutes. The main reason is twofold: Being realistic about the demands this music would place on the stamina of the brass player; Keeping the piece less than 15 minutes, so that, if desired, it could be used on the contest platform.Two unique qualities of Janacek's music had to be taken into account when preparing this brass band version. His compositional technique was individual, at times not sticking to traditional expectations, in both form and orchestration. I imagined what the genius himself would have said looking at my work, and how to tackle a particular section to emulate his original intentions. This was particularly the case when dealing with high woodwind and violin parts, the use of tremolo in string parts, and the orchestral harp.Percussion: Janacek included timpani, side drum, cymbals, triangle and tubular bells. For reasons stated previously, I have also included xylophone and glockenspiel. I have also added the gong in a couple of places to enhance the dramatic effect of the music.

    In Stock: Estimated dispatch 3-5 working days
  • £25.00 £25.00
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    Christmas Dream - Andrew Lloyd Webber & Tim Rice - Len Jenkins

    The music playing in the background at the start of the 1974 Columbia film 'The Odessa File' Christmas Dream is a song written by Andrew Lloyd Webber and Tim Rice. This arrangement has a seasonal flavour, with typical Germanic 'bounce', and features an optional finish at about 3 minutes 25 seconds, or the full version at 4 minutes 15 seconds. Extra percussion parts are included (see Score).

  • £33.95

    Capriccio - Elgar Howarth

    Commissioned by the Musicians Benevolent Fund for the 1994 Leggett Awards, Capriccio is a varied showpiece for trumpet employing a wide range of advanced techniques. This version features accompaniment from the brass band cornet section and percussion, allowing the rest of the band a brief rest!

    Estimated dispatch 7-9 working days
  • £29.95

    Festival Fanfare - Joseph Turrin

    A short, rhythmically exciting fanfare. This version features the brass band cornet section and percussion, allowing the rest of the band a brief rest!

    Estimated dispatch 7-9 working days
  • £42.00

    Hymn at Sunrise (Score only) - Ray Steadman-Allen

    The idea for this work was prompted by a poem - Hymn Before Sunrise - which describes the majesty of a mountain in darkness, the sounds of a nearby waterfall and so on. Nothing came of the exposure to these pictures except for general thoughts about the dawn of day and a series of movements expressing a personal response to the wonder of creation in an imaginary moment in time. The movement titles, which were added later, are intended to underline a prevailing sense of worship, wonder and exaltation. The music is pure, not pictoral, though listeners may conjure their own images. An actual hymn - Tallis' Cannon - is incorporated. There are five movements: 1. Thanksgiving: A short prelude in two parts. First a brief passage of 'dawn music' before things become more vigorous: fanfare-like music ushers in the trombone section's presentation of the Tallis tune. A broad band version concludes the movement. 2. De Profundis: A slow movement shot through with anxious questionings featuring flugel and trombone. The mood lightens a little in the centre where the soprano cornet is featured and the movement ends serenely. 3. Celebration is characterised by rhythmic drive, this is buoyant with plenty of incident pointed up by the percussion. 4. Invocation: Melodic in nature and sober in mood, the first section is a series of short solos mingled with chorale-like statements. Central to the movement is a chorale-prelude style presentation of the Tallis tune. The third section reintroduces the earlier solo music by the full ensemble. Dissolving, the music enters the last movement without a break. 5. Paean: Marked allegro con spirito there is, quite rightly, a fair amount of fun in the rejoicing. Snatches of Tallis are heard, then comes a gentle passage with a cornet solo leading to fanfare music and recapitulation. Two recitatives are succeeded by a coda which brings the work to a sonorous and exultant conclusion.

    Estimated dispatch 7-9 working days
  • £52.00

    Hymn at Sunrise (Parts only) - Ray Steadman-Allen

    The idea for this work was prompted by a poem - Hymn Before Sunrise - which describes the majesty of a mountain in darkness, the sounds of a nearby waterfall and so on. Nothing came of the exposure to these pictures except for general thoughts about the dawn of day and a series of movements expressing a personal response to the wonder of creation in an imaginary moment in time. The movement titles, which were added later, are intended to underline a prevailing sense of worship, wonder and exaltation. The music is pure, not pictoral, though listeners may conjure their own images. An actual hymn - Tallis' Cannon - is incorporated. There are five movements: 1. Thanksgiving: A short prelude in two parts. First a brief passage of 'dawn music' before things become more vigorous: fanfare-like music ushers in the trombone section's presentation of the Tallis tune. A broad band version concludes the movement. 2. De Profundis: A slow movement shot through with anxious questionings featuring flugel and trombone. The mood lightens a little in the centre where the soprano cornet is featured and the movement ends serenely. 3. Celebration is characterised by rhythmic drive, this is buoyant with plenty of incident pointed up by the percussion. 4. Invocation: Melodic in nature and sober in mood, the first section is a series of short solos mingled with chorale-like statements. Central to the movement is a chorale-prelude style presentation of the Tallis tune. The third section reintroduces the earlier solo music by the full ensemble. Dissolving, the music enters the last movement without a break. 5. Paean: Marked allegro con spirito there is, quite rightly, a fair amount of fun in the rejoicing. Snatches of Tallis are heard, then comes a gentle passage with a cornet solo leading to fanfare music and recapitulation. Two recitatives are succeeded by a coda which brings the work to a sonorous and exultant conclusion.

    Estimated dispatch 7-9 working days
  • £34.99

    Ivory Ghosts (Brass Band - Score and Parts)

    Gavin Higgins wrote Ivory Ghosts in 2006 for brass ensemble as one of a collection of short pieces composed in support of the charity Brass Band Aid. It is a haunting miniature created in response to the horrors of the illegal trade in African elephant ivory. This definitive version for brass band and percussion was prepared for the Tredegar Town Band.

    Estimated dispatch 7-14 working days
  • £19.95

    Fanfare of a Nation (10 Piece Brass Ensemble)

    Fanfare of a Nation (2012) was commissioned by the Greater Gwent Youth Brass Ensemble as a short fanfare for ten brass players plus percussion, and was performed in the presence of HM Queen Elizabeth II & The Duke of Edinburgh on the occasion of their visit to Wales to mark the Diamond Jubilee, under its original title The Royal Diamond Jubilee Fanfare. The fanfare has since been performed throughout the UK with both its original instrumentation, and also the extended full brass band version. This short work mesmerizes, dazzles and utilizes the fanfare effects so often associated with the brass family.Instrumentation - 4 x Trumpets, 1 x Horn in F, 3 x Tenor Trombones, 1 x Bass Trombone, 1 x Tuba, 1 x PercussionNote - Trumpet 1 is available in both E-flat & B-flat, Horn in F is available in E-flat, Tenor Trombone and Tuba parts available in both treble or bass clef.

    Estimated dispatch 7-14 working days