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  • £34.95

    Olympiada - Samuel Hazo - Jonathan Bates

    Olympiada was written to capture the human conditions of intense glory and pain that only the Olympic Games can inspire, while musically tying themes with a historic Greek feel to modern chord changes and melodies. It opens with an Olympic-style...

    Estimated dispatch 4-7 working days
  • £34.95

    Starburst and Canyons - Paul Lovatt-Cooper - Christian Jenkins

    The annual RNCM Festival of Brass features a number of the country's top bands and is a platform for modern compositions. Starburst and Canyons was composed for Dr Nicholas Childs and the Black Dyke Band to perform at the festival...

    Estimated dispatch 4-7 working days
  • £24.95

    The Spellbinding Jewel - Paul Lovatt-Cooper - Christian Jenkins

    This solo is in rondo form and written in a style which will appeal to both performer and listener. The first section is full of colour and vibrancy and has a rhythmic modern jazz feel that shows off the technical...

    Estimated dispatch 4-7 working days
  • £24.95

    Wanderer Above the Sea of Fog - Ben Hollings - Rodney Newton

    Wanderer Above the Sea of Fog was commissioned by Leigh Baker and the Carlton Main Frickley Colliery Band, for the 2014 Brass in Concert Championships at the Sage, Gateshead. The theme for the programme was a modern take on Mussorgsky's...

    Estimated dispatch 4-7 working days
  • £34.95

    SOUTHERN CROSS, The (Brass Band Set) - Brian Bowen

    The Southern Cross is one of several excellent marches by Brian Bowen in which he carried on the more sophisticated pattern of British marches by Wilfred Heaton, Leslie Condon and Ray Steadman-Allen. It was written for the Box Hill (Australia) Corps jubilee celebrations in 1970 and formed part of the band's repertoire when it toured Great Britain in the same year. The first half of the march features part of the song, 'March on!' by Klaus Ostby, an early pioneer of Salvation Army music in Scandinavia. The contrapuntal layering of melodies in the trio, especially in the finale where 'March on!' sounds one more triumphant time, is notable, as is the shift to a slower, more stately tempo. The harmonic and rhythmic style also represents the more modern sounds of Salvation Army brass band music in the late 1960s and early 1970s. Right from the opening gestures, listeners at early performances knew that a page had turned in the evolution of the Salvation Army march.

    Estimated dispatch 7-14 working days
  • £29.95

    IN CHRIST ALONE (Euphonium Solo with Brass Band Set) - Richard Phillips

    The popularity of this modern song is evidenced by the frequent use it enjoys during Sunday worship in many different denominational churches. The strength and solidity of the song is reflected in this triumphal arrangement, written at the request of Derick Kane and as a sequel to the earlier euphonium solo, 'There Will Be God'.

    Estimated dispatch 7-14 working days
  • £59.95

    CELESTIAL PROSPECT (Brass Band Set) - Wilfred Heaton

    Selected as 2nd Section test piece for 2003 'Regionals'Wilfred Heaton originally composed Celestial Prospect in the 1940's but, so the story goes, it was rejected by the SA Editorial 'chiefs' as being too modern. The original manuscript was lost for many years, turning up in the 1980's in New York. Heaton re-worked it for the New York Staff Band, and it is now accepted as a classic of the SA 'Festival' genre.

    Estimated dispatch 7-14 working days
  • £40.50

    March to the Scaffold - Berlioz, H.

    The journey to the scaffold of a man who has murdered his lover is the image behind the 4th movement from the Symphonie Fantastique (subtitled An Episode in the Life of an Artist). Berlioz' imagination, widely regarded as near insane during his lifetime, operated on the edge of musical possibility : his scoring for the orchestra, and particularly his use of harmony in non-standard ways was regarded as ignorant and primitive by non other than Mendelssohn. These factors are very clearly heard at work in this movement. Berlioz first made his reputation in England where his use of very large orchestral and choral forces gained an enthusiastic audience. The modern revival of interest in his music recommenced in England during the 1960s.

    Estimated dispatch 5-7 working days
  • £55.50

    Prelude and Liebestod (Tristan) - Wagner, R.

    The beginning and end of Wagner's opera Tristan and Isolde are two of the most frequently played of the composer's operatic excerpts in orchestral concerts. Following in the footsteps of Alexander Owen who produced an arrangement of the Prelude alone at the turn of the 19th to 20th century, with the capabilities of Bands being now so much further advanced I took up the challenge of a version for our times together with Isolde's broken-hearted Song of Death that closes the opera.Glorious music, that is still 'modern' today in painting the romance of the title characters. Difficult, yes, but rewarding, absolutely.

    Estimated dispatch 5-7 working days
  • £44.50

    Procession to the Minster - Wagner, R.

    'Procession' was premiAred at the Royal Albert Hall Gala Concert in October 1987, to immediate success. It fits together music from two separate parts of Act 2 of Lohengrin into a single stretch. That it has become the most used finale in modern brass band history, is beyond any doubt, with only the March from the Pines of Rome mounting any real challenge.... although perhaps latterly 'Entry of the Gods into Valhalla' shows every sign of making a run on the post.Brass Band World's TOP CHOICE as a Finale, most played, most enjoyed by audiences and players alike. Again Grades 2 and 3 because it is hard... but everyone wants to play it!

    Estimated dispatch 5-7 working days