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Five Courtly Dances (Paul Pennicotte-Henrie) - Brass Band Sheet Music Full Score and Parts - LM697 - Paul Pennicotte-Henrie

COMPOSER:Paul Pennicotte-HenrieFive Dances for brass band in a Tudor court style.Playable by most bands from 4th section upwardsA must for your band library
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Galopede - Brass Band Sheet Music Full Score & Parts - LM831 - Traditional - Chris Cobon

COMPOSER: TraditionalARRANGER: Chris CobonBased on a Dancecollected and arrangedby Cecil J. SharpSuitable Section 4 UpwardsLM831 - ISMN : 9790570008315
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He Hides My Soul - Brass Band Sheet Music Full Score & Parts - LM503

COMPOSER: W. J. KirkpatrickARRANGER: Dale PittockA wonderful new take on the Hymn Tune.LM503 - ISMN :9790570005031
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Hempstead Valley - Brass Band Sheet Music Full Score & Parts - LM555 - Derick Kane

COMPOSER: Derick KaneA great addition to the brass band repertoire from the pen of Derick KaneAn original march for brass band in a lively and upbeat style.Would suit for an own choice entertainment contest marchWritten for The Medway Brass BandLM555 - ISMN : 9790570005550
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How Can I Keep From Singing? (Traditional arr. by David Beal) - Flugel Horn & Brass Band Full Score and Parts - LM029

COMPOSER - TraditionalARRANGER - David BealThe tune made famous by EnyaArranged for Flugel Horn with Brass Band AccompanimentLM029 - ISMN : 9790570000296
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How Great Thou Art - Bb Soloist & Brass Band Sheet Music Full Score & Parts - LM292

COMPOSER - TraditionalARRANGER - Daryle TaylorThe Swedish Hymn more commonly known as How Great Thou Art arranged here for Bb Soloist with Brass BandOriginally written for Cornet soloist but can easily be played by Flugel, Baritone, Trombone, Euphonium and even the Bb Bass!LM292 - ISMN : 9790570002924
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£90.00

Impressions of Seurat (Chris Cobon) - Brass Band Full Score and Parts - LM482 - Chris Cobon

COMPOSER: Chris Cobon1 - Stone breakersThe Suite opens with the only picture, of the five, which is not in the pointillist style. Several pictures were produced on the Stone Breaker theme, painted in oil on small panels called croquetons. The subjects in the art are breaking stones for use in road building. Musically the piece starts canonically alluding to the repetitive nature of the labour. A more direct, rhythmic link of three hammer blows, are first heard in the opening passages in the percussion. These hammer blows are also built into each third bar of the cannon and, therefore, become embedded into the opening section. Arising from the flurry of activity are two, three bar legato phrases in a majestic style until it falls to a more dramatic sounding of the legato phrase over a resounding of the cannon in a new textural order. This leads to a short, new section, featuring a trombone trio underneath rising scales in the cornet section.2: Bathers at AsnieresBathers at Asnieres was Seurat's first major painting...The canvas is of a suburban, Parisian riverside scene. Isolated figures, with their clothes, piled sculpturally on the riverbank, together with trees, austere boundary walls and buildings, and the River Seine are presented in a formal layout. This moment aims to capture the tranquillity of a summer's day in the park. This painting led the development of the pointillist technique whereby the colours were applied as small dots that combine to form a picture when viewed at a distance. The trombones capture this idea in the opening bars with their carillon-style entries. The 2nd/3rd cornets make a more direct link by individual picking out single notes of a melody being sounded on Baritones and trombones at C. The use of mutes adds a subtle darker side to this movement which nods to the industrial working-class aspects of the painting.3: White DogWhite Dog features a few characters relaxing in the sun, and a white dog with its tail held high. Having two dogs myself, I've taken the idea of an excited dog with a waggy tail as the basis for this short, middle, movement.4: Sunday Afternoonon the Island of La Grande Jatte Sunday Afternoon on the Island of La Grande Jatte is arguably Seurat's most famous work.5: Parade de CirqueCircus Sideshow Parade de Cirque encompasses a circus scene's boisterousness, vitality and chaos. However, the painting, constructed with the new pointillist technique, also portrays stillness, calmness and precision. As expected from looking at the picture, the trombone takes centre stage in various locations on either side of the calming circus waltz and pointillist section (I).LM482ISMN : 9790570004829
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In Dulci Jubilo (Gesius/Bach arr. by David Beal) - Brass Band Sheet Music Full Score & Parts - LM105 - Gesius / Bach

COMPOSER: Gesius / BachARRANGER: David BealA wonderful arrangement of this classic piece given a "through the ages" treatment. Starting with a nice ensemble version developing into a classic light rock version then moving into a Bach Choral harmonious style to a large vibrant ending.One for your Christmas concert.LM105 - ISMN : 9790570001057
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In The Bleak Midwinter (Gustav Holst arr. Brian Harper) - Brass Band Full Score & Parts - LM578 - Gustav Holst - Brian Harper

COMPOSER: Gustav HolstARRANGER: Brian HarperA great addition to the brass band repertoire from Brian HarperA calming selection for your next Christmas concert
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Intrada on Lobe Den Herren (Traditional arr. by David Grace) - Brass Band Sheet Music Full Score & Parts - LM657

COMPOSER: TraditionalARRANGER: David Grace"Praise to the Lord, the Almighty" is a Christianhymnbased onJoachim Neander's German-language hymn "Lobe den Herren, den machtigen Konig der Ehren", published in 1680.John Julianin hisA Dictionary of Hymnologycalls the German original "a magnificent hymn of praise to God, perhaps the finest creation of its author, and of the first rank in its class."The melody used by Neander, first published in 1665, exists in many versions and is probably based on a folk tune.It is catalogued asZahn number1912c with several variants.The text paraphrasesPsalm 103andPsalm 150.Catherine Winkworthpublished her English translation of Neander's hymn in 1863.LM657 - ISMN : 9790570006571
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