Results
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£44.95Patterns (Brass Band - Score and Parts) - Gregson, Edward
Building musical paragraphs using short, irregular rhythmical patterns became a favourite Gregson formula in the early 1970s. Patterns is the clearest and most disciplined example. By limiting himself to a single musical motif, heard at the outset on trombones, Gregson offers a true test of technique and musicianship in a concise three part structure. The opening is another Gregson prelude with alternating patterns of 3s, 4s, 5s and 7s that are bonded by a constant quaver pulse. The music here possesses a neo-classical, pristine quality. In the central episode, the same triadic figure is transformed into a lilting barcarolle-like dialogue beginning on solo cornet and horn. When the whole band becomes involved, the trombones add a moment of bi-tonal ambiguity, which sets in motion an exuberant Latin dance and final flourish.Patterns was commissioned by the Butlins Youth Brass Band Championships for the 1974 competition at the Royal Albert Hall.Duration: 5.00
Estimated dispatch 7-14 working days
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£44.95Patterns - Edward Gregson
Estimated dispatch 5-14 working days
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£44.95
PATTERNS (Brass Band Set) - Edward Gregson
Estimated dispatch 7-14 working days
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£26.50
Patterns in Brass - Hughes, F
In Stock: Estimated dispatch 1-3 working days
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£44.95Patterns (Brass Band - Score and Parts)
Estimated dispatch 7-14 working days
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£24.50
Perpetuum - Dave Collins
A new and very exciting concert work for band. It is based upon driving additive patterns similar to those use in action and spy films. This is a brilliant new addition to the concert repertoire and is composed with energy right from the start. Thick block chords underneath the driving rhythms will allow your audience to feel the band's presence. This title was originally commissioned by the VBS Poynton band and works equally well on the bandstand or in the concert hall.
In Stock: Estimated dispatch 1-3 working days
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£26.50 -
£134.99West Wind - Oliver Waespi
West Wind is structured in three parts, each bearing a subtitle drawn from poems of Emily Bronte (1818-1848). Poetry of the Romantic period, Bronte's in particular, often presents a gentle, almost innocent surface, beneath which lies the most elemental and volatile emotional forces capable of erupting at any moment.Accordingly, the opening movement, West-wind, in the glory and pride!, begins with a mellow, warm soundscape, underpinned by lightly pulsating patterns, almost like an aquarelle. Gradually however, the music transitions into far rougher, forward-driven gestures - turbulent, restless, and at times unpredictable, much like the west wind itself.The ensuing Adagio reflects on the poem Stars, in which a fundamental tension between exaltation and regret, another recurring feature of Bronte's poetry, is palpable throughout. Introspective solo and chamber music statements give way to a broad ecstatic sound field involving the full ensemble, before finally receding into a solitary euphonium soliloquy.The final movement, Wild words of an ancient song, takes the form of an extended rondo-scherzo, driven by virtuosic, perpetual motion. The sense of relentless pursuit bears a nod to The Boy on the Moor by the German poet Annette von Droste-Hulshoff, a contemporary of Bronte who explored similar narratives, albeit from a different perspective.Although certain core musical elements recur - pulsating patterns, a chorale, a tone row - the work is guided less by systematic symphonic development than by an intuitive stream of variants. These generate a sequence of metamorphoses that illuminate the material from shifting vantage points, projecting the emotional landscapes of Romantic poetry into the present day.West Wind was commissioned by the Flowers Band and was first performed under Musical Director Paul Holland, at the 2026 European Brass Band Championships in Linz (AT), where they also became European Champions.
Estimated dispatch 5-14 working days
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£57.50Salsa Brava - Etienne Crausaz
The Salsa Brava is a typical Spanish hot sauce that goes wonderfully well with barbecue or tapas. The Salsa is also a style of music that originated in the Caribbean, combining Cuban, Puerto Rican, and American influences.This composition is completely in keeping with this aesthetic, offering catchy melodies supported by a characteristic rhythmic patterns and highly intricate harmonies. A middle section provides space for soloists (cornet and trombone) to express themselves. The result is music which is festive, lively, and full of energy. A sure bet to charm your audience.This music is part of the musical tale La Malediction d'Aragne, written by Dominique Schweizer and commissioned by the Lyre de Courtion (dir. Dominique Morel) to mark its 100th anniversary.
Estimated dispatch 5-14 working days
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£139.99Sinfonietta No. 3 - Etienne Crausaz
Sinfonietta No. 3 was commissioned by the Association Suisse des Musiques (ASM) for the Fte Fdrale des Musiques in Montreux in 2016.It's a challenging and energetic piece in which lyrical material is altered by rhythmical patterns, jazzy elements and several cadenzas for different instruments.
Estimated dispatch 5-14 working days
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