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  • £35.63

    Swinging all the way (Brass Band) Dave Collins

    Swinging all the way is a jazzy take on the most well known of Christmas tunes, Jingle Bells. We begin in a dark underground jazz club with the rich, luscious harmonies supporting the tune that we all know. But the melody is perhaps secondary to the timbres and dissonances of this darkly elegant ballad punctuated by the solo cornet, a contrast of styles between the joyous melody and sober accompaniment. As the work progresses it becomes more uplifting, with solo features from the trombone, before emerging into the bright lights of a big band set, with stride bass, crunchy punctuating rhythms and screaming trumpets. The arrangement ends where we began, after our exciting sleigh ride comes to an end. To view a rolling score video please visit www.youtube.com/watch?v=UbUMVuWFrNI PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 2nd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani/Sus. Cymbal Drum Kit Vibraphone/Xylophone

    In stock: Estimated dispatch 1-3 days
  • £35.63

    In the Bleak Midwinter (Brass Band) Holst arr. Mack Wilberg trs. Barrie Gott

    A transcription for brass band of Mack Wilberg's popular setting of the much loved carol In the Bleak Midwinter, as sung by The King's Singers and The Choir of King's College, Cambridge at Carols from Kings in 2020. This is a reflective and beautiful arrangement of the classic Gustav Holst Christmas carol and remains faithful to the Wilberg choral setting. The arrangement underpins the well-loved melody with luscious, romantic harmonies, including moments of exquisite chromaticism. To view a rolling score video please visit www.youtube.com/watch?v=t2DbgNgezAQ PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 4th Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb

    In stock: Estimated dispatch 1-3 days
  • £55.43

    A Renaissance Christmas (Brass Band) Kevin Norbury

    VIEW SCORE PDF This magnificent festive suite was written by Kevin Norbury for the Pierre Elliott Trudeau High School Wind Symphony and features several well known carols set in a Renaissance style. Here it has been set for brass band. Three contrasting movements comprise the work: i. Processional (Personent hodie - On this day earth shall ring) This is a short piece imagining a torchlight Yuletide procession (perhaps bearing the traditional roasted wild boar), using a well-known Christmas melody from the large collection of music compiled in the 16th century called Piae Cantiones (1582). The tune is presented twice with accompanying, related melodic material. ii. Pastorale (Quem pastores laudavere - Shepherds sang their praises o'er him) This is a 14th-century melody which was originally collected by Michael Praetorius at the end of the 16th-century. The treatment throughout is very lyrical without overly complex harmonies. The melody is heard three times with brief linking episodes and a short coda. iii. Celebration! (In dulci jubilo - In sweet celebration - Ding-dong merrily on high)) This magnificent 13th-century melody was also a part of Michael Praetorius's collection. It is traditional associated with the words 'Good Christian men, rejoice!' The opening is a straight transcription of the great chorale prelude for organ by J.S.Bach. After the grandeur of the opening, the tune is heard in more of a 'folky' style. A lot of related melodic material is then presented before the tune Ding-dong merrily on high is heard. After another episode of previously used music In dulci jubilo reappears in a joyful conclusion to the piece. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 3rd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4

    In stock: Estimated dispatch 1-3 days

     MP3 Watch video

  • £31.67

    Fanfare for the Olympians (Brass Band) Aaron Stanley

    VIEW SCORE PDF This uplifting and rhythmic fanfare by American composer J. Aaron Stanley will be an ideal alternative to the traditional fare that is written in celebration of the Olympic Games. The composer writes: 'Most of my works start with a concept and working title in mind before I even begin composing. But Fanfare for the Olympians, on the other hand, was titled afterward, allowing the music to suggest its own title. The festive, anticipatory nature of the work seems to build excitement and tension for something celebratory and grandiose, like the Olympic Games. Written in 2000, at the time, I was obsessed with quartal harmonies and asymmetrical meters. But the driving eighth-note pulse of alternating 2+2+3 / 3+2+2 is what drives the fanfare forward to its epic climax.' Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2

    In stock: Estimated dispatch 1-3 days

     MP3 Watch video

  • £45.00

    Let All Mortal Flesh Keep Silence - Full Band Set

    ABOUT THIS PIECE: Composed by Edward Cuthbert Bairstow for the choir at York Minster, this atmospheric and haunting piece is a staple of the Anglican choral tradition. As with a lot of choral music, this piece lends itself very well to brass. With rich harmonies, this piece was written with the acoustic of York Minster in mind and would especially suit a more reverberant space if you get the opportunity! WHEN YOU BUY THIS PRODUCT, YOU GET: Printed full score and parts for full brass bandLEVEL:This piece is simple in notation but will provide healthy musical challenges - especially in unison playing. Third section (UK) upwards. Listen here:

    Estimated dispatch 5-7 working days
  • £48.00

    Don't Stop Me Now - Christopher Bond

    Although this tune by iconic band Queen met with a rather cool reception when it was first released in 1979, over the years it has become one of the bands most popular songs thanks in part to frequent use in advertising, television and film. Featuring trademark tight harmonies and a dramatic style shift from moderate ballad to double rock time, this arrangement will sound terrific even with young players. Note: whilst the demo video demonstrates the concert band arrangement, the version available to purchase on this website is the brass band transcription by Christopher Bond.

    Estimated dispatch 5-10 working days
  • £22.00

    Elegy - Kenneth Hesketh

    Elegy is a consortium commission in celebration of the 75th birthday of the distinguished wind band conductor Timothy Reynish. The music derives from a youthful symphony written when Hesketh was 16, the same source as his popular Masque. Full of big tunes and bitter-sweet harmonies, Elegy is a heartfelt thank you to a conductor who has done more than most to widen the vision of the wind orchestra movement.Brass Band Grade 5: 1st SectionDuration: 7 minutes.Elegy has been recorded by the Leyland Band, conducted by Jason Katsikaris, and is available on the CD Penlee.

    In stock: Estimated dispatch 1-3 days
  • £85.00

    Danceries - Kenneth Hesketh

    In Danceries, by Kenneth Hesketh, the melodies themselves are a mixture of old and new. Where the old occurs it has been adapted in mood and composition and is often interspersed with completely new material. The contemporary harmonies and rhythms bring a breath of new into these themes and add drama to the suite.Brass Band Grade 4: Advanced Youth and 3rd SectionDuration: 12 minutesScore & Parts

    In stock: Estimated dispatch 1-3 days
  • £89.95

    BLOCH-Party - Jonathan Bates

    DIFFICULTY: Champ. DURATION: 18'00". . 'BLOCH-Party' is music inspired by and attributed to the Swiss-born composer Ernest Bloch and was composed for the own-choice section of the 2022 Swiss National Brass Band Championships held in the Stravniski Auditorium, Montreux on the banks of Lake Geneva. Bloch was born and raised in Geneva itself to Jewish parents in 1880 before emigrating permanently to the United States in 1916. His Jewish heritage never ledft him though, and much of his writing and titling of works remained heavily influenced by his upbringing. This work is divided into 5 through-composed sections, culminating in a rip-roaring multi-metre dance inspired by traditional Yiddish and Klezmer rhythms and harmonies.

    In stock: Estimated dispatch 1-3 days
  • £74.99

    Cornet Concerto No.1 - Jonathan Bates

    My 'Cornet Concerto No.1' was composed for Lode Violet and Brass Band Willebroek in 2018 and features 2 movements, entitled 'Dystopia' and 'Utopia'. . The nature of the music in the opening section, 'Dystopia', is very jagged, disjointed and unsettling, as the soloist almost battles against the constant churning of the mechanical accompaniment, trying to persevere with it's own ideas and styles without being dragged into conforming to it's surroundings. The movement is based largely on the 3 note interval heard right at the outset of the piece (C, D & G#, a series of notes that lends itself so well to different modes, scales, harmonies and intervals) and this forms much of the rhythmic and harmonic structure of the opening section.Whilst this movement acts as a virtuoso feature to demonstrate the extended capabilities of both the soloist and instrument, I feel the accompanying ensemble plays an equal role in the narrative of 'dystopia', and features a number of demanding and prominent episodes for soloists within the accompanying band. A short and heavy coda concludes the movement, with a sense of real pain and sorrowfulness as the music fades away into darkness. . 'Utopia' opens in an instantly more hopeful nature, with the soloist introducing the first real 'theme' of the movement, taken up shortly by the accompaniment. Throughout this movement, there are a number of timbral and melodic references back to the darkness of 'dystopia', but transformed into a much more positive outlook and soundworld. There is a moment of quiet reflect (using the initial 3 note cell as a basis) before flying head first into a frenzied wild 'tarantella' like section, full of joy and energy which tests the dexterity and light-natured approach to virtuosity (much unlike the heavier material in the 1st movement) of the soloist. Primarily, the concept of this finale is fun - joy, happiness, and freedom from restraint, so the addition of a quirky 'tongue-in-cheek' habanera section offers a brief moment of respite from the craziness of the tarantella. To conclude the work, there is an extended cadenza for the soloist which is built on several motifs heard throughout the concerto, which leads the band into a dramatic and energetic final few bars.. Jonathan Bates. (2018). .

    In stock: Estimated dispatch 1-3 days