Results
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£35.00Oubliette - Lucy Pankhurst
Lucy Pankhurst has created a highly immersive solo for Tuba/Eb Bass with brass band accompaniment, aiming and succeeding in showing the lyrical and technical diversity of the tuba, demanding virtuoso brilliance and clarity in performance.Dedicated to tuba player Edd Leech, Oubliette raises the bar for tuba repertoire.Set includes score, brass band parts and solo parts for Eb Bass (TC) and Tuba (BC). Solo with piano accompaniment available separately.Programme notes from the composer, Lucy Pankhurst:From the French word oublier, meaning 'to forget', an oubliette was a form of dungeon used in the 14th century. A small, windowless room where someone is locked away to be forgotten and left to go mad.I initially chose this title for the piece as the Tuba is often forgotten as a solo instrument, when its versatility in performance should be celebrated. Oubliette showsThe work begins with desolate and sparse accompaniment with lamenting solo lines. The soloist has already been cast into the oubliette at this point and is beginning to wake from a somnolent state. Reality is blurred through the darkness of the chamber - the only entrance is a hatch in the ceiling, far out of reach.Memories are confused by countless hours of solitude - hallucinations and paranoia tainting reality. Gradually, the soloist remembers images from the past and gains confidence and strength. Long forgotten by the captors, or presumed dead in the chamber, the entrance hatch suddenly opens to allow another prisoner inside. The soloist seizes the opportunity for escape and a short battle ensues. Sword and fist fighting, perilous leaps over the entrances to more dungeons and fierce battle cries are futile, as the soloist suddenly realises they are alone in the oubliette once more and the skirmish was nothing but another dream.The piece concludes with unaccompanied soloist in the low register, sinking deeper into the shadows of the windowless prison; are they accepting their fate, or merely lying in wait for another chance of escape, if one will ever come . . .
In Stock: Estimated dispatch 3-5 working days
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£30.00Pioneers
The 19th Century was a time of great pioneering spirit, where developments in industry, and transport were to begin a process, which was to transform societies around the world beyond recognition.In the vast, so-called "New World" of America these changes were exemplified as the railways spread out to reach hitherto remote and largely unexplored expanses.Steve Robson has composed Pioneers as a three movement piece for brass band (also available for brass and percussion ensemble), written in the spirit of John Philip Sousa (1854 - 1932), Stephen Foster (1826 - 1864) and Scott Joplin (1868 - 1917).The three movements consist of:March - The US Marine Band (1880)Spiritual - I'm Lookin' Up To HeavenRagtime - Canonball Rag
In Stock: Estimated dispatch 3-5 working days
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Wombling Merry Christmas - Mike Batt - Len Jenkins
Every Christmas has its novelty single, and following their successful reunion at Glastonbury in 2011, it was lovingly provided by The Wombles with the re- release of their 1974 hit 'Wombling Merry Christmas'. The Wombles are a British novelty pop group, featuring musicians dressed as the characters from children's TV show The Wombles, which in turn was based on the children's book series by Elisabeth Beresford. Songwriter and record producer, Mike Batt, wrote the series' theme tune, and went on to perform and produce a number of successful albums and singles as 'The Wombles'. Enjoy....
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Walk, Don't Run - Johnny Smith - Len Jenkins
"Walk, Don't Run" is an instrumental composition written and first recorded by jazz guitarist Johnny Smith in 1954. Chet Atkins also recorded it. However, the most well-known version is by a rock band called The Ventures from Tacoma (near Seattle) who released their version of the tune as a single in spring 1960. It was an instant success. In 1964, The Ventures released an updated version called "Walk Don't Run '64," which also made the Top 10 in the US, and there were 4 further editions up until 2000. In the UK, the tune was covered by the John Barry Seven. Rolling Stone magazine rated the Ventures' version of "Walk, Don't Run" as number 82 on their list of the 100 Greatest Guitar Songs of All Time.
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Scotch Missed - Len Jenkins - Len Jenkins
Back in the late 1980's a crowd of us went to Scotland to see in the New Year. We were dismayed to find that the pubs were shut early on New Year's Eve, and the only drink and merriment would be in an hotel (if resident or invited), or by 'first footing'. This involved taking a bottle of Scotch and presenting oneself at the door of a complete stranger, whereupon we were relieved of the bottle and welcomed into the general hubbub. The bottle was passed around those gathered there, so that by the time it got back to us it was empty. Just like its homonym, when it got around to us, it simply did not exist.
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£39.95Calon Lan - Eric Ball
Eric Ball originally made this duet arrangement with piano accompaniment for inclusion in our album Czardas (order code 0078) and it was later transcribed for brass band by Eric Wilson (who was named after the composer!). The Welsh tune is handled in turn by the duettists, one embellishing while the other carries the melody. The accompaniment parts are not difficult making this delightful, somewhat nostalgic, piece ideal for bands of all abilities.
Estimated dispatch 7-9 working days
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£49.95Arioso and Allegro - Joseph Hector Fiocco arr. Philip Wilby and Robert Childs
Joseph Hector Fiocco (1703-41) was the most famous member of a family of Belgian musicians. As well as being a church musician, Joseph was a violin maker, professor of Latin and Greek, and a distinguished harpsichord player. His famous allegro, originally written for harpsichord, lies well for the euphonium. It requires a steady tempo throughout its compass and dynamic range, and is ideal for improving technique and stamina. The lyrical arioso demands well-shaped phrases and ne breath control.
Estimated dispatch 7-9 working days
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£39.95Softly, As I Leave You - Alfred de Vita arr. Alan Catherall
Made popular by many singers over the years, this lovely song was first arranged for the Childs brothers as a solo, and later a duet, by Alan Catherall. It was first performed in the duet version at the Royal Albert Hall, London, in October 1985, conducted by their late father, John Childs. Also available with piano Brass Band Set comprises: Detailed condensed conductor score Solo B-flat Euphonium B-flat Euphonium Duet (2) E-flat Soprano Cornet Solo B-flat Cornet (4) 2nd B-flat Cornet (2) 3rd B-flat Cornet (2) B-flat Flugelhorn* Solo E-flat Horn* 1st E-flat Horn* 2nd E-flat Horn 1st B-flat Baritone 2nd B-flat Baritone 1st B-flat Trombone 2nd B-flat Trombone Bass Trombone B-flat Euphonium (2) E-flat Bass (2) B-flat Bass (2) 1st Percussion 2nd Percussion 3rd Percussion (Drum Kit) * Alternative parts for use as solo or duet provided. There is no Repiano Cornet part.
Estimated dispatch 7-9 working days
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£52.00Introduction and Allegro on a bass by Max Reger (Score only) - Robert Simpson
The fourth work for brass band to come from Robert Simpson's pen has enriched the repertory still further. Introduction and Allegro on a Bass by Max Reger was composed between the end of June and the beginning of November 1986 at the request of Howard Snell and was commissioned by the Desford Colliery Dowty band. The Introduction is mainly mysterious and deliberate while the Allegro is full of energy. The Bass is question is taken from Reger's Fantasia and Fugue in D Minor, opus 135b, and at one point, near the end of the work, Reger's own treatment of the bass is used. The rest is pure Simpson. Duration: 16:00
Estimated dispatch 7-9 working days
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£62.00Introduction and Allegro on a bass by Max Reger (Parts only) - Robert SImpson
The fourth work for brass band to come from Robert Simpson's pen has enriched the repertory still further. Introduction and Allegro on a Bass by Max Reger was composed between the end of June and the beginning of November 1986 at the request of Howard Snell and was commissioned by the Desford Colliery Dowty band. The Introduction is mainly mysterious and deliberate while the Allegro is full of energy. The Bass is question is taken from Reger's Fantasia and Fugue in D Minor, opus 135b, and at one point, near the end of the work, Reger's own treatment of the bass is used. The rest is pure Simpson. Duration: 16:00
Estimated dispatch 7-9 working days