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£89.99
Festive Impressions - Oliver Waespi
This brilliant opening work with the sub-heading Cinematographic Overture" is guaranteed to make a great impression on your audience. The piece starts with solemn brass-band motifs, followed by melodic movements in the quiet middle part that leads to a rich climax. At the end of this refreshing work, there is a reprise of the brass bands which reflects the spirit of this music very well. After all, this is the intention of this work which was written specially for the Musikverein Henggart" to celebrate their 75th anniversary.
Estimated dispatch 5-14 working days
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£54.99
Yesterday - John Lennon - Ben Haemhouts
This song is of course one of the most famous ballads of all time. The pure simplicity of the melody is precisely what makes this number so unforgettable. Ben Haemhouts has made an arrangement that can be played by every orchestra and every soloist, and by different instruments. The arranger also played this gem himself on the "I've Got the Music" CD, with the band that he played with for 10 years.
Estimated dispatch 5-14 working days
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£60.99
Pasadena - Jacob de Haan
This piece takes you on a journey to the sunny Californian city of Pasadena. The piece reflects two contrasting aspects of the city,. Firstly the serene expressive side with exquisite statues, works of art and sun drenched villas and secondly the hot Latin side with the street parade which leads up to the famous American Football final in the Rose Bowl stadium.
Estimated dispatch 5-14 working days
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£39.95Harlem Nocturne
While an arranger with the Ray Noble Orchestra in 1939, Earle Hagen composed the unforgettably sultry "Harlem Nocturne" which has lived on and on through various guises and performers. Here is published a version by that well know British trombonist and arranger, Bill Geldard, for solo tenor trombone and brass band.
Estimated dispatch 5-14 working days
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£154.60Prelude Festivo - John Brakstad
Prelude Festivo is intended to be performed both in concerts and in competitions and includes solo passages for most instrument groups. Duration 7,5 minutes. Form: Fast slow fast. The piece is built on two themes: Theme 1 (Allegro con spirito) is first presented as a cornet solo after a fanfare-like opening. Theme 2 is hinted at in the opening bars, but is presented fully in the slow (Andante) section (bar 141). This theme is developed and also appears as melodic and rhytmic fragments throughout the composition. In the concluding section (bar 196) both themes are played in conjunction before the piece concludes with the fanfare theme from the opening bars. Parts thatare marked piu mosso ed leggiero should be played in a cheerful light staccato style in contrast to Andante cantabile.
Estimated dispatch 5-14 working days
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£85.00Alchymist's Journal. - Kenneth Hesketh
'The Alchymist's Journal' gets its title from the book of the same name by American author Evan S. Connell. The book fictionalises a number of famous Alchemist's writings, each one developing another's thoughts thuscontinuing one idea but changing it subtly to provide a new view point or way of thinking. This process is, in fact, alchemical as one idea transmutes into another. This idea is parallel to the processes at work within thesevariants. The whole work is constructed from 6 notes (C, A, B flat, E flat, F sharp, E) and is presented in nine different sections, each individual in mood but still based upon the original pitches. This is not a thematic setofvariations, as the themes are developed one at a time from small segments of the six notes. For example, the opening theme is the complete number of pitches, the second theme uses three notes transposed then repeated at theoriginal level, and so on. Harmonically, the six notes can be divided into two triads, A minor and E flat minor - each key beginning and ending the piece respectively. Whilst this is essentially abstract music with noprogramme there is an introduction, menacing scherzo, slow reflective section followed by a recap of the scherzo and final coda. 'The Alchymist's Journal' was commissioned by the Brass Band Heritage Trust at the suggestionof Paul Hindmarsh, to whom the work is dedicated.
Estimated dispatch 5-14 working days
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£76.99Let's Celebrate - Dagmar Kildevann
Is there something to be celebrated? Then let's play 'Let's Celebrate'! This four-part suite has been based on two birthday songs: the world-famous 'Happy Birthday to you' (which is also sung in many other languages), and the Dutch song 'Lang zal hij/zij leven'. The Fanfare opens in grand style with the motif of 'Lang zal hij leven' and is followed by a cheerful March in which the motifs of both songs can be heard. The third part, Song, forms a moment of contemplation, and the birthday presents are unwrapped by the percussion section in the fourth part, Surprise Party. The yell may be adapted to the occasion. (the sleigh bells caused the composer to note down this somewhat peculiar yell). Of course everybody is expected to join in.
Estimated dispatch 5-14 working days
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£104.99Brass Metamorphosis - James Curnow
Brass Metamorphosis as the title suggests is a set of variations based on an original theme. Each of the five variations is in a different style with the first being a lively rondo, the second slow and intense, the third an agile scherzando, the fourth slow and expressive and the fifth full of majesty as it brings the piece to a triumphal close.
Estimated dispatch 5-14 working days
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£109.99Suite Celebration - Bruce Fraser
Bruce Fraser composed this test piece for the 'Gouden Spiker Festival' 2003 (The Netherlands). Suite Celebration was inspired by events in his recent family life. The first movement celebrates the marriage of his daughter and reflects her bubbly personality and vitality. The melodies and harmonies of the whole work are based on a note row which came up during a discussion with the publisher. The second movement celebrates the birth of his grand-daughter 'Rebecca Aileen' and takes the form of a ballad featuring expressive opportunities for the soloists. The final movement is more of a look into the future and hope of success and a good life for hisfamily. Who knows what is coming?
Estimated dispatch 5-14 working days
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£109.99Land of Legends - Andreas Ludwig Schulte
In 'Land of Legends' German composer Andreas Ludwig (what's in a name) Schulte takes you along to the fictional world of legends, myths and fairy tales. The introduction to the first part (The Castle) describes the majestic contours of the scene of action. Its instrumentation (horns) immediately makes you imagine being in Medieval spheres. The addition of trenchant copper instruments even gives the part a heroic tinge. After entering through the gate, a lot of hustle and bustle appears to be going on in the courtyard. Pages, squires and soldiers are busy attending to their arms. Beer is being brewed, flax is being spun, cattle are being tended and some craftsmen fromneighbouring villages are busily at work. In the upper chamber of the round tower lives an old man (The Old Wizard). He hardly ever comes out, and nobody knows exactly what he is doing. It is said that he is engaged in wizardry and magic. It is all very mysterious. There are also festivities, some of them sober, others exuberant. The wedding in the third part is celebrated in a grand manner. With a flourish of trumpets, the bride makes her entrance at the hand of her father. Afterwards, at the party there is dancing to the music played by minstrels and of course a plentiful banquet follows.
Estimated dispatch 5-14 working days
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