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£29.95

Judd: Emblem Of The Army

This march was originally written in 1934 and published as 'The Hussar' in the composer's own Regal Band Journal. The march was re-published by The Salvation Army in 1967, with the addition of the tune 'Lift up the Army banner', under the new title of 'Emblem of the Army' and has remained a firm favourite ever since
Estimated dispatch 7-14 working days
£29.95

EMBLEM OF THE ARMY (Brass Band Set) - Arthur Gullidge

This march was originally written in 1934 and published as 'The Hussar' in the composer's own Regal Band Journal. The march was re-published by The Salvation Army in 1967, with the addition of the tune 'Lift up the Army banner', under the new title of 'Emblem of the Army' and has remained a firm favourite ever since.
Estimated dispatch 7-14 working days
£29.95

Emblem Of The Army (Brass Band - Score and Parts) - Gullidge, Arthur

This march was originally written in 1934 and published as 'The Hussar' in the composer's own Regal Band Journal. The march was re-published by The Salvation Army in 1967, with the addition of the tune 'Lift up the Army banner', under the new title of 'Emblem of the Army' and has remained a firm favourite ever since.
Estimated dispatch 7-14 working days
£14.95

Emblem Of The Army (Brass Band - Score only) - Gullidge, Arthur

This march was originally written in 1934 and published as 'The Hussar' in the composer's own Regal Band Journal. The march was re-published by The Salvation Army in 1967, with the addition of the tune 'Lift up the Army banner', under the new title of 'Emblem of the Army' and has remained a firm favourite ever since.
Estimated dispatch 7-14 working days
£34.95

Jesus Shall Conquer (Brass Band - Score and Parts) - Downie, Kenneth

This music was written for Salvation Brass. It is declamatory in style and would fit the role of an intrada. The words associated are by a former General of The Salvation Army, Albert Orsborn, and have a very optimistic tone, consistent with the Christian faith. The chorus reads: Jesus shall conquer, lift up the strain! Evil shall perish and righteousness shall reign.The tune used is Pilgrims (T.B. 548), by Henry Thomas Smart, the 19th Century English composer and organist, who also wrote another of my favourite hymn tunes, Regent Square. Keeping a steady tempo will help to preserve the dignity of the theme and also help to avoid the busier passages in the score from being rushed. As ever, articulation and dynamics require careful attention.
Estimated dispatch 7-14 working days
£17.50

Jesus Shall Conquer (Brass Band - Score only) - Downie, Kenneth

This music was written for Salvation Brass. It is declamatory in style and would fit the role of an intrada. The words associated are by a former General of The Salvation Army, Albert Orsborn, and have a very optimistic tone, consistent with the Christian faith. The chorus reads: Jesus shall conquer, lift up the strain! Evil shall perish and righteousness shall reign.The tune used is Pilgrims (T.B. 548), by Henry Thomas Smart, the 19th Century English composer and organist, who also wrote another of my favourite hymn tunes, Regent Square. Keeping a steady tempo will help to preserve the dignity of the theme and also help to avoid the busier passages in the score from being rushed. As ever, articulation and dynamics require careful attention.
Estimated dispatch 7-14 working days
£34.95

Judd: Jesus Shall Conquer

This music was written for Salvation Brass. It is declamatory in style and would fit the role of an intrada. The words associated are by a former General of The Salvation Army, Albert Orsborn, and have a very optimistic tone, consistent with the Christian faith. The chorus reads: Jesus shall conquer, lift up the strain!Evil shall perish and righteousness shall reign.
Estimated dispatch 7-14 working days
£45.00

Triumph Series Band Journal July 2013 Numbers 1239 - 1242

No. 1239 March - Moving Onward (Nicholas Samuel)This march, written by Lieutenant Nicholas Samuel includes the melody from the song The Challenge of the Future written for the 125th Corps Anniversary at Upper Norwood. Other songs included are There's power in the blood of the Lamb , Here is the place and Wonder-working power.No. 1240 Selerction - O for a heart whiter than snow (Noel Jones)Eliza Edmunds Hewitt's song 'O for a heart that is whiter than snow', forms the basis for this selection written by retired Bandmaster Noel Jones. Brief references are also made to the choruses 'Grace ther is my every debt to pay' and 'Take up thy cross and follow me.No. 1241(1) Cornet Solo - In the bleak mid-winter (Trevor Worthington)A setting for cornet and band of the tune 'Cranham', written by Gustav Holst, with which we associate the words of the well-loved popular Christmas Carol.No. 1241(2) Invocation for thanksgiving (David Rowsell)Invocation, by definition, means ' a call to worship'. This music will serve this purpose for any Harvest or Thanksgiving service, using the tune, 'Come, ye thankful people, come'.No. 1242 High and lifted up (Steven Ponsford)This is music of an exciting yet relaxed nature, and it is intended that this piece be used to inspire and to 'lift up' listeners and players alike. Based on Michael W Smith's contemporary worship song, 'Open the eyes of my heart', this also contains the song 'Holy, holy, holy', to the tune of Nicea.
Estimated dispatch 7-14 working days
£54.99

Machet die Tore Weit

The numerous, mostly religious works of the Bohemian composer Andreas Hammerschmidt are composed with great craftmanship, and sound full and catchy. They were composed for 17th century village churches, in which they were sung by the congregation--and they are still familiar and popular today. Robert van Beringen took the advent hymn Lift Up Your Heads, Ye Gates and created this beautiful arrangement.
Estimated dispatch 5-14 working days

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£34.95

When Thunder Calls

When Thunder Calls was commissioned by Dr Nicholas Childs and the Black Dyke Band for their performance at the Gala Concert of the Swiss Open Championships in September 2011. When composing this piece, I decided to focus on both the music and the stage presentation. The way the piece has been composed and designed makes it a very effective way of starting a concert or a second half of a concert.At the start of the piece, the percussion enter the stage and take their positions in their usual place behind the band. They begin playing the piece without a conductor. They keep repeating the opening section while the Basses, Horns, Baritones and Euphoniums march onto the stage.This group of musicians take their seats with the Horns, Baritones and Euphoniums sitting where they usually sit in the band but the Basses sit where the solo cornets usually sit, forming an inner semi-circle of lower brass. When seated and when the music gets to the end of bar 4 the piece continues onto section A. All performers keep repeating this next 4-bar phrase until the trombones march onto stage and stand at the front of the stage with the Bass Trombone standing in between the other two trombones.All performers then play from figure B to C with the trombones taking the lead at the front. When the performers get to rehearsal figure C they repeat this section (the same as section A) while the trombones move from the front of the stage and take their positions where the Basses would normally sit (between the horns and the percussion) and remain standing. Meanwhile, the flugel enters the stage and stands at the front of the stage (standing where the trombones did). When in position the flugel soloist picks up into rehearsal figure D.When the flugel soloist finishes playing, just before rehearsal figure F they then move to their normal seat in the band. At figure F the cornets march onto the stage from either side, they turn and stand side by side each other facing outward towards the audience forming two 'fanfare' lines either side of the lower brass. The conductor follows the cornets on stage and on cue they lift their instruments at the same time and perform when the piece gets to figure G.There is no more moving around from this point on other than the solo cornet to move forward with the solo euphonium and perform their duet at letter H. Also the horns are required to stand and play at letter I and then sit just before J.When performed with all the choreography, this piece makes for an exciting addition to any concert repertoire both for the performer and the audience.Suitable for 3rd Section Bands and Above
Estimated dispatch 7-14 working days