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  • £38.00

    Oxford Intrada - Jan de Haan

    The sparkling Oxford Intrada is based on the well-known Christmas carol O Come All Ye Faithful. The piece takes its name from the place where it was first performed, namely Oxford Cathedral in England.

    Estimated delivery 10-14 days

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  • £70.00

    General Series Band Journal Numbers 2044 - 2047

    Contains the following pieces: Intrada On 'A Song Of Praise',Praising,Such Love,The Lord Is Gracious,Dear Lord And Father Of Mankind

    Estimated delivery 12-14 days
  • £70.00

    General Series Band Journal Numbers 2088 - 2091

    Contains the following pieces: Camp Happyland,Ascalon,I've Got Joy,Intrada On 'Monkland'

    Estimated delivery 12-14 days
  • £46.00

    Montage (Score only) - Peter Graham

    Each of the movements of the symphony take as their starting point forms originating in music of the 16th and 17th centuries. The first, an intrada, introduces the main thematic material (based on the interval of a minor third) in its embryonic state. As the piece progresses, this material is developed and manipulated in a variety of ways. The interval of the third remains central to the overall scheme of the work, even unifying the three movements on a tonal plane (I: F (minor); II: A flat (major); III: C flat (minor). The internal structure of the intrada is an arch form: ABCBA, roughly modelled on the first movement of Concerto for Orchestra by Witold Lutoslawski, to whose memory the movement is dedicated. A chaconne follows - the basic material now transformed into expansive solo lines underpinned by a recurring sequence of five chords (again, a third apart). The movement's structure combines both ternary form and golden section principles and the chaconne's continuous cycle of chords may be visualised as circles. The final movement, a rondo, bears the dramatic weight of the entire work, as the underlying tonal tensions surface. A musical journey ensues, making diversions through lyrical territories as well as through more spiky, jazz-flavoured ones. The aural (and visual) montage is perhaps most apparent towards the climax of the piece, where three keys and polyrhythms sound simultaneously in the upper brass, xylophone, horns, and timpani. The climax itself combines the lyrical music heard earlier with the rondo theme, now presented by cornets and trombones in canon. The teleological thrust of the movement (if not the entire work) can be symbolized by the flight of an arrow, as it steers a predetermined course towards its target. Duration: 16:00

    Estimated delivery 5-7 days
  • £56.00

    Montage (Parts only) - Peter Graham

    Each of the movements of the symphony take as their starting point forms originating in music of the 16th and 17th centuries. The first, an intrada, introduces the main thematic material (based on the interval of a minor third) in its embryonic state. As the piece progresses, this material is developed and manipulated in a variety of ways. The interval of the third remains central to the overall scheme of the work, even unifying the three movements on a tonal plane (I: F (minor); II: A flat (major); III: C flat (minor). The internal structure of the intrada is an arch form: ABCBA, roughly modelled on the first movement of Concerto for Orchestra by Witold Lutoslawski, to whose memory the movement is dedicated. A chaconne follows - the basic material now transformed into expansive solo lines underpinned by a recurring sequence of five chords (again, a third apart). The movement's structure combines both ternary form and golden section principles and the chaconne's continuous cycle of chords may be visualised as circles. The final movement, a rondo, bears the dramatic weight of the entire work, as the underlying tonal tensions surface. A musical journey ensues, making diversions through lyrical territories as well as through more spiky, jazz-flavoured ones. The aural (and visual) montage is perhaps most apparent towards the climax of the piece, where three keys and polyrhythms sound simultaneously in the upper brass, xylophone, horns, and timpani. The climax itself combines the lyrical music heard earlier with the rondo theme, now presented by cornets and trombones in canon. The teleological thrust of the movement (if not the entire work) can be symbolized by the flight of an arrow, as it steers a predetermined course towards its target. Duration: 16:00

    Estimated delivery 5-7 days
  • £94.00

    Montage - Peter Graham

    Each of the movements of the symphony take as their starting point forms originating in music of the 16th and 17th centuries.The first, an intrada, introduces the main thematic material (based on the interval of a minor third) in its embryonic state. As the piece progresses, this material is developed and manipulated in a variety of ways. The interval of the third remains central to the overall scheme of the work, even unifying the three movements on a tonal plane (I: F (minor); II: A flat (major); III: C flat (minor). The internal structure of the intrada is an arch form: ABCBA, roughly modelled on the first movement of Concerto for Orchestra by Witold Lutoslawski, to whose memory the movement is dedicated.A chaconne follows – the basic material now transformed into expansive solo lines underpinned by a recurring sequence of five chords (again, a third apart). The movement’s structure combines both ternary form and golden section principles and the chaconne’s continuous cycle of chords may be visualised as circles.The final movement, a rondo, bears the dramatic weight of the entire work, as the underlying tonal tensions surface. A musical journey ensues, making diversions through lyrical territories as well as through more spiky, jazz-flavoured ones. The aural (and visual) montage is perhaps most apparent towards the climax of the piece, where three keys and polyrhythms sound simultaneously in the upper brass, xylophone, horns, and timpani. The climax itself combines the lyrical music heard earlier with the rondo theme, now presented by cornets and trombones in canon.The teleological thrust of the movement (if not the entire work) can be symbolized by the flight of an arrow, as it steers a predetermined course towards its target.

    Estimated delivery 12-14 days
  • £21.95

    European Brass Band Championships 2019 DVD

    DVD 11_1Introduction to the Championships 1_2Conversation with Ludovic Neurohr 1_3Dear CassandraLudovic NeurohrEikanger-Bj?rsvik Musikklag conducted by Ingar H. Bergby1_4Conversation with Magnus Brandseth & Gyda Matland 1_5Explorers on the MoonPaul RaphaelCory Band conducted by Philip Harper1_6Conversation with Philip Harper & Glyn Williams 1_7King Kong on Rue Igor-StravinskyPaul McGheeBrass Band B?rgermusik Luzern conducted by Michael Bach1_8Conversation with Michael Bach & Tobias Lang 1_9Music of the SpheresPhilip SparkeParis Brass Band conducted by Florent Didier1_10Conversation with Florent Didier 1_11A Brussels RequiemBert AppermontBrighouse & Rastrick Band conducted by Professor David King1_12Conversation with Professor David King 1_13GlassSimon DobsonValaisia Brass Band conducted by Ars?ne Duc1_14Conversation with Ars?ne Duc & Vincent Bearpark 1_15Cory celebrations DVD 22_1SpectrumGilbert VinterBrass Band Regensburg conducted by Dave Lea2_2Conversation with Dave Lea & Florent Nicklas 2_3Intrada FestivaAlan FernieWardle Academy Youth Band conducted by Lee Rigg2_4Allegro from Trombone ConcertoRimsky-Korsakov arr. Gordon LangfordAdam Warburton with Wardle Academy Youth Band conducted by Lee Rigg2_5Conversation with Lee Rigg & players 2_6SanctuaryDaniel HallCatch Basin Brass Band conducted by Andreas Lackner2_7Conversation with Andreas Lackner & players 2_8Thoughts of LoveArthur PryorManuel Zemp with BML Talents conducted by Patrick Ottiger2_9Conversation with Patrick Ottiger & players 2_10Blue StarterOliver WaespiEuropean Youth Brass Band conducted by Bertrand Moren2_11It don’t mean a thingEllington arr. Jack CortnerPatrick Ottiger with European Youth Brass Band conducted by Bertrand Moren2_12Ende MaiMarkus Fl?ckiger arr. Corsin TuorEuropean Youth Brass Band conducted by Bertrand Moren2_13EuroflashDamien LaggerValaisia Brass Band conducted by Ars?ne Duc2_14Concertino in BlueBertrand MorenLionel Fumeaux with Valaisia Brass Band conducted by Ars?ne Duc2_15Valaisia VariantsTom DavorenValaisia Brass Band conducted by Ars?ne Duc2_16Finale from William Tell OvertureRossini arr. Gregor J. GrantValaisia Brass Band and European Youth Brass Band conducted by Ars?ne Duc

    Estimated delivery 12-14 days
  • £29.95

    Flourish/Dances - Kevin Norbury

    Written originally for Intrada Brass by Kevin Norbury, this music is in four short movements: Flourish, Pavanne, Basse-Dance and Hornpipe, which provides a scintillating finale. Hold on to your hats!

    Estimated delivery 12-14 days