Results
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£59.99Over the Rainbow (Eb or Bb Cornet Solo with Brass Band - Score and Parts) - Arlen & Harburg - Morrison, Alan
Recently voted the greatest family film of all time the classic Wizard of Oz is one film that everybody knows. The film theme was re-invigorated with the release in 2004 of a new version by the relatively unknown Australian vocalist, Eva Cassidy. Unfortunately Eva Cassidy is no longer with us but this song will give generations of new music listeners an insight into her amazing vocal abilities and talent. The world-renowned Cornet soloist, Alan Morrison, has taken the Eva Cassidy version and crafted a wonderful Cornet solo in this award-winning arrangement. A wonderful chance to showcase either your Bb or Eb Cornet soloist in a work guaranteed to have your audiences in awe.
Estimated dispatch 7-14 working days
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£69.99
Far from Over
Staying Alive, starring John Travolta, was a hit film in 1983. The music for this great film was written by different composers and the soundtrack was recorded by various well-known artists, such as the Bee Gees. Frank Stallone (the brother of actor and director Sylvester Stallone) was also involved. He wrote the title song Far from Over. This song with its solid beat became a great success and was a number one hit practically all over the world. This arrangement for brass band is guaranteed to be a hit.
Estimated dispatch 5-14 working days
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£25.00From Waterloo To The Somme - Brass Band - LM774
COMPOSER: Traditional, Rossini, Will D. Cobb & Frederic WeatherlyARRANGER: Laurie JohnstonA great collection of war songs from The Battle of Waterloo to The SommeThe four main melodies in this piece are..1 Over the hills and Far Away.This song dates back as far as Queen Anne but was popular among soldiers during the Napoleonic Wars. Probably the most well known version these days is that by John Tams from the television series Sharpe.2 The Green Hills of Tyrol.This is one of the oldest tunes played by pipe bands today although originally written by Rossini for the William Tell ballet music. Pipe major John MacLeod of the 93rd Sutherland Highlanders heard it played by a Sardinian Military band during the Crimean War and transcribed it for pipes as a tribute to the number of VC's won by Scottish regiments in this conflict. It became very well known when Andy Stewart took the tune for his song The Scottish Soldier.3 Goodbye Dolly Gray.This is a music hall song by Will D. Cobb and was popularised as a Boer War anthem. It was written during the earlier Spanish - American and held it's popularity through to the first world war.4 Roses of Picardy.Written by Frederick Wetherly in 1916 it became a very big hit with the soldiers fighting in the trenches. Picardy is a region of northern France where the Somme battlefields are to be found which among other things possibly accounts for the songs great popularity. It sold on average 50.000 copies a month during the great war.
In Stock: Estimated dispatch 3-5 working days
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£10.00The Once and Future King
DescriptionThe Once and Future King is a suite of three movements; each movement was inspired by an Arthurian legend. The first movement, 'Tintagel', concerns the famous Cornish promontory said to be the birthplace of King Arthur. In Arthur's time, Tintagel was part of the court of King Mark of Cornwall and the music imagines a visit by the King of the Britons to his Cornish neighbour and the place of his birth, reflecting the ceremony and drama of such an occasion; the music is strongly antiphonal, contrasting the more strident fanfares of the cornets and trombones with the warmth of the saxhorns and tubas.The second movement, 'Lyonesse', takes its inspiration from the mythical land which once joined Cornwall to the Isles of Scilly. One legend claims that after the disastrous battle of Camlan where Arthur and Mordred were both killed, the remnants of Arthur's army were pursued across Lyonesse to Scilly, whereupon Merlin cast a spell to sink Lyonesse behind them and drown the pursuers. Some say the bells of the 140 churches inundated that day can still be heard ringing. All the material in this movement derives from two short motifs heard in counterpoint at the very beginning, which are intentionally dissonant and bitonal in character.The final movement, 'Badon Hill', takes its title from the legendary site of Arthur's last battle with the Saxons and is a lively toccata based on the medieval secular song L'Homme Armee ('The Armed Man'). The music uses a number of medieval devices including "hocketing" (passing melody from one voice to another). The actual site of Badon Hill is unknown but it has been associated with Badbury Rings in Dorset and a lot of evidence now points towards the town of Bath. Arthur's victory at Badon Hill was the last great victory for Celtic Britain over the Saxon invaders, but in the end only set the conquest back by a few decades. Arthur himself was dead by then, betrayed and defeated by his nephew Mordred, but it is said that Arthur only sleeps and will return in a time of dire need - hence the legend that Arthur's dying words were: Bury me in Britain, for I am the Once and Future King.Performance NotesWhere space and practicality permits the opening movement should be played with cornets and trombones standing behind the band facing the audience; they should retake their seats for the second and third movements.PercussionConcert Bass Drum (ideally NOT Kit/Pedal Bass Drum), Suspended Cymbal, pair of Clash Cymbals, Glockenspiel, Snare Drum, Tambourine, 2 x Timpani (Eb-G, Bb-D), 2 x Tom-toms, Triangle, Tam-Tam* (only if available), Tubular Bells *(only if available).MutesBaritones, all cornets and trombones will require metal straight mutes; all trombones and cornets will require cup mutes.*The Once and Future King was set as the test-piece for the 3rd section of the Swiss National Championships in 2007. The score was then slightly revised in July 2008, the main alteration being the exclusion of the tubular bells part for the Regional Championships of Great Britain in 2009. Some parts which were optional (or cued on other instruments) at the request of the Swiss Brass Band Association were restored to their original octaves and instruments. In 2015 the tubular bells part was restored in the optional Percussion 3 part; all parts in Percussion 3 are optional, although some are cued in the percussion 1 & 2 parts (and the cues should be played if only two players are available).Listen to a preview and follow along with the score below!
Estimated dispatch 7-14 working days
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£84.99Voyage with the VOC - William Vean
The Netherlands have been an important trading nation for a long time partly as a result of their geographical situation. One of the first multinationals in The Netherlands was the 'Verenigde Oostindische Compagnie' (VOC). The aim of the VOC was to send ships to Asia in order to buy pepper and spices, and to take over the Portuguese monopoly in this field. The Company was successful. An era of great prosperity resulted, in which the art of painting (Rembrandt van Rijn) as well as science (Constantijn Huygens) flourished alongside a thriving economy. 1. The Sails are set : There is a lot of hustle and bustle on the quay. The crew are preparing fordeparture. Goodbyes are said and once the sails have been hoisted the ship sets out to sea.2. A Visit to the Rajah of Yogyakarta: After a voyage of many months the place of destination is reached. A visit to the Radja, the king of the area around Yokyakarta, follows. The dishes and beverages and the native culture in general are very pleasant after having been on a diet of ship's biscuit and water for such a long time.3. The Holds have been loaded: The holds have been loaded to the brim, and the voyage home can be begin!4. Death sails along: Life at sea is rough. not seldom did a sailor die of a tropical disease or scurvy. After a memorial service, the Captain would speak the words 'One, two, three, in God's name ...' and the body, wrapped in canvas, would be committed to the sea.5. A joyful homecoming: After many months of hardship coming home is perhaps the best part of the entire voyage. The quay is filled with people eager to give the crew a warm welcome.
Estimated dispatch 5-14 working days
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£124.95The 39th Parallel (Brass Band - Score and Parts) - Graham, Peter
Within The 39th Parallel (South) lies the New Zealand district of Whanganui and at its heart the Whanganui river - Te Awa Tupua.This work is cast in two parts:Part 1, a musical evocation of the course of the river from Mount Tongariro to the sea, is constructed according to golden ratio proportions (the fundamental mathematical principle governing nature). Running in parallel a sequence of metrical modulations finds the tempo of the music increase incrementally over the course of the movement.Part 2, Apakura, ("Lament" in the Maori language) develops a theme previously hinted at in Part 1 but now fully realised. This "Home" theme is an elegy to the late Kevin Jarrett, a towering figure in the New Zealand music scene who for many years lived and worked in the town of Whanganui. The elegy includes references to music which formed a significant part of Kevin Jarrett's musical experiences both as a New Zealand Army Band musician (echoes of the Urbach march Through Bolts and Bars) and through his long association with the National Band of New Zealand (hints of fellow countryman Sir Dean Goffin's classic Rhapsody in Brass). The work concludes with a reprise of the Home theme.The 39th Parallel was commissioned by the Brass Band Association of New Zealand, in memory of the late Kevin Jarrett, with funds primarily provided by WNG Loan Finance & Investment Co; McDonnell Coleman Trust; Brass Whanganui; Riki & Rhys McDonnell; Jonathan Wallace; Graham Hickman; Ian & Denise Levien; and the New Zealand Army Band.- Peter Graham
Estimated dispatch 7-14 working days
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£64.95Platform to the Heavens
The piece takes its inspiration from the mountain ranges from one of my favourite countries, Switzerland.I have visited the Swiss Alps on many occasions and I am still taken back by its sheer awesome beauty with every visit. This commission gave me the opportunity to pay homage to this wonderful landscape and paint my own musical picture of it.The piece opens with what I imagine daybreak would be like at one of its many peaks. With the sun growing behind the mountain range, the piece builds from a single note to a huge climatic chord revealing Mother Nature's creation.Then at rehearsal figure 'C' the tempo changes dramatically as we fly through the many slopes of the mountains as if on a manic skiing expedition, revealing the many dangers within the Swiss Alps.The twists, turns and climaxes begin to die away as we enter rehearsal figure 'M' - nightfall over the mountains. As the sun disappears, the sky darkens to reveal the beautiful starlit sky above the mountain range. This middle section starts with the various cadenzas that serve as echoes around the Alps. It then leads to a lyrical solo at rehearsal figure 'O' as the moonlight illuminates the icy mountain peaks. A final cadenza to conclude this section highlights the end of nightfall as the sun starts to rise again.This recapitulation from the opening, signals a new dawn as the sun rises above the snowy peaks once again. The music at this point in its slightly altered state highlights the dawn of a new day in the Alps. The fast manic ski ride follows which takes the piece to its grand finale conclusion.The idea behind the title of this piece is that the Swiss Alps are so beautiful and vast; I can only imagine that they could be a platform connecting the earth to the heavens above.Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£29.95
The Land of the Long White Cloud (Score Only)
Dating from 1979, The Land of the Long White Cloud (Aotearoa) was Philip Sparke's first test-piece. It was commissioned by the New Zealand Brass Band Association for their 1980 National Championships (their centenary year) and set for the European Brass Band Championships, the same year, at the Royal Albert Hall in London. Aotearoa was the name given to New Zealand by its Polynesian settlers whose first sight of the islands was a long, flat cloud lying low over the land. The work has no specific programme although many have seen pictures of the surging ocean in the opening bars. A faster dance-like section leads to a slow, haunting solo for soprano cornet; this is taken up by the whole band before earlier material returns. The dance-like tune is, this time, given a fugal treatment and the opening bars return to close the work.Philip Sparke was born in London and studied composition, trumpet and piano at the Royal College of Music, where he gained an ARCM. It was at the College that his interest in bands arose. He played in the College wind orchestra and also formed a brass band among the students, writing several works for both ensembles.At that time, his first published works appeared - Concert Prelude (brass band) and Gaudium (wind band). A growing interest in his music led to several commissions, his first major one being this featured piece for the Centennial Brass Band Championships in New Zealand - The Land of the Long White Cloud. He has written for brass band championships in New Zealand, Switzerland, Holland, Australia and the UK, including three times for the National Finals at the Royal Albert Hall.In September 2000, he was awarded the Iles Medal of the Worshipful Company of Musicians for his services to brass bands and in 2005 Music of the Spheres won the National Band Association/William D. Revelli Memorial Band Composition Contest. In 2011, he received the BUMA International Brass Award for his contribution to brass music.His conducting and adjudicating activities have taken him to most European countries, Scandinavia, Australia, New Zealand, Japan, Taiwan, South Korea, Canada and the USA. In May 2000, he took the major step of becoming a full-time composer by founding his own publishing company, Anglo Music Press. The company is devoted to publishing his brass band, concert band, fanfare band and instrumental publications as well as recordings dedicated to his latest works.
Estimated dispatch 7-14 working days
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£40.00The Ayres of Agincourt
ABOUT THIS PIECE: The Ayres of Agincourt has long been a staple of the wind band repertoire and is now available to brass bands in this transcription from Adam D J Taylor. The original Ayres were inspired by the famous victory in the 15th century of the English over the French at Agincourt, France, and are intended to sound like old English songs that might have been sung by King Henry's men. Majestic, exciting, dramatic - this music should be on your next concert! ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 3 LISTEN: DURATION: 5-minutes 30-seconds EXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£89.00
The Poseidon (Bra) - Pimpanit Karoonyavanich
In Greek mythology "Poseidon" is the god who reigns over the sea, the waters and their gods. The opening of this work reflects the power of Poseidon. He could turn a calm sea into a rough and turbulent sea that swallows up ships. With his famous trident he can generate an earthquake, hence his nickname "Earth Shaker". Every living being is afraid of him, including his wife and children. Deep inside, however, he feels lonely. The middle part of this work shows the other side of Poseidon as a normal person who desires for love and understanding. However, this sad but sweet theme doesn't last long because its angry character resurfaces. He starts again to use his power in an aggressive way and the powerful opening theme is repeated. After "A Journey to The Bermuda Triangle", this is the second work in which the composer has drawn her inspiration from her favourite seascape painting by the Belgian painter Romain Steppe (1859-1927).
Estimated dispatch 7-14 working days
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