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  • £33.95

    ONE FINE DAY (Soprano Cornet/Brass Band) - Puccini, Giacomo - Richards, Goff

    Soprano Cornet Solo with Brass Band. From "Madama Butterfly"

    Estimated delivery 12-14 days
  • £33.95

    ONE FINE DAY(Soprano Cornet/Brass Band) - Puccini, Giacomo - Richards, Goff

    Soprano Cornet Solo & Brass Band. From "Madama Butterfly"

    Estimated delivery 12-14 days
  • £21.50

    Run - Snow Patrol - Gavin Somerset

    Very few songs covered by other artists are greeted with the same reception as Leona Lewis' cover version of this hit song. Whilst already a hit for Snow Patrol back in 2004, when Leona Lewis performed the song on BBC Radio One's 'Live Lounge', the DJ's and producers there on the day were reported to be tears. This highly emotional song lends itself well to the brass band sound and this arrangement by Gavin Somerset ensures your band can encapsulate audiences both on the bandstand and in the concert hall. The song's title may not be too familiar, however after just a few bars, the tune is instantly recognisable. A hit with the younger members of your band and one that people of all ages will know. A perfect addition to your concert programme and one that could see some of your audience singing! To download the Solo Cornet part, please CLICK HERE . To download the Solo Horn part, please CLICK HERE . To download the Solo Euphonium part, please CLICK HERE . To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .

    In stock: Estimated delivery 1-2 days

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  • £29.50

    Les Miserables (Concert Suite) - Alain Boublil and Claude-Michel Sch?nberg - Gavin Somerset

    Based on the book by Victor Hugo, Les Mis?rables has been entertaining audiences around the world since its first performance in London in 1985. Whilst the initial critical reviews were not favourable, the paying public disagreed and the success of the West End musical led to a Broadway production. The show had a big revival in 2012 with the release of the hit film. In this new specially arranged Concert Suite, which features a built in encore – the Epilogue to the show (should you wish to use it) and an optional cut omitting the more difficult sections (making the work accessible to lower section bands), this work gives your band the chance to bring a touch of Broadway to your audience. The Suite features the Prologue, On My Own, Bring Him Home, Master of the House, One Day More & Can You Hear The People Sing? A great audience pleaser and grand concert or contest work that belongs in every bands library. To download the Solo Cornet part, please CLICK HERE . To download the Solo Horn part, please CLICK HERE . To download the Solo Euphonium part, please CLICK HERE . To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .

    In stock: Estimated delivery 1-2 days

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  • £34.95

    Happy Land (Cornet Solo with Brass Band - Score and Parts) - Camsey, Terry

    This composition is a very challenging one for the soloist and requires the accompaniment to be subservient at all times. The soloist will find it helpful to, generally, adopt a very light and playful style. As a young aspiring cornet player, the composer was influenced by a number of soloists of that day, one being Del Staigers of the Goldman Band in the USA. Many of the musical motifs reflect that influence and it is hoped that this solo will, in turn, inspire the many aspiring cornet players of today.

    Estimated delivery 12-14 days
  • £17.50

    Happy Land (Cornet Solo with Brass Band - Score only) - Camsey, Terry

    This composition is a very challenging one for the soloist and requires the accompaniment to be subservient at all times. The soloist will find it helpful to, generally, adopt a very light and playful style. As a young aspiring cornet player, the composer was influenced by a number of soloists of that day, one being Del Staigers of the Goldman Band in the USA. Many of the musical motifs reflect that influence and it is hoped that this solo will, in turn, inspire the many aspiring cornet players of today.

    Estimated delivery 12-14 days
  • £34.95

    HAPPY LAND (Cornet Solo with Brass Band Set) - Terry Camsey

    This composition is a very challenging one for the soloist and requires the accompaniment to be subservient at all times. The soloist will find it helpful to, generally, adopt a very light and playful style. As a young aspiring cornet player, the composer was influenced by a number of soloists of that day, one being Del Staigers of the Goldman Band in the USA. Many of the musical motifs reflect that influence and it is hoped that this solo will, in turn, inspire the many aspiring cornet players of today.

    Estimated delivery 12-14 days
  • £15.00

    ONE FINE DAY (from Madam Butterfly) (Cornet Solo with Brass Band) - Puccini, Giacomo - Littlemore, Phillip

    One Fine Dayis the opera's most famous aria. It comes at the beginning of Act II, which is set three years after the action of Act I. Pinkerton, Butterfly's husband, is a US Naval Officer and he had to return to the sea shortly after their wedding. In the aria, she sings about the day he will return, seeing the ship appear on the horizon, then seeing it enter the harbour. When he arrives, they will be runited for ever. Duration: 3:00

    Estimated delivery 12-14 days

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  • £49.95

    Blaze - Phil Lawrence

    Cornet/trumpet sounds have been changing for some years; they are becoming heavier, more robust, slower vibratos. The dynamic level now pushed out by your average solo cornet is 30% more than it was some 35/40 years ago. This, is mainly due to the bore size of instruments and mouthpiece sizes (as in bigger), and, demands of modern day works for band on the player/soloist, and of course a greater demand of styles on the player, and progressive teaching methods. The technical styles in Blaze are about these changes.In Blaze I have clearly blended symphonic blowing styles of the trumpet plus the virtuosic attributes of today's modern cornet player. Many solo cornets parts (more past than present) in band are often clearly defined between low A and top C above the stave. Orchestral trumpet players need a working range of another fourth at either end of this defined range; I have incorporated this range into the concerto. The low register is much explored, and the average tessitura throughout is constantly varied below and above the stave from pedal Eb to super F# opt. The ideology of this blend of course makes sense as the original dedication is to Rod Franks, LSO, and of course blending with that is Rod's history at Black Dyke Mills Band.The concerto is ten minutes long and in one movement comprising of four sections and one solo cadenza, with one section only appearing once, an episode. This singular section was a revised addition and dedicated to Richard Marshall who gave the first premier in New Zealand in June 2003. For the purists the form is thus, A, B, A (vari), C (episode). D (slow movement), E (3/8 episode 1), D (vari), E, (episode 2). A (last move), B, A (developed) = (coda finale).The compositional style? Well, I hope quintessentially, 21st C English with an element of nostalgia (modal/old English). There are some hints at jazz playing styles and rhumba, but romantic English I would say, and especially the slow movement.Blaze is also very bold; the title itself reflects this, full of bravura and constant amazement, offering little respite for the soloist and sapping much stamina. The opening statement from the soloist is without accompaniment; just as a matador stands alone in the ring for the first few seconds, and looks at the mass crowd in defiance, he thinks, "you are here to see me die", so the soloist stares the audience back in the face, and opens with the richest, largest sound (not loudest) one can muster, thus throwing the gauntlet down to the ears of all who might disbelieve what they are about to encounter, a gladiatorial cornet, a Blaze from the stage.For the soloist, it is a non-stop Blaze of sound, electrifying technique, sage-like musicianship, super-human stamina and sheer matador-like bravura with 10th Dan mastery of over-all control, a test beyond the reasonable. And for the audience? Of course, a BLAZE never to be forgotten. Phil LawrenceThis work can be heard performed by cornet soloist Richard Marshall & the Grimethorpe Colliery Band on their award winning album entitled 'BLAZE'

    Estimated delivery 3-5 days
  • £14.25

    Sinfonietta No. 4 - Etienne Crausaz

    This work was composed for the occasion of the 28. Fete Cantonale des Musiques Vaudoises (28th Music Festival of the Canton Vaud), taking place in the Valley of Joux in June 2018. The music begins with a very simple fanfare consisting of five ascending legato notes which constitute the fundamental framework of the piece. This contrasts with the more cantabile sounding theme we hear after. The following Allegro section uses the sequence in a contrapuntal style reminding us of the Renaissance period, but with more modern day harmonies. Two solo cadenzas played by cornet and euphonium initiate the middle section, in which a theme also based on the sequence builds up towards the climax of the piece. The sequence in the last section is played in time but gives the feeling of a "one to the bar" beat. Shortly before the festive finale, the music heard in the middle part resumes.

    Estimated delivery 10-14 days

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