Results
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£54.95
Imperium - Bruce Fraser
3rd Section National Test Piece 2007. A suite describing three of Rome's greatest rulers - Pompey, Cicero and Julius Caesar
Estimated delivery 12-14 days
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£97.00Delta Energy - Jan Bosveld
The assignment to write a test piece for the National Brass Band Championships ended up also being a 'test piece' for myself as a composer. Although being quite familiar with the Brass Band phenomenon, as a composer I still have the feeling of being an outsider. Delta Energy turned out to be a non-program composition. The Brass Band as orchestra form is depicted musically in this piece. All the specific characteristics are portrayed in varying settings. Solo passages for Euphonium, Flugelhorn and Cornet alternating with extensive tutti-passages and of course technical highlights form the ingredients for this work written in rhapsodic form. The title "Delta Energy" is derived from a project of the N.V. Nederlandse Gasunie in Groningen which also contributed in making this composition possible.
Estimated delivery 10-12 days
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£59.95
Rhapsody in Brass - Dean Goffin
Rhapsody in Brass is in three movements and was written for the British Open Championships in 1949, held at Belle Vue in Manchester. The contest winners were Fairey Aviation Works Band under the baton of Harry Mortimer. Eric Ball came second with Ransome & Marles and Stanley Boddington 3rd with Munn and Felton Band. Rhapsody in Brass had the unusual distinction of being written as a test piece by a Salvation Army composer. Eric Ball's Resurgam was the only other piece to achieve that dual personality in that era.Dean Goffin was born in 1916 in Wellington, New Zealand, son of Henry Goffin, a Salvation Army officer and composer. At 19 he was appointed Bandmaster of the Wellington South Band and when World War II started, he enlisted in the New Zealand Armed Forces where he became Bandmaster of the 20th Infantry Battalion and later the 4th Brigade Band. During the time he served with them in the Middle East and Europe, he composed and arranged numerous pieces among which Rhapsody in Brass and the march Bel Hamid, later adapted for Salvation Army use and renamed Anthem of the Free.After the war, Dean kept on composing and his work was featured by the Wellington South Band. Later he transferred to Timaru for another job and became Bandmaster there. He was studying music at the time and as he wanted to take part in a competition for devotional selections for Salvation Army use, he sent some of his compositions to the International Headquarters. When Rhapsody for Brass was chosen as the test-piece for the British Open Championships, people at the Salvation Army started asking questions about the lack of publications of his work. It was discovered that the pieces submitted for the competition didn't meet the exact criteria. Among these pieces was one of his most appealing works The Light of the World which was published a year later, in 1950, the same year as he completed his Bachelor of Music studies at Otagu University.After entering the Salvation Army Training College in Wellington with his wife, Marjorie, Dean was in 1956 appointed National Bandmaster in the British Territory. Later he became National Secretary for Bands and Songster Brigades and in this period he organised the yearly festival in the Royal Albert Hall and was responsible for the national music schools in the UK. Dean returned to his home country in 1966 and to mark the centenary of the Salvation Army in New Zealand he was knighted by the Queen in 1983. Sir Dean Goffin died on 23 January 1984.
Estimated delivery 12-14 days
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£79.95Waiting for a Pain Hit!??!!? - Paul McGhee
Waiting For a Pain Hit!??!!? was written during November and December 2006 as an entry in the 2006/07 Swiss Brass Band Association Composers Competition. It was later chosen as the Championship Section set test piece for the 2010 Swiss National Brass Band Championships.The piece originates from sketches for a Brass Quintet which was written whilst I was in my second year of studies at the Royal Welsh College of Music and Drama. The piece, now being much more elaborate both musically and structurally than the original, aims to explore the many various textures available to a large brass ensemble. The aims of the piece, from its earliest stages, were mainly exploration of textures as well as dealing with issues of continuity and whilst the piece certainly contains challenging technical elements, they were not a driving force behind its inception and more organically grew from the primary aims of the piece. I was purposefully looking throughout the writing and editing process to create a piece of music with a seamless, ethereal quality to both the structure and the musical content.There are no 'performance directions' throughout the piece, the reasoning for this is explained below. However, I have spent much time and thought over the tempo markings throughout the piece and the tempos throughout the piece are the desired tempi and care should be taken with these. The tempo markings contained throughout the piece form a vital part of the structure and affect the continuity of the piece. Metronome marks contained within a box show the tempo of the new section in relation to the tempo that precedes it by use of metronome modulations. Any alterations tothe tempo of the section that precedes it will alter the boxed metronome marks.The title of a piece of music, please forgive my generalisation, is to give an insight into 'what a piece is about'. I suppose that this piece is no different, but with the title being slightly abstract I shall resist the temptation to reveal what it means to me. The title, I feel, needs to be open to interpretation along with the music within. That's the way, with this piece especially, I like my music to be. Freedom to find our own meaning and a way to express it from within the score is vital. It is only then that the piece can take on its own identity and grow in ways that even I might not have imagined, revealing different sides to its personality with each performance.Before the music begins I have included some text. Do these words hold the key to the music?! Can they help??!I DON'T KNOW!!!I just like the rhythms, the pulse and the imagery. Hopefully all of this can help to create a picture. But let it be your picture...Paul McGhee, June 2010.
Estimated delivery 5-7 days
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£59.99
Lyonesse (Score & Parts) (Brass Band/Score & Parts) - Simon Dobson
was commissioned by the Brass Band Heritage Trust as the test piece for the Finals of the National Youth Brass Band Championships held in Manchester in April 2005. This atmospheric music, ideal as a test piece for First and Second section bands, takes its inspiration from the lost kingdom of Lyonesse, the mythical spur of land linking Cornwall and the Scilly Isles, and its associated legend of Tristan and Isolde.
In stock: Estimated delivery 1-2 days
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£9.99
Lyonesse (Score) (Brass Band)
was commissioned by the Brass Band Heritage Trust as the test piece for the Finals of the National Youth Brass Band Championships held in Manchester in April 2005. This atmospheric music, ideal as a test piece for First and Second section bands, takes its inspiration from the lost kingdom of Lyonesse, the mythical spur of land linking Cornwall and the Scilly Isles, and its associated legend of Tristan and Isolde.
In stock: Estimated delivery 1-2 days
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£10.00
Concertino for Brass Band - Study Score - Kenneth Downie
This music, in its original four movement form called 'Concerto for Brass Band', was commissioned by Brass Band Treize Etoiles from Switzerland as an own-choice test piece. For its use as the test piece for the Championship Section of the 2008 National Brass Band Championships of Great Britain it was specially published without the second movement Scherzo (available separately) as 'Concertino for Brass Band'.
Estimated delivery 12-14 days
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£109.00Sinfonietta no. 1 - Johan de Meij
Sinfonietta No. 1, written for brass band, was commissioned by the Dutch National Championships 2011 in Groningen. It also served as the test piece for the Swiss National Championships 2011 in Montreux, Switzerland. Unlike most of Johan de Meij's compositions, Sinfonietta No. 1 is an abstract, non-programmatic work. It consists of three movements, in which the thematic material of the opening measures - an upward fifth jump - returns in various shapes and forms throughout the piece. The slow middle section features solo passages by cello, English horn and bassoon, all starting with the same fifth jump. The final movement presents an Elgar-like march theme, interspersed with quotes from the second movement, and ending with the opening theme of movement I.
Estimated delivery 10-12 days
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£35.99
Definitions - Fendall Hill
This original work for Soprano Cornet and Piano has been widely used as a test piece in national and state competitions in New Zealand and Australia. It is the set piece for the Open Soprano Cornet section of the 2018 Australian National Brass Band Championships. After much popular demand, we are pubishing a version for soprano corenet and band.
Estimated delivery 12-14 days
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