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  • £55.00

    New York - Nigel Hess

    For anyone who is familiar with this bizarre and wonderful city, this piece needs no explanation. New York is the third movement of East Coast Pictures, originally written for wind band, commissioned in 1985 by the British Youth Wind Orchestra with funds from National Westminster Bank plc. These three short 'pictures' were inspired by several visits by the composer to a small part of the USA's East Coast, an area that provides great extremes in the geography and the people.The bass clef Euphonium parts can be purchased as individual downloads here.Brass Band Grades 4/5: Premier Youth and 2nd SectionDuration: 6 minutes

    In Stock: Estimated dispatch 1-3 working days
  • £30.00

    Edward Gregson: Music of the Angels, for Symphonic Brass and Percussion

    DescriptionProgramme NoteMusic of the Angels is a dramatic work of some 16 minute's duration, scored for a large symphonic brass ensemble, including seven trumpets, and percussion. The percussion section deploys 'dark' instruments such as three tam-tams, a bass drum and two sets of timpani.The title of the work is based on a quotation from the Book of Revelations:And I saw the seven angels which stood before God; and to them were given seven trumpetsThus, the idea behind the work is a dramatic one and the composer has emphasised this by the partial spatial arrangement of the ensemble, with six solo trumpets standing centre stage, but behind the main ensemble, and the seventh trumpet off-stage throughout.The work opens with a four-note motif, dominant throughout the work, announced initially by four off-stage horns and answered by fanfare figures on four solo trumpets. Then in turn each of the first four solo trumpets announce their own cadenzas before joining together, independently playing their own music. This reaches an intense climax before subsiding into slow music which might be described as a Kyrie eleison - a lament for humanity - a cantilena for flugel horn and euphonium, accompanied by trombones. The drama soon returns with the entry of trumpets 5 and 6, playing music that is fast, more urgent and foreboding, and describing in musical terms the horsemen of the Apocalypse.At the climax of this section trumpet 7 enters dramatically, representing the words of the seventh angel ... and time shall be no more. The opening four-note motif is here transformed into a cadenza of epic proportions, to the partial accompaniment of three tam-tams (representing the Holy Trinity). The ensuing scherzo, scored for the ensemble, is fast and furious, but despite the somewhat desolate mood of this music (briefly interrupted by the re-appearance of trumpet 7), it slowly moves towards a more optimistic conclusion, transforming the 'lament for humanity' music into an affirmative and triumphant climax.This work has been commercially recorded on a critically acclaimed CD from London Brass on the Chandos label, available HERE.For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com

    Estimated dispatch 7-14 working days
  • £34.95

    MARCH OF THE HOURS (Brass Band Set) - Emil Soderstrom

    March of the Hours was first performed at Star Lake Music Camp in 1962 with the composer supplying an informative listening guide which was printed in the published score; "The phrases are of 12 crotchets each (three bars) signifying the 12 hours. Up to the trio, the music describes the headlong search for pleasure by the thoughtless. Abruptly, the trio brings 'I need thee every hour', but an episode employing the original theme pushes it aside until it reappears, this time against a background of chimes of the full hour (Westminster chimes). While the hour strikes 12, a paraphrase of the opening strains of 'When the trumpet of the Lord shall sound and time shall be no more' is heard. Here the music stops, to be followed by the trumpet sounding (cornets and trombones) and the rest of the band responds with 'When the roll is called up yonder' with a final 'I'll be there'."

    Estimated dispatch 7-14 working days
  • £29.95

    PILGRIM WAY, The (Brass Band Set) - Eric Ball

    Attempting to recreate the atmosphere of mediaeval pilgrims, this suite comprises three separate, yet linked movements. I. Based on John Bunyan's poem 'He Who Would Valiant Be', the music reminds us of the words 'No foes shall stay his might, though he with giants fight, he will make good his right to be a pilgrim'. II. A transcription of the composer's own setting of 'God be in my head'. III. The original themes in this movement express feelings of joy and excitement of present day pilgrims journeying on the Christian path.

    Estimated dispatch 7-14 working days
  • £29.95

    JUST AS I AM (Brass Band Set) - Wilfred Heaton

    A typically dramatic 'classic' by Heaton. Published in 1947 but written many years before, this timeless composition is more than 'just a hymn setting' - more a miniature Tone Poem of real Heaton intensity. Immensely popular for both SA and 'contesting' bands and featured on no less than 6 recordings in this catalogue.

    Estimated dispatch 7-14 working days
  • £23.00

    King Lear Fanfare (Brass Band - Score and Parts) - Debussy, Claude - Wilson, Duncan

    King Lear is a tragedy by William Shakespeare. Lear descends into madness bringing tragic consequences for all. Based on a mythological pre-Roman Celtic king, the play has been widely adapted for the stage and motion pictures, with the title role coveted by many of the world's most accomplished actors. Its first known performance was in 1607, George Bernard Shaw wrote, "No man will ever write a better tragedy than Lear". Originally orchestrated for 2 flutes, 4 horns, 3 trumpets, timpani, side drum, 2 harps, and strings, Debussy wrote five minutes of incidental music for a production of King Lear, produced at the Theatre Mogador Paris in 1904. Duration: 1.30. Suitable for 4th Section Bands and above.

    Estimated dispatch 7-14 working days
  • £34.95

    March Of The Hours (Brass Band - Score and Parts) - Soderstrom, Emil

    March of the Hours was first performed at Star Lake Music Camp in 1962 with the composer supplying an informative listening guide which was printed in the published score; "The phrases are of 12 crotchets each (three bars) signifying the 12 hours. Up to the trio, the music describes the headlong search for pleasure by the thoughtless. Abruptly, the trio brings 'I need thee every hour', but an episode employing the original theme pushes it aside until it reappears, this time against a background of chimes of the full hour (Westminster chimes). While the hour strikes 12, a paraphrase of the opening strains of 'When the trumpet of the Lord shall sound and time shall be no more' is heard. Here the music stops, to be followed by the trumpet sounding (cornets and trombones) and the rest of the band responds with 'When the roll is called up yonder' with a final 'I'll be there'."

    Estimated dispatch 7-14 working days
  • £17.50

    March Of The Hours (Brass Band - Score only) - Soderstrom, Emil

    March of the Hours was first performed at Star Lake Music Camp in 1962 with the composer supplying an informative listening guide which was printed in the published score; "The phrases are of 12 crotchets each (three bars) signifying the 12 hours. Up to the trio, the music describes the headlong search for pleasure by the thoughtless. Abruptly, the trio brings 'I need thee every hour', but an episode employing the original theme pushes it aside until it reappears, this time against a background of chimes of the full hour (Westminster chimes). While the hour strikes 12, a paraphrase of the opening strains of 'When the trumpet of the Lord shall sound and time shall be no more' is heard. Here the music stops, to be followed by the trumpet sounding (cornets and trombones) and the rest of the band responds with 'When the roll is called up yonder' with a final 'I'll be there'."

    Estimated dispatch 7-14 working days
  • £29.95

    Just As I Am (Brass Band - Score and Parts) - Heaton, Wilfred

    A typically dramatic 'classic' by Heaton. Published in 1947 but written many years before, this timeless composition is more than 'just a hymn setting' - more a miniature Tone Poem of real Heaton intensity. Immensely popular for both SA and 'contesting' bands and featured on no less than 6 recordings in this catalogue.

    Estimated dispatch 7-14 working days
  • £14.95

    Just As I Am (Brass Band - Score only) - Heaton, Wilfred

    A typically dramatic 'classic' by Heaton. Published in 1947 but written many years before, this timeless composition is more than 'just a hymn setting' - more a miniature Tone Poem of real Heaton intensity. Immensely popular for both SA and 'contesting' bands and featured on no less than 6 recordings in this catalogue.

    Estimated dispatch 7-14 working days