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  • £34.95

    Song of the Night Sky - Christopher Bond

    For Cornet in B-flat & Brass Band, Written for & Commissioned by Tom Hutchinson & Cory BandOrpheus is known as the most talented music player of the ancient times. It is said that god Apollo was his father, from whom took his extreme talent in music, and the Muse Calliope was his mother. Tragedy struck when his wife, Eurydice stepped on a viper which in turn bit her, injecting its fatal venom. Nothing could stop his cries of anguish and sheer pain and sorrow upon realizing his beautiful Eurydice was dead. Orpheus decided to go into the Underworld to get his wife back. Apollo, his father, would talk to Hades, the god of the Underworld to accept him and hear his plea. And so Orpheus set off into the Underworld and was warned that for no reason must he look back while his wife was still in the dark, for that would undo everything he hoped for. As Orpheus was reaching the exit of the Underworld, he could hear the footfalls of his wife approaching him. As his was approaching the exit, his heart was beating faster and faster. The moment he stepped on the world of the living, he turned his head to hug his wife. Unfortunately, he got only a glimpse of Eurydice before she was once again drawn back into the underworld. When Orpheus turned his head, Eurydice was still in the dark, she hadn't seen the sun and, was drowned back to the dark world of the dead. Waves of anguish and despair swept over him and shuddering with grief he approached the Underworld again but this time, he was denied entry, the gates were standing shut and god Hermes, sent by Zeus, wouldn't let him in. His songs were no more joyful but extremely sad. His only comfort was to lay on a huge rock and feel the caress of the breeze, his only vision were the open skies. Song of the Night Sky was recorded by Tom Hutchinson and the Cory Band in June 2015, featuring on his debut solo album.

    Estimated delivery 5-7 days
  • £34.95

    The Fire & the Phoenix - Christopher Bond

    For Trombone & Brass Band, Written for & Commissioned by Brett BakeThe Fire & the Phoenix (2015) was commissioned by Brett Baker in early 2015 as the opening track to his solo CD 'Myths & Legends'. Whilst structurally a single-movement work, it is presented so that it can link directly into the next work on the CD, adding to a continuous theme comprising a number of pieces from a number of composers.Opening with huge strident chords in the full band, the representation of the phoenix is instantly reflected; bold, powerful and a bird of great intensity. This makes way for a more mystical section marked 'distant' which reflect the beauty of the Phoenix and it's mythical nature where the trombone soars up into its higher register with a sweeping melody. Soon after, the music takes a sharp turn, becoming dramatic and instantly moving away from the mystical mood created previously. Here, we imagine the Phoenix catching fire, burning intensely with huge flames as it gradually turns into ash. We reach a tonic pedal point in the music, over which chord progressions subtly weave in and out of the texture. Here, we imagine the Phoenix rising from the ashes, with the dynamics gradually increasing to reflect this, slowly taking shape as it is born again. A return to earlier material follows, this time manipulated to reflect the Phoenix in its new form - the same bird; the same animal; but at the same time different. A beautiful chorale-like passage is heard before the music transports us back into a magical land, where delicate rhythmic ideas are juxtaposed against bolder lower chords; both ideas together transporting the listener forward into the next piece.

    Estimated delivery 5-7 days
  • £25.00

    The Cistercians

    DescriptionThe Cistercianswas written during December 2003 and January 2004 as an entry for Morecambe Band's Centenary New Music Competition, which it went on to win. The first two performances were at the final of this competition, part of the band's 100th Anniversary Concert at The Dome in Morecambe on 9 July 2004.The music was inspired by visits to three of Britain's great Cistercian Abbeys; Valle Crucis, Fountains and Rievaulx. The Cistercian Order was founded at Citeaux in France in the 11th Century and was based on the principles of austerity, humility and piety. Cistercian Abbeys were deliberately sited in remote, difficult areas. Despite this many of them, especially Rievaulx, became immense centres of commerce and power, with ever more complex administration and hierarchies.In a way the music reflects this; all the material in the piece is derived from two simple motifs played by flugel and solo horn in the opening bars and becomes more complex and further removed from the original material as the piece develops. After a tranquil opening section a fugal chorale develops over a medieval-style "tenor" - a stretched out version of one of the original motifs. A burst of semiquavers leads into a faster, folk-dance type section - our medieval abbey has become a bustling trade centre - before rhythmic quaver pulses in the horns and cornets accompany powerful chords in the low brass; this is another "tenor" derived from the opening motifs. A short development section, including the folk dance "hocketing" round the band and a slightly disjointed 10/8 section leads to a restatement of the fugal chorale from the beginning before a frenetic coda brings the work to a triumphant conclusion.Performance Notes:Percussion instruments required are Bass Drum, Suspended Crash Cymbal, Glockenspiel, 2 x Tom-toms, Snare Drum, Tambourine, Tam-Tam, 2 x Timpani (G-C, C-F), Triangle, Wood Block. All cornets will require metal stratight mutes and all except soprano require cup mutes. All trombones require cup and metal straight mutes.Playable by 2nd section upwards; to view a sample PDF file of the score click here.

    Estimated delivery 5-7 days

     PDF View Music

  • £49.95

    The Haunted Halls - Paul Lovatt-Cooper

    This work was commissioned by Philip Biggs and Dr. Nicholas Childs for the National Children's Brass Band of Great Britain summer course 2006.The idea behind the piece lies with the magnificent surroundings in which the annual National Children's Brass Band of Great Britain course is held, The Bromsgrove School. The course is held over a week long period at the school. Both staff and students stay on the premises for the duration, making use of the schools boarding facilities. The school itself is huge with various buildings on site and steeped in history. On entering the premises you are immediately engulfed in the school's splendid grandeur and tradition as its unique appearance grabs you and whisks you off to a world of old fashioned headmasters, public schoolboys and boarding school antics. As the evening draws to a close there is a dark and eerie side to the building that sends a tingle up your spine. The piece originated from a story I imagined where at night ghouls, ghosts and spirits emerge from inside the building's walls, paintings and surroundings to cause havoc in their desperate attempt to free themselves from the purgatory that is the spirit world by haunting the living. A group of pupils wake, hearing the commotion and startle the spirits who see this as an opportunity to possess the beings in order to free them from their turmoil. A great chase ensues with the pupils using any means possible to escape from their pursuing spirits.The only weapon against the spirits is the dawning sunshine and so the adventure begins with the pupils having to escape from the chasing spirits and hope that dawn breaks and the sunshine engulfs the supernatural, imploding them back to their world. Paul Lovatt-Cooper (August 2006)

    Estimated delivery 5-7 days
  • £24.95

    Three Little Maids (from the Mikado) - Sir Arthur Sullivan

    Since its premiere in 1885 at the Savoy Theatre in London, The Mikado (or The Town of Titipu) has become one of the most-performed pieces of musical theatre in history. As with many of Gilbert and Sullivan’s productions, the show satirizes aspects of Victorian Britain’s politics and aristocracy; in The Mikado, however, the duo cleverly cloaked these criticisms behind a charming story set not in Britain, but in exotic Japan.Nanki-Poo, the son of the Mikado (the Japanese emperor), has fled in disguise to avoid marrying a much older suitor, and to find and marry his own beloved, the beautiful Yum-Yum. Yum-Yum, however, is the ward of Ko-Ko, the lord high executioner, and has become betrothed to him against her will. In the meantime, Ko-Ko finds his job difficult to carry out as the Mikado puts pressure on him to fulfill his quota of killings, but the executioner realizes he is too soft-hearted to kill anyone. His solution is to trade a month of marriage to Yum-Yum for Nanki-Poo’s life (though he only pretends to kill him), but, of course, the plan backfires as Ko-Ko finds himself subject to capital punishment for allegedly killing the Mikado’s son. As usual in Gilbert’s imaginative plots, the tangled web unravels, and everyone lives happily ever after.This complex satire is characterized by the clever wordplay, memorable tunes, and endearing characters that have allowed Gilbert and Sullivan’s popularity with audiences to endure for well over a century.The trio Three Little Maids is sung by Yum-Yum, Peep-Bo, Pitti-Sing, and the female chorus, and is arranged here for three tenor horns.

    Estimated delivery 5-7 days
  • £44.95

    The Golden Apples of the Sun - Rodney Newton

    This work was commissioned in 2012 by the percussionist, Yasuaki Fukuhara, and takes its title from the final verse of W.B.Yeats' poem, The Song of Wandering Aengus;Though I am old with wandering,Through hollow lands and hilly lands,I will find out where she has gone,And kiss her lips and take her hands;And walk among long dappled grass,And pluck till time and times are done,The silver apples of the moon,The golden apples of the sun.This piece does not seek to follow the narrative of the poem, but rather takes lines from it as an inspiration for three contrasting movements.The first movement, Through Hollow Lands and Hilly Lands, is in the form of a dogged march over a repeated bass line, featuring tom-toms, snare drum and cymbals playing rhythms associated with rock drumming. At the end of the movement, the marimba enters with material that will be heard in the next movement.The second movement, The Silver Apples of the Moon, features vibraphone, glockenspiel and crotales, as well as the dobachi (a resonant bronze bowl of Japanese origin). The music is delicate and ethereal.In contrast, the final movement, The Golden Apples of the Sun, is energetic and fiery, featuring tubular bells, timpani and other tuned percussion instruments including cowbells.

    Estimated delivery 5-7 days
  • £25.00

    Canticle: The Legend of Vale Royal

    In 1270 Edward I survived a shipwreck and, to give thanks for his deliverance, ordered the building of a great abbey of dimensions to rival any in the land and bequeathed funds to the Order of Cistercian monks to build and run the abbey. The location chosen was on the banks of the river Weaver close to the hometown of the?composer's mother in Cheshire. Huge funds were put in to the project over many decades and although the foundations were laid for the great pillars to support the building (still visible to this day), the abbey was built only to a fraction of its original design. Instead the funds were pilfered and misappropriated to fund the opulent lifestyle of the profligate monks who were roundly despised and reviled in the county (merry gentlemen indeed!). In 1543, Henry VIII set about the dissolution of the abbey and the destruction of its building to wide acclaim and much rejoicing in the county. This piece tells that story. Item Code: TPBB-067 Duration: 5'00" Other Christmas works by Philip Doe: TPBB-054 Three Christmas Portraits ?

    Estimated delivery 5-7 days
  • £49.95

    Fire in the Blood - Paul Lovatt-Cooper

    Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain’s most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the ‘ISB 120’ concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army’s motto under their famous crest ‘Blood and Fire’.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army’s services over a number of years. Opening with Richard Phillips’ setting of Psalm 95, ‘Sing for Joy’, the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies’ emotive song melody ‘Lord, you know that we love you’ and Laurie Klein’s worship song ‘I love you Lord’.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!Paul Lovatt-Cooper

    Estimated delivery 12-14 days
  • £19.95

    Fire in the Blood - Score Only - Paul Lovatt-Cooper

    Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain’s most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the ‘ISB 120’ concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army’s motto under their famous crest ‘Blood and Fire’.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army’s services over a number of years. Opening with Richard Phillips’ setting of Psalm 95, ‘Sing for Joy’, the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies’ emotive song melody ‘Lord, you know that we love you’ and Laurie Klein’s worship song ‘I love you Lord’.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!Paul Lovatt-Cooper

    Estimated delivery 12-14 days
  • £34.95

    Song of the Night Sky - Christopher Bond

    Cornet Solo with Brass BandOrpheus is known as the most talented music player of the ancient times. It is said that god Apollo was his father, from whom took his extreme talent in music, and the Muse Calliope was his mother. Tragedy struck when his wife, Eurydice stepped on a viper which in turn bit her, injecting its fatal venom. Nothing could stop his cries of anguish and sheer pain and sorrow upon realizing his beautiful Eurydice was dead. Orpheus decided to go into the Underworld to get his wife back. Apollo, his father, would talk to Hades, the god of the Underworld to accept him and hear his plea.And so Orpheus set off into the Underworld and was warned that for no reason must he look back while his wife was still in the dark, for that would undo everything he hoped for. As Orpheus was reaching the exit of the Underworld, he could hear the footfalls of his wife approaching him. As his was approaching the exit, his heart was beating faster and faster.The moment he stepped on the world of the living, he turned his head to hug his wife. Unfortunately, he got only a glimpse of Eurydice before she was once again drawn back into the underworld. When Orpheus turned his head, Eurydice was still in the dark, she hadn't seen the sun and, was drowned back to the dark world of the dead. Waves of anguish and despair swept over him and shuddering with grief he approached the Underworld again but this time, he was denied entry, the gates were standing shut and god Hermes, sent by Zeus, wouldn't let him in.His songs were no more joyful but extremely sad. His only comfort was to lay on a huge rock and feel the caress of the breeze, his only vision were the open skies.Song of the Night Sky was recorded by Tom Hutchinson and the Cory Band in June 2015, featuring on his debut solo album.

    Estimated delivery 12-14 days