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  • £89.95

    TRUMPETS OF THE ANGELS - 2016 Edition (Gregson) (Brass Band - Score and Parts) - Gregson, Edward

    The Trumpets of the Angels is a large-scale work, scored for seven solo trumpets (or cornets), brass band and percussion (deploying 'dark' instruments such as three tam-tams, bass drum and two sets of timpani). The genesis of the work is a quotation from the Book of Revelation ... and I saw the seven angels which stood before God; and to them were given seven trumpets.Thus the idea behind the work is highly dramatic and I have tried to achieve this by the spatial deployment of seven solo trumpets around the band. Trumpet 7 remains separate from the band throughout and, indeed, has the most dramatic and extended cadenza, representing the words of the seventh angel ... and time shall be no more.The work opens with a four-note motif announced by off-stage horns and baritones and answered by fanfare figures on four solo trumpets. In turn, each then play cadenzas before joining together, independently playing their own music. This leads to a sung Kyrie Eleison with accompanying solos for Flugel Horn and Baritone, after which we hear the entry of solo trumpets 5 and 6 with music that is more urgent and rhythmic, describing the Horsemen of the Apocalypse.The music reaches another climax, more intense this time, with the horns and baritones (now on-stage) again sounding the transformed motif, before subsiding into what might be described as a lament of humanity - slow, yearning music, which builds from low to high, from soft to loud, with a melody that is both simple and poignant. At its climax, Trumpet 7 makes a dramatic entry, playing the opening four-note motif, but expanded to almost three octaves. This cadenza (to the partial accompaniment of 3 tam-tams, representing the Holy Trinity) introduces new material and foreshadows the ensuing Scherzo, introduced by antiphonal timpani before the band enters with music that is fast and foreboding. Despite the somewhat desolate and 'unstable' mood of this music, it slowly moves towards an optimistic conclusion, transforming the 'humanity' music into an affirmative and triumphant statement.The original version of The Trumpets of the Angels was commissioned by the Fodens Band for their centenary concert at The Bridgewater Hall, Manchester, in 2000, and contained an important part for organ. In 2015 I was asked by Nicholas Childs to create a New Performing Edition for the Black Dyke Band; without organ, and including newly composed material. This New Performing Edition was given its first performance at the European Brass Band Festival in Lille in April 2016. The work is dedicated In tribute to Olivier Messiaen.- Edward Gregson

    Estimated dispatch 7-14 working days
  • £44.95

    TRUMPETS OF THE ANGELS - 2016 Edition (Gregson) (Brass Band - Score only) - Gregson, Edward

    The Trumpets of the Angels is a large-scale work, scored for seven solo trumpets (or cornets), brass band and percussion (deploying 'dark' instruments such as three tam-tams, bass drum and two sets of timpani). The genesis of the work is a quotation from the Book of Revelation ... and I saw the seven angels which stood before God; and to them were given seven trumpets.Thus the idea behind the work is highly dramatic and I have tried to achieve this by the spatial deployment of seven solo trumpets around the band. Trumpet 7 remains separate from the band throughout and, indeed, has the most dramatic and extended cadenza, representing the words of the seventh angel ... and time shall be no more.The work opens with a four-note motif announced by off-stage horns and baritones and answered by fanfare figures on four solo trumpets. In turn, each then play cadenzas before joining together, independently playing their own music. This leads to a sung Kyrie Eleison with accompanying solos for Flugel Horn and Baritone, after which we hear the entry of solo trumpets 5 and 6 with music that is more urgent and rhythmic, describing the Horsemen of the Apocalypse.The music reaches another climax, more intense this time, with the horns and baritones (now on-stage) again sounding the transformed motif, before subsiding into what might be described as a lament of humanity - slow, yearning music, which builds from low to high, from soft to loud, with a melody that is both simple and poignant. At its climax, Trumpet 7 makes a dramatic entry, playing the opening four-note motif, but expanded to almost three octaves. This cadenza (to the partial accompaniment of 3 tam-tams, representing the Holy Trinity) introduces new material and foreshadows the ensuing Scherzo, introduced by antiphonal timpani before the band enters with music that is fast and foreboding. Despite the somewhat desolate and 'unstable' mood of this music, it slowly moves towards an optimistic conclusion, transforming the 'humanity' music into an affirmative and triumphant statement.The original version of The Trumpets of the Angels was commissioned by the Fodens Band for their centenary concert at The Bridgewater Hall, Manchester, in 2000, and contained an important part for organ. In 2015 I was asked by Nicholas Childs to create a New Performing Edition for the Black Dyke Band; without organ, and including newly composed material. This New Performing Edition was given its first performance at the European Brass Band Festival in Lille in April 2016. The work is dedicated In tribute to Olivier Messiaen.- Edward Gregson

    Estimated dispatch 7-14 working days
  • £30.00

    Voi Che Sapete (from The Marriage of Figaro) (Euphonium Solo with Brass Band - Score and Parts) - Mozart, Wolfgang Amadeus - Littlemore, Phillip

    Mozart's opera, The Marriage of Figaro, was based on what was a rather scandalous play by Pierre Beaumarchais, because the drama involves an incompetent nobleman being upstaged by a crafty, quick-witted servant named Figaro, in their quest for the same woman. The action takes place in just one day and offers a series of awkward and humorous situations, complete with a vibrant dialogue between the all the main characters. Voi Che Sapete?is performed by Cherubino, who is about to be sent off to the army because the Count finds him a nuisance. When Cherubino appears before the Countess and Susanna to tell them of his fate, this aria is sung at the request of Susanna for a love song. Cherubino is characterized as a young adolescent who is in love with every woman he meets, and because his voice is yet unbroken, he is always played by a female singer.?Duration: 2:30

    Estimated dispatch 7-14 working days

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  • £30.00

    Voi Che Sapete (from The Marriage of Figaro) (Vocal Solo (Soprano) with Brass Band - Score and Parts) - Mozart, Wolfgang Amadeus - Littlemore, Phillip

    Mozart's opera, The Marriage of Figaro, was based on what was a rather scandalous play by Pierre Beaumarchais, because the drama involves an incompetent nobleman being upstaged by a crafty, quick-witted servant named Figaro, in their quest for the same woman. The action takes place in just one day and offers a series of awkward and humorous situations, complete with a vibrant dialogue between the all the main characters. Voi Che Sapete?is performed by Cherubino, who is about to be sent off to the army because the Count finds him a nuisance. When Cherubino appears before the Countess and Susanna to tell them of his fate, this aria is sung at the request of Susanna for a love song. Cherubino is characterized as a young adolescent who is in love with every woman he meets, and because his voice is yet unbroken, he is always played by a female singer.?Duration: 2:30

    Estimated dispatch 7-14 working days

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  • £49.99

    Journey to the Past (from Anastasia) (Brass Band - Score and Parts) - Flaherty, Stephen - Bond, Christopher

    Step into an enchanting world of nostalgia with the compelling sounds of Journey To The Past, a wonderful little gem by Stephen Flaherty, magically arranged for brass band by Christopher Bond. This song, originally composed for the popular animated film Anastasia, tells a story of hope, discovery and finding one's true self. The warm brass band sounds add a new dimension, infusing each note with emotion and passion.Duration: 3.15

    Estimated dispatch 7-14 working days

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  • £44.95

    Hymn for Bram (Brass Band - Score and Parts) - Graham, Peter

    Hymn for Bram serves as homage to Bramwell Tovey (1953 - 2022) the internationally renowned, Grammy-winning orchestral conductor.The hymn is the central section from my large scale work Metropolis 1927, commissioned by Bram in 2014 for the National Youth Brass Band of Great Britain during his tenure as the bands' Music Director.Duration: 4.00

    Estimated dispatch 7-14 working days

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  • £49.99

    The Mandalorian (Brass Band - Score and Parts) - Goransson, Ludwig - Bond & Murtha

    This popular Star Wars series follows the exploits of a bounty hunter in the post-Return of the Jedi era. Featuring a stunning soundtrack by Ludwig Goransson, here is the iconic main theme in a dramatic and powerful setting for the concert stage. This arrangement was transcribed for brass band by Christopher Bond.Duration: 2.30

    Estimated dispatch 7-14 working days

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  • £76.99

    The Spider's Web (Brass Band - Score and Parts) - Sheppard, Mike

    The Spider's Web is a metaphor for danger, uncertainty and risk. Throughout the piece moments of danger contrast with moments of tranquility - at certain points these two ideas merge and in others they battle against one another. In this piece which requires a lot of technical skills for the players, the composer moves unexpectedly from moments of peacefulness to situations of threat and danger. An impressive, versatile and truly spectacular piece! Duration: 5.00

    Estimated dispatch 7-14 working days

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  • £40.00

    Fanfare for a New Era (Brass Band - Score and Parts) - Gregson, Edward

    Fanfare for a New Era is the most substantial of Edward Gregson's fanfares and was the result of a private commission by Lady Sheila Stoller to celebrate the opening in April 2017 of the Stoller Hall at Chetham's School of Music, Manchester. Gregson dedicated it to Sir Norman Stoller, who donated the funding for the new concert hall. The Fanfare was designed to fill the whole space, with separate brass choirs - trumpets, horns, trombones and tuba - playing their own music. A solo trumpeter playing 'on high' announces first the four horns and timpani, who enter with a stately measure. Next the herald trumpeter ushers in trombones, tuba and drums, with a faster dance. Finally, the remaining three trumpets amplify the peeling of bells. All four elements then come together, surrounding the audience with a 'joyful noise' of festive brass and percussion.Duration: 3.00

    Estimated dispatch 7-14 working days

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  • £14.00

    Fanfare for a New Era (Brass Band - Score only) - Gregson, Edward

    Fanfare for a New Era is the most substantial of Edward Gregson's fanfares and was the result of a private commission by Lady Sheila Stoller to celebrate the opening in April 2017 of the Stoller Hall at Chetham's School of Music, Manchester. Gregson dedicated it to Sir Norman Stoller, who donated the funding for the new concert hall. The Fanfare was designed to fill the whole space, with separate brass choirs - trumpets, horns, trombones and tuba - playing their own music. A solo trumpeter playing 'on high' announces first the four horns and timpani, who enter with a stately measure. Next the herald trumpeter ushers in trombones, tuba and drums, with a faster dance. Finally, the remaining three trumpets amplify the peeling of bells. All four elements then come together, surrounding the audience with a 'joyful noise' of festive brass and percussion.Duration: 3.00

    Estimated dispatch 7-14 working days

     PDF View Music