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  • £24.95

    Finale from Cello Concerto (Tenor Horn Solo) - Joseph Haydn - Owen Farr

    Originally composed for Haydn's long-time friend and cellist Joseph Weigl, the work was presumed lost until 1961 when a copy of the manuscript was discovered.This arrangement for tenor horn shows off both the lyrical and nimble qualities of the instrument. Scored in a concerto grosso style, with soloist accompanied by a "concertino" quintet comprising of two cornets, baritone, trombone and Eb bass, the whole band joins for the tutti sections.

    Estimated delivery 3-5 days
  • £24.95

    Tenor Toccata - Rodney Newton

    Composed for, and dedicated to, Owen Farr, this single movement work for tenor horn is divided into clearly defined sections. The introduction consists of a fanfare figure which is taken up by the soloist and turned into a cheerful melody. This is developed and varied during the progress of the first section, culminating in a climax. The pace later slackens and a new theme emerges, which grows out of the opening fanfare figure. This is then taken up by the accompaniment and shared with the soloist. A return to the faster music brings a new set of variants on the original theme, which builds to a broad statement of the middle section theme. A recapitulation of the primary material is rounded off by an energetic coda, also based on earlier material.Tenor Toccata is also available with piano accompaniment as part of Prima Vista Musikk's Owen Farr Solo Series.

    Estimated delivery 3-5 days
  • £64.95

    Concerto for Tenor Horn - Gareth Wood

    Gareth Wood's Concerto for Tenor Horn was commissioned by the Welsh Amateur Music Federation with additional funding from the Arts Council of Wales and the PRS Foundation. The work was written for Owen Farr and the National Youth Brass Band of Wales.It is in a traditional three movement form demonstrating the agility and lyricism of the tenor horn. The soloist begins alone with a singing melody in 5/4 time, and is soon joined by the Eb tuba and solo cornet. The rest of the band later emerge, leading the music into a strident Allegro. After a short tutti the soloist takes charge and a dialogue of melodic and rhythmic ideas follows. After a brief return to the opening theme the movement closes with a flourish. The second movement is a true Adagio. A profound beginning, almost hymn like, leads into a gentle melody which builds into a large tutti for band. A rhythmic section follows, rhapsodic in nature ending in a return to the melody used at the very beginning of the concerto. After another short tutti section the movement gently fades away. The finale is a combination of technical fireworks and an almost latin melody, both soloist and band finishing with great aplomb!Gareth Wood's Concerto for Tenor Horn received its world premiere by Owen Farr and the National Youth Brass Band of Wales under the direction of Dr. Robert Childs during their Summer Course of 2006 at Bangor University's Pritchard-Jones Concert Hall, North Wales.

    Estimated delivery 3-5 days
  • £64.95

    Paradise Lost - David Harrington

    A work alluding to the allure and multi-dimensional concept of a 'paradise' - the work aims to pit the solo horn against a backdrop of enveloping unknown beauty, exploring the primal, yet magnificent serenity of a garden bearing timeless prosperity.The horn solo explores this landscape - an intoxicating garden - with caution, nervously treading in a world of the exotic and the forbidden (Introduction). The character is shortly swamped in a lavish, walled paradise - a mirror image of misery and chaos, and freely enjoys the fruits and splendour of the garden (Scherzo). Eventually, the paradise shows its reversed side, and a poison seeps into the air. The joy and indulgence is cut short as the character bites from the tree of knowledge and is banished from the garden eternally.A soliloquy, slow movement, follows which allows the horn to reflect and question his decisions, and he laments over what paradise he really seeks (Romance).After a dramatic and romantic climax, the music descends back into a darker chaos - a more brutal version of the lively scherzo, this time in the form of an impending march. The character is suggested to be now lost in a hellish world as punishment for his greediness (Toccata).As the vibrant toccata refers back to the reflective material, the character then begins to understand where true paradise lies, and after reminiscing the romantic melodies from the centre of the work he rockets out of the fires of hell (Finale) and discovers true euphoria in a world outside the gates of hell and paradise.

    Estimated delivery 3-5 days
  • £64.95

    Suite from Gloria - Karl Jenkins - Arranged & Edited Childs & Wainwright

    "The Latin text of the Gloria is an ancient hymn of praise from the Christian tradition derived from the song of the angels who announce the birth of Jesus, as recorded in the Gospel according to St Luke. The Gloria has formed part of the Ordinary of the Mass for many centuries, and in that context has been set by many composers; there are also independent settings by Handel, Vivaldi and Poulenc. But the opportunity to work with such an iconic text also afforded me an opportunity to explore how other religions perceive the Divine. This is an ongoing feature of my work, from the multi-faceted The Armed Man: A Mass for Peace, the Japanese haiku in my Requiem to the ancient Arabic text in my Stabat Mater.” Karl Jenkins, June 2010Originally scored for choir, orchestra and ethnic percussion, Karl Jenkins’ Gloria received its world premiere on November 7th 2010 at the Royal Albert Hall, and was recorded in the same year by the National Youth Choir of Great Britain and the London Symphony Orchestra conducted by Karl Jenkins.This version for brass band and percussion was arranged and edited by Andrew Wainwright and Robert Childs, and received its premiere on November 16th 2014 at The Sage Gateshead performed by the Grimethorpe Colliery Band conducted by Robert Childs.The work is in five movements: I. The Proclamation: Gloria in Excelsis DeoThe Proclamation begins with a rousing fanfare featuring antiphonal cornet choirs, before unison plainchant introduces melodic lines for solo cornet flugel horn and tutti band. The movement closes with a return to the fanfare style. II. Prayer: Laudamus tePrayer is typical of Karl Jenkins; serenely beautiful and lyrical in style. This movement features various soloists and works well in isolation. III. The Psalm: Tehellim - Psalm 150The Psalm is vibrant and high paced featuring ethnic style percussion. Virtuosic in nature the movement also makes use of the antiphonal cornet choirs.IV. The Song: I’ll Make MusicThe Song represents the ‘Golden Section’ of the suite and is presented here as a cornet solo. Like Prayer, this heavenly music is also effective as a stand alone concert item.V. The Exaltation: Domine Deus The Exaltation follows the same form as The Proclamation. With a lyrical middle section featuring solo horn, flugel and solo cornet, the start and finish make use once again of brilliant antiphonal cornet choirs.Suite from Gloria can be heard on 'Grimethorpe Entertain' CD available to buy here.

    Estimated delivery 3-5 days
  • £24.95

    Troldhaugen - Jonathan Bates

    Troldhaugen was composed especially for Rosie Hughes, Flowers Band's Principal Horn and 2013 Player of the Year. This luscious solo for Tenor Horn, incorporates snapshots of ‘Morning' from Edvard Grieg's ‘Peer Gynt' as a basis for the work's melodic material, but with a tasteful added twist from composer Jonathan Bates who is himself an accomplished tenor horn soloist.The title takes its name from Edvard Grieg's house, located on the outskirts of Bergen, amongst idyllic countryside and lakes. The composer paints a musical picture of this beautiful Nordic setting through a wonderfully crafted lyrical addition to the tenor horn repertoire.

    Estimated delivery 3-5 days
  • £64.95

    Suite from Stabat Mater - Karl Jenkins - Andrew Wainwright / Robert Childs

    The World premiere performance of Karl Jenkins' Stabat Mater took place on March 15th 2008 in Liverpool's Anglican Cathedral, performed by the Royal Liverpool Philharmonic Orchestra and Choir conducted by the composer.Stabat Mater is a 13th Century Roman Catholic poem attributed to Jacopone da Todi. Its title is an abbreviation of the first line, Stabat mater dolorosa (‘The sorrowful mother was standing') This text, one of the most powerful and immediate of medieval poems, meditates on the suffering of Mary, Jesus Christ's mother, during his crucifixion.It has been set to music by many composers, among them Haydn, Dvor?k, Vivaldi, Rossini, Pergolesi, Gounod, Penderecki, Poulenc Szymanowski, Alessandro Scarlatti, Domenico Scarlatti and Verdi.Here we have three movements from Karl's setting of Stabat Mater to form a wonderful suite for brass band;ISancta Mater IICantus LacrimosusIIIParadisi GloriaMovements I and III feature antiphonal writing for cornets (group A and group B) whilst movement II opens with a quartet playing together at the side of the stage, before taking positions at the front of the stage.Performance layout based on traditional band formation: Flugel and horns should sit in the solo cornets seats, basses should sit in the horn seats, euphonium and baritones remain why they usually are. Trombones should stand a central position behind the basses and in front of percussion whilst cornets (divided as indicated on the score) take standing positions, one group behind the horns and the second group behind the baritones and euphoniums.This suite can be augmented with the inclusion of the euphonium solo Lament from Stabat Mater and the cornet solo / duet Ave Verum from Stabat Mater. If using one of these it should be played following Cantus Lacrimosus. If using both Lament should be played after Sancta Mater and Ave Verum after the Cantus Lacrimosus. All of this music can be heard performed by Cory Band conducted by Robert Childs on the Doyen CD ‘Cory in Concert - Volume II'

    Estimated delivery 3-5 days
  • £24.95

    An Untold Story - Paul Lovatt-Cooper

    Written at the request of Owen Farr (and recorded by him on his solo CD Untold Stories) this lyrical solo is a new and fresh addition to tenor horn repertoire. This piece is also available with piano accompaniment as part of the Owen Farr Solo Series.

    Estimated delivery 3-5 days
  • £64.95

    Actaeon - Gareth Wood

    This major work for brass band is based on the story of the Greek mythological character, Actaeon.Artemis was bathing in the woods when the hunter Actaeon stumbled across her, thus seeing her naked. He stopped and stared, amazed at her ravishing beauty. Once seen, Artemis punished Actaeon: she forbade him speech and if he tried to speak, he would be changed into a stag. Upon hearing the call of his hunting party, he cried out to them and was immediately changed into a stag. His own hounds then turned upon him and tore him to pieces as they did not recognise him.The music begins with Actaeon taunting his hounds. A slower section represents the young hunter (solo horn) leading to an up-tempo section as he rides through the forest. The central scherzo portrays a hunt. A gentle section (euphonium solo) potrays Artemis bathing under a waterfall. The music then depicts Actaeon being transformed into a stag with the final terrifying sounds of his body being torn apart!

    Estimated delivery 3-5 days
  • £24.95

    Concertino Catalonia - Jonathan Bates

    Composed for the Flowers Band, this fiery paced Spanish showpiece stays true to the ‘concertino' name by featuring many sections within the band. Percussion gives the piece its rhythmic drive, whilst there are a number of individual contributions, starting with euphoniums and baritones, before moving to flugel/solo horn and finally through to the cornets.

    Estimated delivery 3-5 days