Results
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£30.00Cool Jericho - Brass Band - Full Score & Parts - LM290
COMPOSER: African-American SpiritualARRANGER: Jonathan MeadCool Jericho gets down with it with a swing.A great big band style arrangement featuring a solo for cornet and all sections of the band have a superb time accompanying.Handclaps and no doubt plenty of foot-tapping throughout this one.A great addition for your audience and repertoire!Suitable Section 4 Upwards
In Stock: Estimated dispatch 3-5 working days
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£30.00Eternal Source of Light Divine - Duet (Soprano Cornet & Bb Cornet) with Brass Band Full Score & Parts - LM548
COMPOSER: George Frideric HandelARRANGER: Peter BrayThe cantata celebratesQueen Anne'sbirthday, and the accomplishment of theTreaty of Utrecht(negotiated by theToryministry of Anne in 1712) to end theWar of the Spanish Succession. It was scored for 3 solo voices, choir and chamber orchestra.Queen Anne was said by the Duke of Manchester to be "too careless or too busy to listen to her own band, and had no thought of hearing and paying new players however great their genius or vast their skill."Nevertheless, and whether or not she ever heard this ode for her birthday, she granted Handel a "pension" (subsidy for living expenses) of two hundred pounds a year, for lifeHere is the delightful arrangement for Soprano Cornet and Bb Cornet with Brass Band Accompaniment
In Stock: Estimated dispatch 3-5 working days
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£25.00Rock Mood - Brass Band - TSM016 - P. W. Jones
COMPOSER: P. W. Jones"Rock Mood" has been written with the beginner Band in mind. The arrangement focuses on rhythm and sectional playing.This piece has quavers in pairs or, groups of four which always start on beats one or three. Pitch does not change on any pair but may change on the second pair of a group of four. Staccato and staccatissimo are both used in this composition. Please ensure that the difference is observed by the players and more importantly, play full value notes where no staccato or, staccatissimo is shown."Rock Mood" is a very sectional arrangement with tutti and soli sections. The soli sections may be played soli or if desired, as a solo. There are also cues to assist in flexibility for missing instruments and artistic freedom for the conductor.Some alternate parts (see below) have been included to cater for the different methods and syllabus.
In Stock: Estimated dispatch 3-5 working days
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£25.00The Sunne Rising
DescriptionThe Sunne Rising was commissioned by Matthew Stringer, who gave the first performance to mark the wedding of his sister in 2009. The title is taken from the poem of the same name by the English metaphysical poet John Donne:'Love, all alike, no season knows nor clime,Nor hours, days, months, which are the rags of time.'- The Sunne Rising, By John Donne (1572-1631)To view a PDF preview of the score click here; to view the solo part click here.
Estimated dispatch 7-14 working days
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£24.95To a Higher Place - Paul Sharman
This Soprano Cornet solo is a 'song without words'. There is no specific word association; the music alone attempts to create an atmosphere of calm and serenity and transport you to another place in the way only music can. The...
Estimated dispatch 5-7 working days
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£40.00A Song for Bram (Brass Band - Score and Parts) - Gregson, Edward
A Song for Bram is a short work, originally composed piano and brass band, and is dedicated to the memory of Bramwell Tovey, a close friend and colleague of the composer, and a conductor, composer, pianist and musician of huge talent, who sadly passed away before his time in the summer of 2022. In this short piece the composer has tried to imagine what kind of tune Bram would have improvised at the piano, something he frequently engaged in. No doubt it would have been a mixture of bluesy jazz, hymn tune, and love song, and this is how the solo piano takes off. In the middle section of a what is a simple tertiary structure, introduced are quotes from two hymn tunes Bram particularly loved, never having forgotten his Salvation Army roots. Bram's 'Song' returns, this time on a plaintive flugelhorn horn, and which reaches a climax with the full band before receding, literally, into the distance.....(to a new life beyond?).Duration: 6.00
Estimated dispatch 7-14 working days
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£14.00
A Song for Bram (Brass Band - Score only) - Gregson, Edward
A Song for Bram is a short work, originally composed piano and brass band, and is dedicated to the memory of Bramwell Tovey, a close friend and colleague of the composer, and a conductor, composer, pianist and musician of huge talent, who sadly passed away before his time in the summer of 2022. In this short piece the composer has tried to imagine what kind of tune Bram would have improvised at the piano, something he frequently engaged in. No doubt it would have been a mixture of bluesy jazz, hymn tune, and love song, and this is how the solo piano takes off. In the middle section of a what is a simple tertiary structure, introduced are quotes from two hymn tunes Bram particularly loved, never having forgotten his Salvation Army roots. Bram's 'Song' returns, this time on a plaintive flugelhorn horn, and which reaches a climax with the full band before receding, literally, into the distance.....(to a new life beyond?).Duration: 6.00
Estimated dispatch 7-14 working days
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£64.95Dance Spirit (Brass Band - Score and Parts) - Wiffin, Rob
Dance Spirit is a three movement suite of dances comprising Stomping Dance, Waltz Interlude and Duende linked by solo dancer cadenzas. It started life as the wind band piece Spirit of the Dance. In it I attempted to capture some of the elements of this most fundamental of human activities, the urge to move our bodies to the rhythm of the music. In re-working it for brass band I extended the duration of the Waltz Interlude and increased the technical level in some areas with the intention of making it a suitable test piece.Stomping Dance - The suite starts with perhaps the most basic dance feeling, the desire to stomp our feet to the music, unrefined, no knowledge of steps needed. The heavy stomp is not always present in the music here, and sometimes you can sense the dancers trying something a little more refined, but it is always lurking in the background, ready to draw us back to the elemental rhythm of the beat.Waltz Interlude - Of course, dance does not always have to have heat, it can be elegant and restrained, emphasising fluidity of line and movement. In the waltz it is occasionally suspended by the held poses before the motion starts again. Unlike the outer movements, the Waltz Interlude is cool, danced in moonlight rather than under the sun. The two dancers sometimes move as one and at other times the man provides a frame for the more intricate arabesques of his partner.Duende - During my time living in Spain I went to watch some flamenco dancing. I was expecting the normal tourist cliches but the dancers were serious students of Flamenco Nuevo y Viejo (new and old). They performed with passion to some pounding asymmetric rhythms and their performance was the inspiration for Duende. Duende as a term is hard to define. It is a spirit of performance - that moment when you are right in the middle of the creative spirit of the music. It is about soul and a heightened state of emotion. Federico Garcia Lorca wrote: I have heard an old maestro of the guitar say, The duende is not in the throat; the duende climbs up inside you, from the soles of the feet. Meaning this: it is not a question of ability, but of true, living style, of blood, of the most ancient culture, of spontaneous creation.- Rob WiffinDuration: 13.45
Estimated dispatch 7-14 working days
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£104.99Parnassus (Brass Band - Score and Parts) - Van der Roost, Jan
Since most of the bands competing in the 4th Section of the Dutch National Championships have many young players, this piece is stylistically youthful, especially in the opening and closing sections. An arpeggio pattern appears numerous times in all registers and is the basic musical element of the main melody, alternating with a second theme that has a slightly different melodic character. The middle section is conceived like a chorale, introduced and developed stepwise: firstly with short patterns and gradually in increasingly long snippets, until it's played in its glorious entirety at measure 216. No real solo passages are included but rather small chamber combinations, thus offering the opportunity to various players to display their technical and performance skills. The finale recaptures musical material from the first section of the piece and provides a majestic conclusion.Duration: 11:45
Estimated dispatch 7-14 working days
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£56.00In Terra La Guerra (Vocal (Soprano) and Piccolo Trumpet Duet with Brass Band - Score and Parts) - Scarlatti, Alessandro - Lorriman, Howard
No.2 from 7 Arias with Solo TrumpetDuration: 3.30
Estimated dispatch 7-14 working days
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